Art Classes

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William Wray is a very talented artist and came from Los Angeles to teach at The Winslow Art Center this summer.  Signing up for the class, which was quite expensive, I was hoping to learn how to take my more impressionistic painting to a more edgy look, but it was a class about extreme basics and blocking, which is always a good refresher, but not what I was hoping to learn.

The first morning of class, he announced that there was no democracy in this class. We were to do as he required.  I commented that right now in the world, we don’t really know what a democracy is anyway, so it did not really matter.  Not so sure he liked my comment.

We spent three days working on 2″ x 3″ drawings and if he and only he approved of our drawing, we could move on to painting in two colors.  Middle of the day on the first day, he reviewed one of my drawings of a gas station and comment:  “That is about a B+”.  Considering he had not said anything to any of the other drawings in the class, I just commented back: “Well, that would be the lowest grade I have gotten in the last twenty years.”   I complete my Ph.D. at 62 with a GPA of 3.85 having gotten a couple of A-‘s, but no B’s.    He was no sure what to think of my comment.  I felt it was a little “macho” at the time and at this point in my life, I am not out to impress anyone.

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Here are a few of his paintings:

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I was attracted to the etherial rawness of his work and hoped to be able to learn from a person I considered masterful.  I walked away with a couple of new ideas, a few new artist’s works of whom I was unaware, but I did not feel the class brought any real “ah ha’s”.  I could have learned as much studying his work.  The technique was not shared.  This is the only class I have taken where I actually think the narcissism of the artist got in way of actually teaching students anything new.

There were several successful professional artists in the class.  I wondered what they felt about the experience, as it was more of an experience than a learning environment.  I did not save any of the small tonal works that I did as I did not like them, and did not feel I learned much new from them.  I was frustrated in the class.

Our first day out Plein Aire painting, I could not find anything that looked remotely interesting to paint in our 2″ x 3″ block.  He came to talk to me and asked me how I reacted to classes I hated in high school or college.  I told him, the problem was that I loved my classes and loved learning.  The only thing in high school that upset me about a class was the time I spilled acid on a new pair of shoes and ruined them.   I didn’t mention the one class I had to drop in college as I stayed out all night partying rather than studying for a test.

I was being sarcastic, as I felt it had nothing to do with painting and irked me a bit.  I started not to attend the last day of class, but it was by the marina and I love the water and boats.  My first drawing and painting, which I did not save was of a “floating” dock.  He came by and said my perspective was off.  I told him the dock had moved.  For some reason, he had not noticed that the dock was not stationary and moved with the tide.  I just laughed.

Later that day, I sketched a little tug-like boat at the dock. and he said it was “ok” to paint.  IMG_1887.jpg

So first we had to do a “block-in” using only three values.

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Then we could actually put the painting on a 6″ x 8″ canvas.  Mine is below.  It is certainly not one of my favorite works, but it was on par with other work in the class.

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Conclusion:     Find out how and what the teacher is going to teach and don’t bother taking classes that only go over basics if you do not need that level of instruction.  Don’t take too many classes in a close time frame, as it is only and always confusing.  My lessons of classes grew my credit card bill and didn’t expand my knowledge as much as I would have desired.  I can see improvement in my painting, but it was only from a couple of the classes.

Art Classes

Art Classes

This summer I took quite a few Art Workshops with different painters. From some, I discovered new ways of seeing art. From others, I had a good review of the basics of art, something all artists should think about from time to time.   As would be expected, I enjoyed a couple of my classes better than others.

I am not a floral artist, but I took a studio with Stanley Bielen where we painted small florals, vegies or anything we selected from a table full of fun objects.  My first was a copy of the demo he did for the class. Stanley 1.jpg

Being happy with that, I found a small white teapot and put together a rather whimsical painting with the teapot.  All of these pieces are 6″ x 8″ or 8″ x 10″, a size I had not done much work in before, so small was a little challenging to me.

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The class lasted three days and each day I discovered something new or different. Stanley is a funny and intelligent instructor that kept the class laughing with stories and kept our interest by sharing facts and information about other current artists that he has met.  The class had students from all over the United States and Canada. It was fun being in a class with such dedicated artists.

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Going searching the table for the next object or objects to paint I spotted this beautiful turnip and loved the contrast of the bright orange peppers next to it.  Purple and orange are two of my favorite colors, so this was fun to paint and I was pleased with the composition.

Day three and a lot of the flowers on the table were starting to look a little limp, and having had such fun painting the turnip, I decided to do another vegetable – a Bok Choy. Bok Choy.jpg

I loved the floppy character of the Bok Choy and felt I “captured” the essence in this little painting.  By the last day in the afternoon, I was getting tired.  I was enjoying the class, but my energy level was down a bit.  I often think I am better in a two-day class. The last painting of the class was my worst of the series. yellow.jpg

I started too high on the canvas so I was not happy with the composition and composition, even of small paintings make or break the work.  I think I finally just cut off the bottom and repainted shortening the stems.

Being inspired by painting small, I took the concept to a slightly larger canvas and painted plants with pots from our local nursery.  I am pleased with the result and hope to do a few more of these in the future.  Pink flowers.jpg

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Stanely Bielen’s class at The Winslow Art Center was informative, fun and made me look at smaller objects in a new way.  This was not the first of my Summer Classes, but one I truly tried something I had not attempted before and was quite happy with the result.

One other lesson from taking many classes in too short a period of time is that every successful artist believes their paint color choices, canvas finish, and style is the best way to paint. What you should take away is that there is no one style of painting and that you can incorporate, some but not all that you gather from each professional.  Take too many classes and it becomes confusing.  Take classes from too few instructors and will realize that your paintings start to look like theirs.

I took art class once a week from the same instructor for twelve years.  One day after they opened a small local gallery and I was taking a hiatus from painting I walked by the gallery and my youngest son (in his thirties) said to me: Why do all the paintings shown here look the same, even though there were four or five artists represented?”  It was at that moment I decided to take classes from a variety of different professional artists.

Art Classes

Another Weekend of Art Class

This last weekend I took another three-day class at The Winslow Art Center on Bainbridge Island.  Martha Jordan brings in wonderful artists from all over the country to teach workshops.  This last weekend, Stanley Bielen came in from the East Coast to teach beautifully simplified small paintings to a group of fifteen from all over the country.

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We all had individual vignettes set up around the room.  It was so fun to see what people selected and then what they painted.  I learned a lot from the teacher and from watching the approach of other artists in the class.  I started to say “students”, but for the most part, the class was full of very accomplished artists.

I stopped to talk to a friend downstairs and by the time I returned after the morning demo, the only spot left was the one where Stanley had painted the demo, so I decided I would give it a try.

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These are small paintings at about 6″ x 8″, so this is even a little larger than the actual painting.  Being pleased with this I moved on the next day to a set-up of my own.

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This is not quite as loose as what Stanley was sharing, but it was fun and I felt good about it, which is not always the case.

In the afternoon, I looked at the choices available and found this beautiful little teapot, and thought it would be fun.  Laughing a little, I placed a quince bough in the spout and had fun painting this. Stanley made a couple of painting strokes, that really made a difference in the painting.

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Keep in mind that I am not a “flower” painter.  Ever since I was in Art School in the ’70s, and the teacher in one of my first-semester art classes said, after I produced a three foot by three foot abstract, that he was surprised, as he always thought I would just be a flower painter, I have kind of steered clear of flowers.  If you look back in your life, I think most of us would be amazed by the power that a small quick comment may have had on our lives. Teachers have more power than we often think.

Feeling good about my little teapot (short and stout) I returned to the “table of treasures”, as I called it with lots and lots of flowers, some fruit, and vegetables and tried to figure out how I could avoid painting flowers.

Ah, the Bok Choy.  One other artist painted it laying on its side, but I thought: “Let the Bok Choy stand tall”. Not sure it came out as tall, but at least it does look like a Bok Choy.

 

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That was the end of the second day and I have to admit I was a little tired. My sweet husband suggested we just go out to dinner.  I thought that was a great idea and had a few glasses of champagne with dinner, came home and had a couple glasses of wine.  I awoke with a not so happy headache but took some ibuprofen and was off to class.  Arriving at class, I realized I was tired and not really “on”.  I discovered that day that how you feel makes a difference to your creativity.  I did two more small paintings, but walked away, not liking either one of them.

One of the women in the class brought in a vase of amazing Camillias, so I thought: ” Humm, they are big, maybe I can paint one.”

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Stanley liked it, but it does not “sing” to me.  I might try more flowers just to see if I can do it more successfully.  The last painting of class should be your best effort, but I find I am usually more tired at the end of the class, so don’t think it is my best.

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I realized as I finished this, that the flower was way to close to the upper left corner.  The nice thing about working on panels is that you can cut them.  So I cropped it in Photoshop and will have my husband cut it down.

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So I will have him chop off the bottom, and I will repaint the bottom and then I think I may actually like it.

It was a very wonderful workshop and I feel lucky I was able to take it with old friends and now some new ones.

 

Another Weekend of Art Class

Taking Art Classes

After a little hiatus from painting impressionistic work, I am back taking some classes and really enjoying the art of the little painting.  A couple of months ago I took a class at the Winslow Art Center by David Marty for six weeks and really enjoyed learning new ideas and techniques.  The class is and was fun (new section now) as we paint one photograph in class (can finish at home) and do another one for “homework”.  It has gotten me back doing one of the things in life I love the most (cooking being the second).Painting Class 1.jpg

This was the first painting I did in class and really enjoyed the process and continued to use some of what I learned in painting number two which was our homework assignment.

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Back in class, we critiqued what we had done at home and worked on a new photo.  Everyone seemed to like my homework and it is still the favorite of my husband.

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Back in class we worked more on reflection and tree shapes and were sent home with homework of painting the garden.  I did not love the “garden”, so reversed it and added a little girl in the garden.  It looks a little “old world” to me and is not one of my favorites.

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From there we went to working on a road scene, which I thought was fun and liked the result.  It is fun to see your style change and grow in a rather short amount of time.

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Painting homework for that week, seemed a bit overwhelming to me when I started working on it, as it seemed to be mostly “just trees”, and to try to make that look interesting was somewhat challenging.

 

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I think it turned out better than I would have predicted and it did not take a lot of time, or I should say I did not spend a lot of time on it.

One of the other things I was doing while taking the class was working on a three foot by five-foot commission for a design client, so it was interesting going from working on an 8″ x 10″ or 9″ x 12″ to working on the larger scale.

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Back in class, we worked on painting rocks on this cliffside painting with rocks and trees.  For once I did not finish in class and worked on the rocks when I got home.  I have started collecting art books, which are always good for getting ideas of how to do something differently.

 

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Homework came as another road scene with a barn off to the side.  I really enjoyed working on this one and liked the result, although I did tweak it a bit after the class.

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Coming back to class we had the opportunity to work on a Night Scene, and this is what I came up with for the project.

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This one came out more abstracted than any of the others I had done. The teacher of the class seemed to like it.  And homework was of a barn, as requested by someone in the class.  I have painted a lot of barns, but usually 18″ x 24″ or bigger, so this was fun.

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Working on skies with lots of clouds came next.  Have you ever noticed that the lowest clouds are always parallel to the horizon?  The more I paint the more I notice these things. We painted this in class and difference in how people see the same thing is amazing to me.

We were sent home with more homework after our first six classes, as everyone in the class asked if the same teacher could come back to teach another four-week session.

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We came back to class and the first day we painted waves.  Now, this may look easy, but to make them look real (and interesting) I found quite challenging.

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Following the beach scene we were sent home the following assignment, which I did twice, as I did not like the first one very much.

Number 1

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Number 2:

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Tell me if you can see the differences.  I liked the second one much better.  This is becoming a trend now with me and seems the second one is always better.

Since we were all snowed in for more than a week, the perfect exercise for the class must have been working on snow paintings.  We did a series of two and I painted them both twice.

Number 1:

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Number 2:

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There is quite a difference between these two.  I painted the second one in class.

On to the second snow scene, which both are homework. I didn’t love the first one, so I painted it again.

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Number 2:

 

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I do not know what adventure we will paint tomorrow, but I know it will be fun.

Port Gamble Diana.jpg‘So we all worked on a photo taken at Port Gamble in the mist.  Here is my rendition.  This week we have two homework assignments (Oh my) and to bring in a piece we are working on.  I don’t have anything in process, so will start a new Airstream and take it to class.

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So here is what I took to class.  We did two more homework assignments. I made a couple of changes to both and here they are.  It was a great class and I think everyone learned a lot.  It is always good to see something from someone else’s perspective.

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The photo of these Madronas are probably not something I would have ever chosen to paint, but it makes for a rather eerie effect.

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The photo of the stream literally had no color, so I enhanced it in Photoshop and even though it is a bit “green”, I rather like the result. Can’t wait till the next time I take a class.  Oh wait, it is not that long I take one this weekend.

Taking Art Classes

2019 Challenge

Last year I challenged myself to read 75 books in the year and made it, finishing the last two in December. This year I am attempting, and I do say attempting a different type of challenge.  I bought the book by Kevin McPhearson called “Reflection of a Pond”

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For a little over a year, he painted the pond in his back yard. I thought it might be a great idea to work on my brushwork and color skills in my artwork.  I live on a beach with a beautiful view.  Depending on the day, I see the mountains, amazing sunrises, boats, people, the marina and love the view every day. I am going (to try) to paint my view at some angle every day this coming year.

The paintings will be small at 5″ x 7″ and I am not going to only focus on part of the view, because as I see it there are three sections to my view.  To the right and mostly south, I see a park and a small falling apart dock.  In the middle, I see the break-water and a few boats and off to the left is the marina where the ferries come in and out.

I started this six days ago on January 16th, and in all honesty am a little overwhelmed by the idea.  I decided I was not going to set up my easel in my living room, but take photos and paint them from my Ipad in my studio.  I am a messy painter and I think my house would be safer without the possibility of my cat wandering through the paint and spreading it throughout the interior.

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DAY ONE

Sunrise, where I live, is sensational. This time of year it is usually a little after seven, so I have gotten in the habit of waking up and checking to see if it is beautiful or if it is gray.  If it is gray with no sun, then I know I have to wait till later or for a later day.  Keep in mind that these are small and quick studies.

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DAY TWO

I am starting to relax a little with my second painting, knowing that most likely they will never sell, but they might make a fun show or a fun book, but I am savoring the differences in the colors of the morning.

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DAY THREE

Some days are peaceful and don’t seem to sing to me, but this morning on day three, the sky was amazing and constantly changing.  The interesting thing about sunrises here is that they can be totally amazing one minute and literally gone the next.  You have to try to capture the essence of what is happening quickly.

 

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DAY FOUR

I am starting to experiment a little more with texture and using a palette knife a little more.  I am hoping during the year to gain control of the palette knife using it for the dock and sometimes for everything.  The boat to the right of the dock, looks more like a rock than a boat, but it is a learning experience.

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DAY FIVE

On this morning it was misty and you could barely see the boats through the fog.  I moved to the marina area to focus on the painting and love the almost eeriness of the painting.  It could be a city or a marina or another country, but I had fun just playing with the color, which is the opposite of Day 6.

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DAY SIX

So often, as most of you know, we awaken to gray, grey and grayer, so I decided to attempt a tonal painting using only Payne’s Gray, Titanium White, and French Ultramarine Blue.  I tried my new camera lens which is a 150 -800 mm to see what I could do with a close-up shot.  I had fun with just the three colors and the closer view.

Going forward I will try to paint daily with different colors or different views and see what happens.  I will post every few days with my newest painting.

I will continue to post food posts, as I love to cook.  Today I made Peanut Butter cookies and Chocolate Chip cookies to take to our local Senior Center for their Bingo Game tomorrow.  I know they love sweets and not too many of them cook.

 

2019 Challenge

Back in the studio

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This a night scene that we painted in class.  It is 9 x 12 inches.

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Clouds 8 x 10 inches painted in class.

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Barn 8 x 10 homework assignment

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9 x 12-inch road scene homework assignment.

David Marty is an excellent teacher and it has been fun to watch everyone in class come up with something so very different from the same photos.

 

 

 

Back in the studio

Is Cadmium Paint Toxic?

My artist friends are often talking about this, so when I found this article on Artists on Art, I thought I should post it.

Is cadmium paint toxic? Cadmium-based colors have been around for many years but tend to be among the most often in question. Artist and instructor Dan Schultz has researched this; here, he shares what he found regarding the toxicity of cadmium in artist paints.

Is cadmium paint toxic? ArtistsOnArt.com

Is Cadmium Paint Toxic?

By Dan Schultz

Cadmium is found naturally in the earth’s crust but is a relatively rare metal. (Which may explain the high price tag on cadmium paint colors!) Cadmium often couples with other elements in a variety of compounds. Some of these are are extremely toxic and dissolve easily in water, making them dangerous to humans. It is also dangerous if inhaled in its dust or powder form. Some of the earliest cases of cadmium poisoning were reported in Belgium in 1858. Workers had inhaled cadmium dust as a result of polishing silver with cadmium carbonate. This kind of exposure can cause severe respiratory distress, emphysema, and even death.

Oil painting tips for artists - ArtistsOnArt.com

Pigment manufacturing became big business in the nineteenth century, not only for artists but also for industrial and printing applications. When the powerful, intense cadmium colors were developed, ranging from yellows to oranges to reds, artists eagerly added them to their palettes.*

Since then, artists have become increasingly aware of the importance of studio safety. Paint manufacturers recommended that you don’t eat, drink or smoke while painting in order to avoid ingesting potentially harmful substances from paints, solvents, etc. But what about skin exposure? Given what we now know, should we wear gloves and masks while we paint with cadmium colors?

When I visited the M. Graham & Co. factory in 2015, I asked specifically about the toxicity of cadmium colors. They told me that by law, paint manufacturers are allowed to make cadmium colors only a few specified days each year because of the dangers associated with cadmium dust. Proper respiratory equipment is required during production to avoid inhalation of the powdered cadmium pigment.

However, during the paint-making process the pigment is fused with sulfides and coated in the particular medium’s binder (oil, acrylic, gouache or watercolor). This process renders the cadmium insoluble in water, and therefore the human body. We can’t absorb it. So no gloves are necessary. And cadmium paints don’t give off any dust or fumes, so no worries about inhalation either.** I’ve just recently spoken again with a paint manufacturer who said that the paint-making process makes cadmium colors safe in oil, acrylic, gouache and watercolor.

With that said, you DO need to use extra caution if you’re sanding dry cadmium paint or spray-applying. If that’s you, make sure you wear a NIOSH dust respirator to eliminate the chance of inhaling cadmium particles. (Or any other harmful particles / dust.) The same advice applies if you work at all with dry cadmium or other pigments. (For example, if you like to make your own paint.)

Also, please avoid pouring your dirty brush-cleaning water or solvent down the drain or onto the ground. This can introduce heavy metals like cadmium into the watershed, possibly creating problems downstream. It’s recommended that you soak up your dirty water / dirty solvent with paper towels then throw them away in your studio trash.

Is Cadmium Paint Toxic?

When I am not cooking, I might be painting. It is all art.

 

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I am taking a painting class at the Winslow Art Center on Bainbridge Island on Tuesday and enjoy the camaraderie of other artists and learning to paint small. We paint from small photographs on to 8 x 10 inch or 9 x 12-inch canvases.  This was my painting from the first day of class.

The teacher David Marty asked us to do a homework assignment, and I just finished mine.

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This another 8 x 10-inch painting.  I find it interesting as I usually do paint in a much larger format, but am finding this satisfying for some reason.

Normally I paint abstracts in larger formats.  The one below is 36″ x 24″ and as you can see, it is very different from my smaller ones. Painting one.jpg

This one is 30 x 48 inches with black, gray, and gold leaf interspersed in other colors. I was looking at in the studio and think it is the perfect Halloween painting.  Look at the “evil” eye of the predator on the right side of the painting.  This guy is watching you, and it was totally an accident.

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Just thought I would share something other than food art and interior design. I am doing a 3 x 5-foot commission right now and love the big scale of it.

When I am not cooking, I might be painting. It is all art.