Newport Bridge

Driving down to California we stopped in Newport Oregon for two days. What a beautiful site on the coast. We ate at the local marina both nights with great views, fabulous wine and food. I captured the top photo out the window when we were having dinner one night. I loved the boat and the bridge, but thought the painting might be a bit bland. So I added a nice sunset. The painting is 12″ x 24″.

At first I missed the spotlight and when I looked back the photo and noticed it, I thought it might add a little life to the painting. I realized bridges are not easy to paint, so I abstracted it a bit and did not put in a lot of detail.

It is nice to be back painting, and when Thanksgiving is done, I will be back in the studio. There are no Christmas parties this year with the Pandemic, so we will have to find ways to celebrate the season that bring us joy. I think I will just cook and paint and be happy! Hope you can do the same!

Newport Bridge

After the Fire

After the Fire 12″ x 24″

Picking up and moving to a new place for half a year is proving to be an interesting transition. Definitely not a bad one, but traveling and hoping you have packed everything you need.

I brought a lot from my kitchen, as my new kitchen in the north is so much smaller and out of date compared to the house l sold. I do miss the view of the harbor when I am in my Washington home, but adapted by enjoying the trees (that constantly make a mess of my back yard), the deer wantering through and the smaller space. I finally had the kitchen of my dreams, but not the marriage. So the choice was be happy in the house and miserable in part of life or move on. I am very happy I moved on.

Then there is the packing of clothes. So very often when I get dressed in the morning I realize that I left a few too many things behind. When I arrived in California it was supposed to Fall, but it was still summer and I had no summer clothes. Thanks to Nordstrom Rack I found end of summer sale clothes, so filled in what was missing. (sort of). With the Pandemic having the right clothes certainly is not as important. I just needed a few lighter weight clothes and some T-shirts to get me to Fall.

Fall has finally arrived and I am savoring the weather and finally got a studio, of sorts set up in the 1918 garage. I got a heater, a light and have a folding table and one easel for my art. I got the heater after the first day I painted and had to wear tights, a turtleneck, a flannel shirt, overalls, a fleece vest, cashmere gloves, which I cut the fingers off, a hat, Ughs and I was still freezing. The heater has helped a lot.

The fires were finally under control in Central California, so I painted the above painting in honor or that and for all the people that lost homes, pets and loved ones. I usually do an abstract rather quickly, but I think I felt a little emotional over the fires that blazed so close. The painting was done for our home in Vacaville and seems to fit in perfectly.

After the Fire

Time for Changes

This 30″ x 40″ painting was done for my now ex-husband. He insisted he have it when he moved out, but after a bit sent it back to me. I decided I must have been a little depressed when I painted it.

There are musical notes added in the background with the use of collage, which is not my normal style of artwork. I decided best to paint over it, to remove the memory of bad times.

This one makes me smile a little more. The colors are lighter and the addition of more gold leaf add a little lightness to the piece

Time for Changes

My Little Cottage (not by the sea)

Life brings you joy, happiness, challenges, changes and a long list of other things. This last year I sold my beach house, got a divorce and could only afford a small older cottage. It is amazing how well we all can adopt.

So begins a new story in my life in a small waterfront town in Washington half a year, and in California the other half. The little house has literally nothing in the yard, but brush that people left for years under the trees. My gardener from my last house took out two full dump trucks full of yard waste and etc. I have spent a lot of time putting down beauty bark, and will slowly plant the garden. (not today) Friends have been generous with gleanings from their gardens, so I know in the long run it will be lovely and carefree! (In appearance, not maintenance)

The entire little house has been painted the brightest white available, and I would love to replace doors, trim and cabinets, but that is not in the budget at the moment. I cheated on the drawing, as the house is actually yellow, not my favorite color! So hopefully next summer we can paint it a nice dark gray.

Every day is a new and mostly fun challenge. Today I discovered who ever lived here waxed the ceramic tile floor. It was already kind of an ugly light pink, but it never looked clean. Today Clorox and a brush on my knees, and a metal scraper, helped it look a tiny bit better.

I serendipitously came to see my first love from college again about a year ago. His late wife was a sorority sister, a beautiful and smart woman whose Celebration of Life I attended. It was wonderful to see they had a wonderful life together. I guess I had always wondered how his life had gone. It was a beautiful celebration and I was so happy to know he had a good life and two wonderful children. It was amazing to reconnect with so many of my AX sorority sisters from fifty years ago.

Over time Reed & I talked and discovered, both being widowed there was still some magic in life. We are having a amazing time getting to know each other in our seventies. You never know what will happen in life.

With the wildfires and COVET 19 life is not simple for anyone. The air quality was so bad in Washington when I wrote this, I was not sure if it is even a good idea to go to my garage to paint. We are having strange times. I feel lucky to be sharing it with someone so positive, loving and laughing.

My Little Cottage (not by the sea)

The Air is Clearing

It is so very nice to finally awaken to fresh clean smoke free air. Another day at last in my studio enjoying putting paint on a 36″ x 36″ canvas. With time in my studio and time in my kitchen life is good. I called the “The Air is Clearing”, as I could almost see the sky become blue during the day.

When I am not painting I seem to be cooking and made this Plum, Nectarine and Blackberry Galette in the morning.

My friend Reed really liked I think, as this was what was left after breakfast…

The recipe is in one of my earlier posts, and it is so easy and so delicious, you should make one. The last one I made with peaches and blackberries. I like to add a little cinnamon on top and four or five dabs of good butter, with an egg wash and a little sugar on the crust. I use Italian Joe’s Pie Crust recipe, as it is moist, flakey and goes together easily:

Italian Joes Pie Crust

Ingredients:

3 cups (375g) Plain Flour (unbleached and unfortified)
2 tbsp Sugar

I tsp salt

2 sticks (220g) of Butter 
(small cold cubed)
1 beaten Egg mixed with
3/4 cup Milk (cold)

  1. Mix flour, sugar & salt to evenly distribute the dry ingredients
  2. Place mixture into a large bowl ( He uses a food processor, but I prefer doing by hand.
  3. Add cold butter cubes with the flour mix and use cold bakers knives or your fingers until it transforms into small pea-sized crumbs
  4. Add egg and milk mixture mixing by hand or cold utensils until the mixture comes together or take the mixture out to the work surface
  5. Make a well with the flour crumbs mixture adding the egg and milk mixture in the well and lightly handling the mixture by hand or utensils.
    (do not knead)
  6. Incorporate all ingredients together to form a dryish dough
  7. Wrap it well with cling film & refrigerate for 1 hour
  8. Roll out the dough split it in half for two pie crust and roll it out bigger than the pie dish
  9. Fit the rolled out pie dough in the greased and floured pie dish making sure pie dough is press all around the crevices of the dish so it doesn’t sink in or collapse when cooking.
  10. Cut around the edge of the pie dish and refrigerate again for 20 before egg washing it and filling it with pie filling and cooking in the oven.
    Enjoy!

I put the second half of the pie dough in plastic wrap, then use my Seal A Meal to seal it before I freeze it till I need it.

The Air is Clearing

Red Meets Black!

In addition to sketching and doing a relatively impressionistic type paint, I love doing big abstracts. This one did not take much time, but just made me happy painting. I usually put on some great music and just enjoy the energy. Stacey Kent is my newest artist of choice. I was introduced to her music when staying a friend’s house. With all the fires going on in Washington, Oregon and California the idea struck me that the all the fury of the fires leaves behind the sadness of the blackened trees and lost homes.

This is fairly large at 48″ wide x 24″ tall.

Red Meets Black!

Back in the Studio at last

It has taken quite a while to sort through everything and organize it, but I am there and was able to paint this week. My friend, Reed and I went on a drive last week to Brinnon where we took a very short hike to find the Rocky Brook Falls. I will admit we drove more back and forth trying to find the falls, than we did hiking, but it was worth the trip.

This is the photo that I used for the painting. As you can see I took a little “artists license” with the painting.

I’m not sure if I will attempt to paint this, but it surely was breathtaking.

Back in the Studio at last

Love sketching

I was in Vacaville, California when the pandemic began and it was a time, when the big excitement of the day was going for a drive or sitting on the front porch having a glass of wine. I don’t sit still well, so got some pens and started sketching the neighborhood. My oil paints were still in Washington, so could not paint. (Won’t do that again). Here are some of the in house and neighborhood sketches done at that time.

I started with simple sketches around the house.

Beautiful roses in a vase. Probably should have added color. (Oh well)

Drew the house on the corner.

And the house across the street.

Then added color to the house on the corner across the street.

Another house right across the street

And added color

Drew a tree rose in the front garden

Drove back to Bainbridge where I drew my girlfriend’s flower pot. I moved to my little Port Ludlow Cottage and spent the next couple of months trying to organize and move in to the house.

My friend and I were out and about and stopped in Port Gamble in a newly opened wine bar for a glass and a charcuterie plate and I like the house so I took a photo on the way out and drew the house below. I had an extra frame, so I framed the house and dropped by as a gift to the owners.

Once in a while it is just fun to do a nice and unexpected gift!

Love sketching

The Quiet Teacher

David Marty is a local to our area artist that teaches two-day classes in Edmonds at The Cole Gallery and sometimes once a week for six weeks on Bainbridge Island at The Winslow Art Center.  I have taken four classes from his so far with two in Edmonds and two on Bainbridge.  It is always interesting to see the level of the painters at the two different environments.  In Edmonds, there are usually a couple artists that are quite accomplished blended with more with little or no experience. I always learn at least one tidbit that helps to improve my own paintings.  Bainbridge classes are often comprised of many of the same artists that I have taken other classes with, and most all have been painting for several years.

Dave’s work is not quite as loose as some other Plein Artists, but it is always beautifully done. Coming from an illustrators background, his drawing is always “right-on'”. I have improved my drawing skills taking his classes and doing Urban Sketching with a group on Bainbridge Island.

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In David’s classes the entire class paints from the same photograph.  It is so interesting to watch throughout as the artists turn the photographs into beautiful paintings.  If you were to look at the finished pieces you realize just how differently people see. I love watching the artistic process as many of the pieces transform as they are painted.

In the classes on Bainbridge, we were always given a homework assignment to work on at home and bring for critique the following week. Painting Class 1.jpg

This was the first piece we worked on in class.  David would do a demo in the morning, then we all painted the rest of the afternoon and put up our work for a critique at the end of the session.  This class was to work on water receding in the distance.  I walked away content with this piece.

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The second was a scene of a lake and the challenge was to show the lilies on the surface without making it look speckled.  The one above is mine.

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We next worked on the reflections and lighting in this lake scene.

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This was painted from a photo with a row of flowers.  I did not love the photo, so I reversed it in Photoshop and added a little girl picking the flowers in the front.  Once finished I thought and think it looks a bit trite.

Then we started painting a couple of roads, which I thought was great fun. Painting Class 5.jpg

I can always tell when I enjoy the topic we are painting, as I most likely will be happy with the result.

 

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How to make a wall of trees look interesting was a challenge and it was a homework assignment.  I did feel this was successful as it has variety and keeps your interest.   David never says anything negative about your work, but makes quiet thoughtful suggestions on what might improve it.

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Making rocks look like rocks is always a challenge and how to get the right color, so they look real but beautiful at the same time.  This was hard to capture, but I think it reads as rocks.

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Another road with the task of making the road appear beautiful and interesting while receding believably into the background.

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Painting the Night Scene of a city was fairly new to me.  I went with a little whimsy and fun and more abstract than real.  David liked how I did the lights in the background and thought he might change his to a little more like mine.  Boy, did that make me smile.

 

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We all painted “The Red Barn”.  Growing up on a farm, I have always been attracted to barns and have painted several over my life as an artist.  This is a small 8 x 10 inch with a bad glare in the photo, but it was fun doing.

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Homework assignment to paint clouds.  The tidbit I learned from this exercise is that clouds are always parallel to the earth at the bottom, so they are flat at the bottom.  Not my favorite painting, but it was a very simplistic photo.

 

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The homework assignment was to capture the clouds in a painting from a photo of the clouds.  Mine was a good as anyone else in the class, but nothing I would try to sell.

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Everyone in the class liked this, but I sanded it down and repainted the canvas.  The wave looked more like a ledge than waves to me.

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Beach walkers One.

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Beach walkers Two.  I did not like the first rendition, so I painted it a second time.  Not sure that I like either of them.

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From the sea, we moved to snow scenes.  I painted the one on the left in class, but it left me feeling unsuccessful, so I painted the one on the right.  It is a fun exercise to paint the same photo more than once and in slightly different styles.

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With the next homework assignment of snow, I painted the first horizontally and the same scene vertically.  Working on composition helps you see the same thing in a different manner.

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I brought in a photo I found online of Port Gamble, so we all had a take on this.  Port Gamble.jpg

In this case, I have the photo and thought it might be fun for you to see my translation of the photo.  I left out the tree in the foreground.  I do love the mist of the photo and feel at least I captured the essence of the mist.

 

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We were to paint this stream for homework.  Often when I look at a photo, I wonder what would be the best way to try to make this come to life.  When David showed his homework, it was mostly in browns, and I must admit that his rendition was more appealing than my greener version.

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One of the students brought in a photo of Madronas on her property, and while they are lovely, it was a test of sorts to make an interesting painting.

 

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Here is the photo. 2.jpg

First version

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Finished version adding more darks.  I often do not go dark enough, so this was a great lesson in contrast.

The next class I took from David was at Cole Gallery and the class was about learning to paint moving water and how to draw your eye to the water.

 

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I was pleased with the first painting but got my reflections off on the second.

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This was the final painting in that particular class.  I do see water and color in a different way than before, and everyone in the class liked this painting.  I am not so sure that painting just water is my favorite.

Every time I do take a class with Dave, I learn at least one thing.  I enjoy watching how he holds his paintbrush to achieve the look he desires.  Every stroke is thought out and it important.  There is not scrubbing!

The Quiet Teacher

The Man From Australia

My last class, and probably the last one I will take for a while was from a well-known and respected artist from Australia.  Colley Whisson came to teach a four-day class at The Winslow Art Center and people from all over the country came to take the class.  He was funny and told great stories and talked a lot!  And talked a lot, but taught a lot too!  He paints a wide variety of topics and creates beautiful paintings from very simple photos.

The first day he did a demo for most of the morning and into the afternoon.  We were then given a photograph of the painting he had previously done from the same photo.

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It was a very simple beach scene which did not seem exciting, but using the brush strokes he showed us and the limited palate, I was very pleased with my finished piece.  I think I was one of few in the class that he did not “touch” my canvas.  He made one suggestion but seemed to like my work.  (Yippee!!!)

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Day two was an old cabin and it was interesting to see in a class of twelve or more that were no two even similar.  Mine featured the smallest cabin. Once again, he did not jump in and work on my painting and made one or two suggestions.  This is a small canvas and I liked using a larger brush than I had in the past.

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Day three after the morning demo he set us free on copying his painting.  Other than saying I should move the chicken or the fountain, he seemed to like my work.  He did make one perspective change that was right-on.  I am getting used to using the bigger brush and like the look.  I would never have selected this view to paint, but I think it turned out pretty fair.

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The fourth and last day we painted Plein Aire in the garden that used to belong to a friend of mine. I had not been in the garden since she sold the home after her parent’s passed away within months of each other.  It is a whimsical and beautifully lush garden.  As I walked in, I loved the contrast of the blue pot in the distance and the bright pink flowers close-up.  After I came home and looked at a photo I had taken and what I had painted I darkened the background for more contrast.  At his suggestion, I added more paint in the foreground and I think the effect is quite positive.

Colley is an excellent teacher that does beautiful paintings and makes his living selling his art in Australia.

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I love the simplicity of his work along with the beautiful brushwork.  One thing he said that will now remain a constant in my work going forward is that you need to have a quiet space to contrast the brushwork.  Brilliant~

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Simple composition with beautiful colors and brushwork. And I really do not like blue, but like the work overall.

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I call this elegantly simple, but fascinating.

 

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As you can see from the four examples I shared of his work, it is colorful, but controlled and beautifully painted.  I would definitely take his class another time. There were many little jewels that I learned from this master artist.

The Man From Australia