The Quiet Teacher

David Marty is a local to our area artist that teaches two-day classes in Edmonds at The Cole Gallery and sometimes once a week for six weeks on Bainbridge Island at The Winslow Art Center.  I have taken four classes from his so far with two in Edmonds and two on Bainbridge.  It is always interesting to see the level of the painters at the two different environments.  In Edmonds, there are usually a couple artists that are quite accomplished blended with more with little or no experience. I always learn at least one tidbit that helps to improve my own paintings.  Bainbridge classes are often comprised of many of the same artists that I have taken other classes with, and most all have been painting for several years.

Dave’s work is not quite as loose as some other Plein Artists, but it is always beautifully done. Coming from an illustrators background, his drawing is always “right-on'”. I have improved my drawing skills taking his classes and doing Urban Sketching with a group on Bainbridge Island.

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In David’s classes the entire class paints from the same photograph.  It is so interesting to watch throughout as the artists turn the photographs into beautiful paintings.  If you were to look at the finished pieces you realize just how differently people see. I love watching the artistic process as many of the pieces transform as they are painted.

In the classes on Bainbridge, we were always given a homework assignment to work on at home and bring for critique the following week. Painting Class 1.jpg

This was the first piece we worked on in class.  David would do a demo in the morning, then we all painted the rest of the afternoon and put up our work for a critique at the end of the session.  This class was to work on water receding in the distance.  I walked away content with this piece.

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The second was a scene of a lake and the challenge was to show the lilies on the surface without making it look speckled.  The one above is mine.

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We next worked on the reflections and lighting in this lake scene.

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This was painted from a photo with a row of flowers.  I did not love the photo, so I reversed it in Photoshop and added a little girl picking the flowers in the front.  Once finished I thought and think it looks a bit trite.

Then we started painting a couple of roads, which I thought was great fun. Painting Class 5.jpg

I can always tell when I enjoy the topic we are painting, as I most likely will be happy with the result.

 

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How to make a wall of trees look interesting was a challenge and it was a homework assignment.  I did feel this was successful as it has variety and keeps your interest.   David never says anything negative about your work, but makes quiet thoughtful suggestions on what might improve it.

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Making rocks look like rocks is always a challenge and how to get the right color, so they look real but beautiful at the same time.  This was hard to capture, but I think it reads as rocks.

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Another road with the task of making the road appear beautiful and interesting while receding believably into the background.

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Painting the Night Scene of a city was fairly new to me.  I went with a little whimsy and fun and more abstract than real.  David liked how I did the lights in the background and thought he might change his to a little more like mine.  Boy, did that make me smile.

 

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We all painted “The Red Barn”.  Growing up on a farm, I have always been attracted to barns and have painted several over my life as an artist.  This is a small 8 x 10 inch with a bad glare in the photo, but it was fun doing.

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Homework assignment to paint clouds.  The tidbit I learned from this exercise is that clouds are always parallel to the earth at the bottom, so they are flat at the bottom.  Not my favorite painting, but it was a very simplistic photo.

 

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The homework assignment was to capture the clouds in a painting from a photo of the clouds.  Mine was a good as anyone else in the class, but nothing I would try to sell.

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Everyone in the class liked this, but I sanded it down and repainted the canvas.  The wave looked more like a ledge than waves to me.

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Beach walkers One.

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Beach walkers Two.  I did not like the first rendition, so I painted it a second time.  Not sure that I like either of them.

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From the sea, we moved to snow scenes.  I painted the one on the left in class, but it left me feeling unsuccessful, so I painted the one on the right.  It is a fun exercise to paint the same photo more than once and in slightly different styles.

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With the next homework assignment of snow, I painted the first horizontally and the same scene vertically.  Working on composition helps you see the same thing in a different manner.

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I brought in a photo I found online of Port Gamble, so we all had a take on this.  Port Gamble.jpg

In this case, I have the photo and thought it might be fun for you to see my translation of the photo.  I left out the tree in the foreground.  I do love the mist of the photo and feel at least I captured the essence of the mist.

 

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We were to paint this stream for homework.  Often when I look at a photo, I wonder what would be the best way to try to make this come to life.  When David showed his homework, it was mostly in browns, and I must admit that his rendition was more appealing than my greener version.

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One of the students brought in a photo of Madronas on her property, and while they are lovely, it was a test of sorts to make an interesting painting.

 

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Here is the photo. 2.jpg

First version

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Finished version adding more darks.  I often do not go dark enough, so this was a great lesson in contrast.

The next class I took from David was at Cole Gallery and the class was about learning to paint moving water and how to draw your eye to the water.

 

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I was pleased with the first painting but got my reflections off on the second.

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This was the final painting in that particular class.  I do see water and color in a different way than before, and everyone in the class liked this painting.  I am not so sure that painting just water is my favorite.

Every time I do take a class with Dave, I learn at least one thing.  I enjoy watching how he holds his paintbrush to achieve the look he desires.  Every stroke is thought out and it important.  There is not scrubbing!

The Quiet Teacher

The Man From Australia

My last class, and probably the last one I will take for a while was from a well-known and respected artist from Australia.  Colley Whisson came to teach a four-day class at The Winslow Art Center and people from all over the country came to take the class.  He was funny and told great stories and talked a lot!  And talked a lot, but taught a lot too!  He paints a wide variety of topics and creates beautiful paintings from very simple photos.

The first day he did a demo for most of the morning and into the afternoon.  We were then given a photograph of the painting he had previously done from the same photo.

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It was a very simple beach scene which did not seem exciting, but using the brush strokes he showed us and the limited palate, I was very pleased with my finished piece.  I think I was one of few in the class that he did not “touch” my canvas.  He made one suggestion but seemed to like my work.  (Yippee!!!)

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Day two was an old cabin and it was interesting to see in a class of twelve or more that were no two even similar.  Mine featured the smallest cabin. Once again, he did not jump in and work on my painting and made one or two suggestions.  This is a small canvas and I liked using a larger brush than I had in the past.

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Day three after the morning demo he set us free on copying his painting.  Other than saying I should move the chicken or the fountain, he seemed to like my work.  He did make one perspective change that was right-on.  I am getting used to using the bigger brush and like the look.  I would never have selected this view to paint, but I think it turned out pretty fair.

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The fourth and last day we painted Plein Aire in the garden that used to belong to a friend of mine. I had not been in the garden since she sold the home after her parent’s passed away within months of each other.  It is a whimsical and beautifully lush garden.  As I walked in, I loved the contrast of the blue pot in the distance and the bright pink flowers close-up.  After I came home and looked at a photo I had taken and what I had painted I darkened the background for more contrast.  At his suggestion, I added more paint in the foreground and I think the effect is quite positive.

Colley is an excellent teacher that does beautiful paintings and makes his living selling his art in Australia.

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I love the simplicity of his work along with the beautiful brushwork.  One thing he said that will now remain a constant in my work going forward is that you need to have a quiet space to contrast the brushwork.  Brilliant~

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Simple composition with beautiful colors and brushwork. And I really do not like blue, but like the work overall.

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I call this elegantly simple, but fascinating.

 

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As you can see from the four examples I shared of his work, it is colorful, but controlled and beautifully painted.  I would definitely take his class another time. There were many little jewels that I learned from this master artist.

The Man From Australia

Art Classes

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William Wray is a very talented artist and came from Los Angeles to teach at The Winslow Art Center this summer.  Signing up for the class, which was quite expensive, I was hoping to learn how to take my more impressionistic painting to a more edgy look, but it was a class about extreme basics and blocking, which is always a good refresher, but not what I was hoping to learn.

The first morning of class, he announced that there was no democracy in this class. We were to do as he required.  I commented that right now in the world, we don’t really know what a democracy is anyway, so it did not really matter.  Not so sure he liked my comment.

We spent three days working on 2″ x 3″ drawings and if he and only he approved of our drawing, we could move on to painting in two colors.  Middle of the day on the first day, he reviewed one of my drawings of a gas station and comment:  “That is about a B+”.  Considering he had not said anything to any of the other drawings in the class, I just commented back: “Well, that would be the lowest grade I have gotten in the last twenty years.”   I complete my Ph.D. at 62 with a GPA of 3.85 having gotten a couple of A-‘s, but no B’s.    He was no sure what to think of my comment.  I felt it was a little “macho” at the time and at this point in my life, I am not out to impress anyone.

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Here are a few of his paintings:

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   download-2.jpg .  download-1.jpg

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I was attracted to the etherial rawness of his work and hoped to be able to learn from a person I considered masterful.  I walked away with a couple of new ideas, a few new artist’s works of whom I was unaware, but I did not feel the class brought any real “ah ha’s”.  I could have learned as much studying his work.  The technique was not shared.  This is the only class I have taken where I actually think the narcissism of the artist got in way of actually teaching students anything new.

There were several successful professional artists in the class.  I wondered what they felt about the experience, as it was more of an experience than a learning environment.  I did not save any of the small tonal works that I did as I did not like them, and did not feel I learned much new from them.  I was frustrated in the class.

Our first day out Plein Aire painting, I could not find anything that looked remotely interesting to paint in our 2″ x 3″ block.  He came to talk to me and asked me how I reacted to classes I hated in high school or college.  I told him, the problem was that I loved my classes and loved learning.  The only thing in high school that upset me about a class was the time I spilled acid on a new pair of shoes and ruined them.   I didn’t mention the one class I had to drop in college as I stayed out all night partying rather than studying for a test.

I was being sarcastic, as I felt it had nothing to do with painting and irked me a bit.  I started not to attend the last day of class, but it was by the marina and I love the water and boats.  My first drawing and painting, which I did not save was of a “floating” dock.  He came by and said my perspective was off.  I told him the dock had moved.  For some reason, he had not noticed that the dock was not stationary and moved with the tide.  I just laughed.

Later that day, I sketched a little tug-like boat at the dock. and he said it was “ok” to paint.  IMG_1887.jpg

So first we had to do a “block-in” using only three values.

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Then we could actually put the painting on a 6″ x 8″ canvas.  Mine is below.  It is certainly not one of my favorite works, but it was on par with other work in the class.

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Conclusion:     Find out how and what the teacher is going to teach and don’t bother taking classes that only go over basics if you do not need that level of instruction.  Don’t take too many classes in a close time frame, as it is only and always confusing.  My lessons of classes grew my credit card bill and didn’t expand my knowledge as much as I would have desired.  I can see improvement in my painting, but it was only from a couple of the classes.

Art Classes

Another Weekend of Art Class

This last weekend I took another three-day class at The Winslow Art Center on Bainbridge Island.  Martha Jordan brings in wonderful artists from all over the country to teach workshops.  This last weekend, Stanley Bielen came in from the East Coast to teach beautifully simplified small paintings to a group of fifteen from all over the country.

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We all had individual vignettes set up around the room.  It was so fun to see what people selected and then what they painted.  I learned a lot from the teacher and from watching the approach of other artists in the class.  I started to say “students”, but for the most part, the class was full of very accomplished artists.

I stopped to talk to a friend downstairs and by the time I returned after the morning demo, the only spot left was the one where Stanley had painted the demo, so I decided I would give it a try.

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These are small paintings at about 6″ x 8″, so this is even a little larger than the actual painting.  Being pleased with this I moved on the next day to a set-up of my own.

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This is not quite as loose as what Stanley was sharing, but it was fun and I felt good about it, which is not always the case.

In the afternoon, I looked at the choices available and found this beautiful little teapot, and thought it would be fun.  Laughing a little, I placed a quince bough in the spout and had fun painting this. Stanley made a couple of painting strokes, that really made a difference in the painting.

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Keep in mind that I am not a “flower” painter.  Ever since I was in Art School in the ’70s, and the teacher in one of my first-semester art classes said, after I produced a three foot by three foot abstract, that he was surprised, as he always thought I would just be a flower painter, I have kind of steered clear of flowers.  If you look back in your life, I think most of us would be amazed by the power that a small quick comment may have had on our lives. Teachers have more power than we often think.

Feeling good about my little teapot (short and stout) I returned to the “table of treasures”, as I called it with lots and lots of flowers, some fruit, and vegetables and tried to figure out how I could avoid painting flowers.

Ah, the Bok Choy.  One other artist painted it laying on its side, but I thought: “Let the Bok Choy stand tall”. Not sure it came out as tall, but at least it does look like a Bok Choy.

 

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That was the end of the second day and I have to admit I was a little tired. My sweet husband suggested we just go out to dinner.  I thought that was a great idea and had a few glasses of champagne with dinner, came home and had a couple glasses of wine.  I awoke with a not so happy headache but took some ibuprofen and was off to class.  Arriving at class, I realized I was tired and not really “on”.  I discovered that day that how you feel makes a difference to your creativity.  I did two more small paintings, but walked away, not liking either one of them.

One of the women in the class brought in a vase of amazing Camillias, so I thought: ” Humm, they are big, maybe I can paint one.”

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Stanley liked it, but it does not “sing” to me.  I might try more flowers just to see if I can do it more successfully.  The last painting of class should be your best effort, but I find I am usually more tired at the end of the class, so don’t think it is my best.

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I realized as I finished this, that the flower was way to close to the upper left corner.  The nice thing about working on panels is that you can cut them.  So I cropped it in Photoshop and will have my husband cut it down.

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So I will have him chop off the bottom, and I will repaint the bottom and then I think I may actually like it.

It was a very wonderful workshop and I feel lucky I was able to take it with old friends and now some new ones.

 

Another Weekend of Art Class

Old in Art School

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When I saw the title of this book, I was immediately attracted to it. This is the year I turn seventy. At sixty-two I completed my Ph. D. in Business Marketing, not in art, although I did finish my BA in Art in 1971 and my MA in Art (although with an emphasis in interior design) in 1985. I understand going back to school when a little older is all about attitude. I laughed at the beginning of the book, as the author described the other students, the attire, the classrooms and the fear of failure, but as I listened on to the audio-book I liked it less and less.  One of the reviews of the book described how I innately felt perfectly:

“I was excited to dive into this book, hopeful for little nuggets of wisdom for my similar journey and perhaps a laugh or two in self-reflection. Instead, the reader encounters a self-indulgent, needy author who repetitively presents an inventory of her resume ad nauseam. She used this book to disparage other students all while trying to impress the reader by spewing supercilious comments and including very little about the process or art school. This book had so much potential but was so disappointing.” 

It is interesting to think that no matter how successful you were in what you did before, no one in your art classes knows that or cares about that. I had a little of that this weekend when I took a tonal painting class of street scenes.  I love the work of the man that taught the class and I learned quite a bit in the class. Mostly I learned I don’t like doing a tonal painting.  I love painting with color! Color kept creeping into my paintings in the class and I kept getting in “trouble” for adding too much color.    Sometimes in life, it is just as important to know what we don’t like, as much as what we love.

When I sat down to write my blog, I thought I would look at the artwork of the author of the book before I wrote a lot about it. Viewing her artwork, the first thought that crossed my mind was that she wrote this book, not about her real art school experience, but to promote herself and her art. Her background is in writing and history, so she knows how to write about history, but in this book, she makes being older a roadblock, not an advantage. She has gotten quite a bit of attention over the book, and thus her art. What is totally missing in this book, are all the other wonderful artists that started their art life later in life. She is certainly not alone!

Maybe I should write about starting and stopping art in your life. You start as a child and my case went on to study it in college. Then you start a career, get married, have children (oops no time for art), and in my case was widowed at a young age and raised my sons on my own and don’t have much time for art till your children are grown and have lives of their own.

When she started talking about how you have to dress to be a successful artist, I started losing interest.  Moving forward to discuss the philosophical side of the history or artists (in her opinion) I began wondering if I wanted to bother to listen to the rest of the book.

The book made me think about my own tonal experience. You can enjoy viewing art that you do not enjoy attempting. You can be award-winning in other fields and not art, and still enjoy painting. I have had many art shows, but never entered a contest with my art.

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The class was a learning experience. We worked on these small the first afternoon after watching a demo in the morning. The one on the top right was the first one with the second below and the third in ochre tones.

We moved forward painting in a slightly larger format the second day after another morning demo. My green trees are too green for tonal painting, but as I said I like “color”.

Street scene from Terry Miura Class.jpg The last and/or third day we had options of what we could paint.  I chose to paint a facade of a building, as I used to do a lot of rendering in interior design school, and as an interior design college professor.  I am still working on the facade and realized when I stood back and looked at it, I had added a shadow to the awning, and now I had shadows coming from two directions.  I will try to make the correction and add it to the post. The building and the cafe next door need names too!

I heard once, and again in this class: “If the painting is not selling, add a dog.” I think this painting may need a dog-walker with several dogs. I think it is better to laugh at oneself, that try to be pompous about what you cannot do.

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As always, I walked away having learned something new, met new people that love art and enjoyed the camaraderie of painting with new and old friends.

I will continue to listen to the rest of the book and hope it gets better, but reading several reviews I don’t think that will be the case. It makes me want to write a funnier book on a similar topic. One of the other reviewers wrote: “More of a self-congratulate memoir of past achievements than a book of more recent achievements. Disappointing … could have been much more.” 

It could have been written in a much more positive manner and encourage those of us over twenty to try different things.

Old in Art School

Can You Go Back?

The other day, before I left Kitsap Kitchen and Bath, my last official appointment was with a lovely young couple that purchased the home my late husband and I built almost thirty years ago. Here is a drawing of the lovely 5,000 square foot home.  Drawing of Gordone.jpg

I wonder how other people feel when they go into a home that you designed, or built or bought and then sold and moved on.  It was lovely that they were such a nice young couple and loved the house.  It was hard, as over the years, the former owners had made significant changes to the interior and exterior that were very different from my initial vision.  The new owners were trying to repair all the things that were left unattended for several years.  My heart went out to them, as so many things need work.

Thirty years later my taste has certainly changed with color choices and was glad even back then, other than a pick tub & toilet in the master (now yucky) I had stayed with classic and beautiful choices.

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This is the original exterior, but it is now light yellow with black trim, and the arches over the entry and the garage doors are now just a rectangle.  The architect was from California and good friend, but the arches and trim had to be repainted every year, as the V in the middle of the arch, opened the grain of the wood, so water got in the wood.  The lovely arch over the fireplace in the living room is gone and the antique Sheraton fireplace surround has disappeared that was above the master bedroom fireplace.  The trees are grown and beautiful!  There is a lot more landscaping that hides the front of the house a bit.

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This a photo from the living room looking into the dining room.  I had those two Captain’s chairs on the right for several years, but tired of them (still tired of them) and sold them ages ago. The columns are telling of the time it was designed and built, but classic lines are still lovely.  The new owners have had the floor refinished with exception of the entry where the last owner put black marble over the wood.  (yuck)  and the lighter color on the floor is much more up to date. I don’t have any photos of the kitchen, but it was a dream to work in, alone or with a party of people.

I would love to be the one redesigning their bathroom, but they did not contact me personally, so in the proper ethical and business since it is totally up to them.  But it does need to be updated, so I am glad they are taking it on.  I think it would be a very challenging, but overall fun project and would really add to the house.

How many of you have ventured back into a home you loved and what did you think about the changes?  Maybe as a design professional, it is harder for me to accept and love change?  How about you?

Can You Go Back?

SUNDAY NIGHT OR WHAT TO DO WITH LEFTOVERS

It’s Sunday night and weekend passed way too quickly.  The backyard had a lot of plants to cut back for winter and chickens are very funny, but very messy.  Time to clean up their mess before the rains come.

The Korean Beef Short Ribs became, as I told my husband, the meat eater: “Meat over Rice” and that was all he ate, as that was all i cooked.  I took some Butternut Squash soup out of the freezer and cut up the rolled pork loin with broccoli rabe adding it to the soup.  Put a little fresh Regianno Parmesano and you have a pretty tasty dinner and not wasted food.

The chickens got the left over Pea Salad and they were happy too.  It is a nice relaxing evening here at “Kingsley Manor”. Off to binge watch Poldark.

Beside dinner, I baked another Paul Hollywood’s Pain de Savoie for my husband’s office pot luck, designed an invitation for my granddaughter’s birthday party, wrote an article for a local magazine and caught up on my online class.  Grandma was pretty busy today.

SUNDAY NIGHT OR WHAT TO DO WITH LEFTOVERS

Back to the Studio

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It was a summer that I did not venture into my art studio, and yesterday I realized painting is what makes my heart sing.  That and some great Rhythm and Blues music in the background make for a wonderful day.

Two days ago I picked up a piece from a wonderful Interior Design Studio in Edmonds that sells quite a bit of my work.  The owner took me to house she is redoing and asked if I could do something for the living room to put above the fireplace. The colors were rich grays, taupes, bronze and a little bit of yellow green.  This piece is 30″ x 60″ and painted over a previous piece I had done a long time ago. Purple Abstract 30x48

It was done in a time when everything I did had some purple in it.  In the last couple of years I have finally grown tired of purple. I find painting over a previously painted abstract gives depth and life to a new painting.

In this case, since it was already framed, I just used green guerrilla painters tape to cover the frame, so did not have to remove it and could get right to painting.

Whenever I do a bigger piece, I make it so you can hang it vertically or horizontally. It is one thing I do to make it easier to use in what ever environment you hang the art.  In my own home, I may hang it one way for a while, then change 90 degrees in another place.  That way I don’t grow tired of the piece as quickly.

At the end of the day yesterday I felt this piece was complete and had a great start on a second piece.  I plan to spend a lot more time in my studio in the days to come.  It makes me happy!

Back to the Studio

Commission Artwork

Tara's House

One of friends that sells real estate asked me to do this for home she is selling.  I had such fun doing this today.  It was challenging, as the photo from the MLS was very small, but I think it turned out well.  I used water color pencils to give the orange a little punch.  Let me know if I can do one for you or one of your clients.

www.dianakingsley.net

 

Commission Artwork

Blackberry Pie along with some dang tasty Ribs…

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My husband said he loves Blackberry Pie, so yesterday I tried a sort of new crust and added blackberries to the inside.  I used Vodka in place of half of the water for the pie crust, as it is supposed to make the crust lighter, as it evaporates and your crust will not have a chance of being soggy.

Why this works: We wondered how to make pie dough that is tender, flavorful, and—most important—consistent. Since water bonds with flour to form gluten, too much of it makes a crust tough. But rolling out dry dough is difficult. For a pie dough recipe that baked up tender and flaky and rolled out easily every time, we found a magic ingredient: vodka. Using vodka, which is just 60 percent water, gave us an easy-to-roll crust recipe with less gluten and no alcohol flavor, since the alcohol vaporizes in the oven.

FOOL PROOF PIE CRUST

Ingredients

  • 2 ½ cups unbleached all-purpose flour, (12 1/2 ounces)
  • teaspoon table salt
  • tablespoons sugar
  • 12 tablespoons cold unsalted butter, (1 1/2 sticks), cut into 1/4-inch slices
  • ½ cup chilled solid vegetable shortening, cut into 4 pieces
  • ¼ cup vodka, cold
  • ¼ cup cold water

Instructions

FOR ONE 9-INCH DOUBLE-CRUST PIE

NOTE FROM THE TEST KITCHEN Vodka is essential to the texture of the crust and imparts no flavor—do not substitute extra water. The alcohol is key to our recipe; if you don’t have vodka on hand, you can use another 80 proof liquor. This dough will be moister and more supple than most standard pie doughs and will require more flour to roll out (1/4 cup must be used to prevent the dough from sticking to the counter).
  1. 1. Process 1 1/2 cups flour, salt, and sugar in food processor until combined, about 2 one-second pulses. Add butter and shortening and process until homogenous dough just starts to collect in uneven clumps, about 15 seconds (dough will resemble cottage cheese curds and there should be no uncoated flour). Scrape bowl with rubber spatula and redistribute dough evenly around processor blade. Add remaining cup flour and pulse until mixture is evenly distributed around bowl and mass of dough has been broken up, 4 to 6 quick pulses. Empty mixture into medium bowl.

    • 2. Sprinkle vodka and water over mixture. With rubber spatula, use folding motion to mix, pressing down on dough until dough is slightly tacky and sticks together. Divide dough into two even balls and flatten each into 4-inch disk. Wrap each in plastic wrap and refrigerate at least 45 minutes or up to 2 days.

      I roll out between two floured pieces of parchment.  This is a very tender crust, so not one for a beginner.

      Blackberry Pie

      Ingredients

      • 4 cups fresh blackberries
      • 1/2 cup white sugar
      • 1/2 cup all-purpose flour
      • 1 recipe pastry for a 9 inch double crust pie
      • 2 tablespoons milk
      • 1/4 cup white sugar

      Directions

      1. Preheat oven to 425 degrees F (220 degrees C).
      2. Combine 3 1/2 cups berries with the sugar and flour. Spoon the mixture into an unbaked pie shell. Spread the remaining 1/2 cup berries on top of the sweetened berries, and cover with the top crust. Seal and crimp the edges, and cut vents in the top crust for steam to escape.
      3. Brush the top crust with milk, and sprinkle with 1/4 cup sugar.
      4. Bake in the preheated oven for 15 minutes. Reduce the temperature of the oven to 375 degrees F (190 degrees C), and bake for an additional 20 to 25 minutes, or until the filling is bubbly and the crust is golden brown. Cool on wire rack.

      Using this recipe, the bottom of my pie was a little too soggy for my taste.  I would put a pizza stone in the oven to reflect more heat on the bottom.  Put it on the rack below the pie.

      … And since I believe in eating dessert first here is the rib information.  I made the sauce and cooked it in a slow cooker.  I mentioned this might be great for The Fourth of July when we invite family and friends, and my sweet husband commented, why don’t you make a second one where you just pour in a bottle of BBQ sauce for my sons.  Moments like this are frustrating.

      IMG_5201

      Slow-Cooker Barbecued Sticky Ribs

      Why This Recipe Works

      In order to fit our ribs into the slow cooker for our barbecued sticky ribs recipe, we arranged the full racks of ribs standing up around the perimeter and finally spiraling in towards the center of the slow cooker, pouring the sauce over the top. Because we had left space between the ribs, they cooked evenly, and because the sauce was poured on top of the standing ribs, they slow-basted during cooking, absorbing more of the sauce’s flavors.

      • tablespoons paprika
      • tablespoons packed light brown sugar
      • tablespoon salt
      • tablespoon ground black pepper
      • ¼ teaspoon cayenne pepper
      • pounds baby back ribs, or St. Louis-style spareribs (see note)
      • cups barbecue sauce

      Instructions

      SERVES 4 TO 6

      NOTE FROM THE TEST KITCHEN Authentic baby back ribs weigh about 1 1/2 pounds per rack, while St. Louis-style spareribs weigh about 3 pounds per rack. (Note that commercially packaged “baby back” ribs are often just mislabeled St. Louis-style spareribs.) Both types of ribs, however, will work well here. You can either make your own barbecue sauce, or use your favorite store-bought brand—we like Bull’s Eye Original
      1. 1. Combine the paprika, brown sugar, salt, pepper, and cayenne in a small bowl, then rub the mixture evenly over the ribs. Transfer the ribs to the slow cooker and arrange them standing upright with the meaty side against the interior wall of slow cooker. Pour the barbecue sauce over the ribs. Cover and cook on low until the meat is tender, 4 to 5 hours.

      2. 2. Transfer the ribs to a cutting board, tent with foil, and let rest for 20 minutes. Let the cooking liquid settle for 5 minutes, then gently tilt the slow cooker and remove as much fat as possible from the surface using a large spoon. Strain the sauce through a fine-mesh strainer into a medium sauce-pan. Bring the sauce to a simmer and cook until the mixture measures 2 cups, 15 to 20 minutes.

      3. 3. Slice the ribs between the bones and toss them with the barbecue sauce. Transfer the ribs to a warmed platter and serve.

      Barbecue Sauce

      From Cook’s Country
      WHY THIS RECIPE WORKS:

      Ingredients

    We found that simmering the sauce on the stovetop concentrated the flavors and thickened the sauce. A little Worcestershire sauce provided rich, savory flavor and a combination of chili powder, cayenne pepper, and hot sauce provided just enough heat to register, but not so much that it overwhelmed the other flavors.

    MAKES 3 CUPS

    This recipe was developed using relatively mild Frank’s RedHot hot sauce.

    INGREDIENTS

    INSTRUCTIONS

    1. 1. Heat oil in large saucepan over medium heat until shimmering. Add onions and cook until softened, about 5 minutes. Stir in garlic, chili powder, and cayenne and cook until fragrant, about 30 seconds.

      2. Add ketchup, molasses, vinegar, Worcestershire, mustard, and hot sauce and simmer, stirring occasionally, until sauce is thickened and reduced to 3 cups, about 30 minutes. (Sauce can be refrigerated for up to 1 week or frozen for up to 1 month.)

Blackberry Pie along with some dang tasty Ribs…