Dancing in the Wind

Back to my makeshift studio to paint. This is 60″ x 48″ and is designed to hide a water heater. Not the best reason to paint, but any reason in my mind is a good reason. When I sold my waterfront home, I gave up my perfect painting studio over my three car garage. It was designed to have perfect north lighting, lots of space for storage and close to main street where I could sell my art.

When I sold it, I bought a small cottage with a finished garage, so I could set up my studio there. It was great, people walked by and said hello and it was clean and organized with lots of storage. I still own the home, but do not live there.

Where I live now, really has no studio. It is a wonderful 1912 California Craftsman Bungalow with a not so lovely 1912 one-car garage. I’m not sure it ever really housed a car. It is unfinished, has that “old house” smell, and it has taken me a while to want to paint in it. In time we may dry-wall it, so I can hang some art and hopefully get some shelves so I can store some of my supplies. I did order a lamp this weekend to help with the lighting.

Dancing in the Wind

Time for Changes

This 30″ x 40″ painting was done for my now ex-husband. He insisted he have it when he moved out, but after a bit sent it back to me. I decided I must have been a little depressed when I painted it.

There are musical notes added in the background with the use of collage, which is not my normal style of artwork. I decided best to paint over it, to remove the memory of bad times.

This one makes me smile a little more. The colors are lighter and the addition of more gold leaf add a little lightness to the piece

Time for Changes

Red Meets Black!

In addition to sketching and doing a relatively impressionistic type paint, I love doing big abstracts. This one did not take much time, but just made me happy painting. I usually put on some great music and just enjoy the energy. Stacey Kent is my newest artist of choice. I was introduced to her music when staying a friend’s house. With all the fires going on in Washington, Oregon and California the idea struck me that the all the fury of the fires leaves behind the sadness of the blackened trees and lost homes.

This is fairly large at 48″ wide x 24″ tall.

Red Meets Black!

Back in the Studio at last

It has taken quite a while to sort through everything and organize it, but I am there and was able to paint this week. My friend, Reed and I went on a drive last week to Brinnon where we took a very short hike to find the Rocky Brook Falls. I will admit we drove more back and forth trying to find the falls, than we did hiking, but it was worth the trip.

This is the photo that I used for the painting. As you can see I took a little “artists license” with the painting.

I’m not sure if I will attempt to paint this, but it surely was breathtaking.

Back in the Studio at last

Love sketching

I was in Vacaville, California when the pandemic began and it was a time, when the big excitement of the day was going for a drive or sitting on the front porch having a glass of wine. I don’t sit still well, so got some pens and started sketching the neighborhood. My oil paints were still in Washington, so could not paint. (Won’t do that again). Here are some of the in house and neighborhood sketches done at that time.

I started with simple sketches around the house.

Beautiful roses in a vase. Probably should have added color. (Oh well)

Drew the house on the corner.

And the house across the street.

Then added color to the house on the corner across the street.

Another house right across the street

And added color

Drew a tree rose in the front garden

Drove back to Bainbridge where I drew my girlfriend’s flower pot. I moved to my little Port Ludlow Cottage and spent the next couple of months trying to organize and move in to the house.

My friend and I were out and about and stopped in Port Gamble in a newly opened wine bar for a glass and a charcuterie plate and I like the house so I took a photo on the way out and drew the house below. I had an extra frame, so I framed the house and dropped by as a gift to the owners.

Once in a while it is just fun to do a nice and unexpected gift!

Love sketching

Painting and Puppy

Do they go together?

It has been a couple of weeks since I have been able to be in my studio.  Having a new puppy has not helped.  She is very cute but very busy!  Most days I truly wonder if a puppy really adds to your life or just wastes your time.  I don’t feel like you get much in return at this point in time.  She is finally old enough that she can be in my art studio when I am working but has to be in a crate or she would literally “eat” my artwork, as she eats everything else in path.

Just now I went to make another cup of coffee, but the barn door to the laundry room where I make my coffee got knocked off the track by the puppy and it is going to have to stay that way all day.  It is too heavy for me to life to put back on the track. The cat is locked in the laundry room but at least he has food and water and can get to his litter box and he has freedom from the puppy and I am mostly wishing I had freedom from the puppy.

Sunday when my husband was home and my youngest son visiting, I could finally put the puppy in the hands of someone else and go back to my studio to paint.

 

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Last weekend I traveled to the Celebration of Life of one of my college sorority sisters in Vacaville.  It was a bittersweet experience.  It was wonderful to see many of my sorority sisters, but hard to share the passing of one.  It was dear to see her husband, as he was my first boyfriend in college before he met her.  It was so wonderful to see what a rich and full life they had together as they showed photos throughout the years of their long and happy marriage.  It made me feel so good to know what a wonderful life they had together.

The upbeat part of the trip was that I was lucky to spend some time with my oldest son and granddaughter.  We drove out the coast near Santa Cruz, where we took a wonderful and beautiful walk along the beach.  We walked through a farm that is open to the public with several older buildings and some historic sites.  The painting above is of one of the buildings that I photographed along our walk.

3.jpg   Here is the photograph that I painted.  I loved that it looked like one time it was loved, but now it was old and forlorn.  I took several photos of other buildings and think I may do a series of paintings of the area.

Yesterday it was cold and rainy and even though I should have gone to Urban Sketchers in the morning, I chose to try to spend it in my studio with my puppy.  It is funny, if I turn on a movie, she is like a little child and watches the movie without complaint, so I was able to paint the following piece from a photo I took in Poulsbo at the marina.

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I am out to the studio again after I either go out to buy a coffee or I almost forgot I do have a French Press that is not locked in the laundry room.

Anyone want a very cute Aussie Kee that will eventually be a great companion for someone much younger?

Painting and Puppy

The Quiet Teacher

David Marty is a local to our area artist that teaches two-day classes in Edmonds at The Cole Gallery and sometimes once a week for six weeks on Bainbridge Island at The Winslow Art Center.  I have taken four classes from his so far with two in Edmonds and two on Bainbridge.  It is always interesting to see the level of the painters at the two different environments.  In Edmonds, there are usually a couple artists that are quite accomplished blended with more with little or no experience. I always learn at least one tidbit that helps to improve my own paintings.  Bainbridge classes are often comprised of many of the same artists that I have taken other classes with, and most all have been painting for several years.

Dave’s work is not quite as loose as some other Plein Artists, but it is always beautifully done. Coming from an illustrators background, his drawing is always “right-on'”. I have improved my drawing skills taking his classes and doing Urban Sketching with a group on Bainbridge Island.

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In David’s classes the entire class paints from the same photograph.  It is so interesting to watch throughout as the artists turn the photographs into beautiful paintings.  If you were to look at the finished pieces you realize just how differently people see. I love watching the artistic process as many of the pieces transform as they are painted.

In the classes on Bainbridge, we were always given a homework assignment to work on at home and bring for critique the following week. Painting Class 1.jpg

This was the first piece we worked on in class.  David would do a demo in the morning, then we all painted the rest of the afternoon and put up our work for a critique at the end of the session.  This class was to work on water receding in the distance.  I walked away content with this piece.

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The second was a scene of a lake and the challenge was to show the lilies on the surface without making it look speckled.  The one above is mine.

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We next worked on the reflections and lighting in this lake scene.

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This was painted from a photo with a row of flowers.  I did not love the photo, so I reversed it in Photoshop and added a little girl picking the flowers in the front.  Once finished I thought and think it looks a bit trite.

Then we started painting a couple of roads, which I thought was great fun. Painting Class 5.jpg

I can always tell when I enjoy the topic we are painting, as I most likely will be happy with the result.

 

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How to make a wall of trees look interesting was a challenge and it was a homework assignment.  I did feel this was successful as it has variety and keeps your interest.   David never says anything negative about your work, but makes quiet thoughtful suggestions on what might improve it.

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Making rocks look like rocks is always a challenge and how to get the right color, so they look real but beautiful at the same time.  This was hard to capture, but I think it reads as rocks.

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Another road with the task of making the road appear beautiful and interesting while receding believably into the background.

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Painting the Night Scene of a city was fairly new to me.  I went with a little whimsy and fun and more abstract than real.  David liked how I did the lights in the background and thought he might change his to a little more like mine.  Boy, did that make me smile.

 

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We all painted “The Red Barn”.  Growing up on a farm, I have always been attracted to barns and have painted several over my life as an artist.  This is a small 8 x 10 inch with a bad glare in the photo, but it was fun doing.

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Homework assignment to paint clouds.  The tidbit I learned from this exercise is that clouds are always parallel to the earth at the bottom, so they are flat at the bottom.  Not my favorite painting, but it was a very simplistic photo.

 

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The homework assignment was to capture the clouds in a painting from a photo of the clouds.  Mine was a good as anyone else in the class, but nothing I would try to sell.

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Everyone in the class liked this, but I sanded it down and repainted the canvas.  The wave looked more like a ledge than waves to me.

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Beach walkers One.

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Beach walkers Two.  I did not like the first rendition, so I painted it a second time.  Not sure that I like either of them.

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From the sea, we moved to snow scenes.  I painted the one on the left in class, but it left me feeling unsuccessful, so I painted the one on the right.  It is a fun exercise to paint the same photo more than once and in slightly different styles.

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With the next homework assignment of snow, I painted the first horizontally and the same scene vertically.  Working on composition helps you see the same thing in a different manner.

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I brought in a photo I found online of Port Gamble, so we all had a take on this.  Port Gamble.jpg

In this case, I have the photo and thought it might be fun for you to see my translation of the photo.  I left out the tree in the foreground.  I do love the mist of the photo and feel at least I captured the essence of the mist.

 

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We were to paint this stream for homework.  Often when I look at a photo, I wonder what would be the best way to try to make this come to life.  When David showed his homework, it was mostly in browns, and I must admit that his rendition was more appealing than my greener version.

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One of the students brought in a photo of Madronas on her property, and while they are lovely, it was a test of sorts to make an interesting painting.

 

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Here is the photo. 2.jpg

First version

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Finished version adding more darks.  I often do not go dark enough, so this was a great lesson in contrast.

The next class I took from David was at Cole Gallery and the class was about learning to paint moving water and how to draw your eye to the water.

 

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I was pleased with the first painting but got my reflections off on the second.

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This was the final painting in that particular class.  I do see water and color in a different way than before, and everyone in the class liked this painting.  I am not so sure that painting just water is my favorite.

Every time I do take a class with Dave, I learn at least one thing.  I enjoy watching how he holds his paintbrush to achieve the look he desires.  Every stroke is thought out and it important.  There is not scrubbing!

The Quiet Teacher

The Man From Australia

My last class, and probably the last one I will take for a while was from a well-known and respected artist from Australia.  Colley Whisson came to teach a four-day class at The Winslow Art Center and people from all over the country came to take the class.  He was funny and told great stories and talked a lot!  And talked a lot, but taught a lot too!  He paints a wide variety of topics and creates beautiful paintings from very simple photos.

The first day he did a demo for most of the morning and into the afternoon.  We were then given a photograph of the painting he had previously done from the same photo.

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It was a very simple beach scene which did not seem exciting, but using the brush strokes he showed us and the limited palate, I was very pleased with my finished piece.  I think I was one of few in the class that he did not “touch” my canvas.  He made one suggestion but seemed to like my work.  (Yippee!!!)

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Day two was an old cabin and it was interesting to see in a class of twelve or more that were no two even similar.  Mine featured the smallest cabin. Once again, he did not jump in and work on my painting and made one or two suggestions.  This is a small canvas and I liked using a larger brush than I had in the past.

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Day three after the morning demo he set us free on copying his painting.  Other than saying I should move the chicken or the fountain, he seemed to like my work.  He did make one perspective change that was right-on.  I am getting used to using the bigger brush and like the look.  I would never have selected this view to paint, but I think it turned out pretty fair.

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The fourth and last day we painted Plein Aire in the garden that used to belong to a friend of mine. I had not been in the garden since she sold the home after her parent’s passed away within months of each other.  It is a whimsical and beautifully lush garden.  As I walked in, I loved the contrast of the blue pot in the distance and the bright pink flowers close-up.  After I came home and looked at a photo I had taken and what I had painted I darkened the background for more contrast.  At his suggestion, I added more paint in the foreground and I think the effect is quite positive.

Colley is an excellent teacher that does beautiful paintings and makes his living selling his art in Australia.

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I love the simplicity of his work along with the beautiful brushwork.  One thing he said that will now remain a constant in my work going forward is that you need to have a quiet space to contrast the brushwork.  Brilliant~

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Simple composition with beautiful colors and brushwork. And I really do not like blue, but like the work overall.

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I call this elegantly simple, but fascinating.

 

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As you can see from the four examples I shared of his work, it is colorful, but controlled and beautifully painted.  I would definitely take his class another time. There were many little jewels that I learned from this master artist.

The Man From Australia

Take the right class

One of the other classes this summer was given by an artist that paints in oil, but more successfully in watercolor. When I arrived at the class I realized everyone else taking the class was painting watercolors.  I do Urban Sketching and luckily had my kit in the car, so I could do watercolor. It was NOT why I was taking the class.  It was an expensive class and I had to drive an hour each way to attend.  I only attended two of the four days.  I think I learned everything I could the first day.

The class was about painting moving water, so we were drawing from printed the examples on the first day.  I quickly learned it was a very beginning class and many of the students had very little drawing experience, let alone watercolor experience.  They had a lot of drawing equipment, but not educated skill.

The teacher had, as many do, sent out an extensive list of supplies with several new (to me) oil paint colors.  So I had to find the colors quickly and $$$$ before the class.  I did not use even one of the colors required and more than that the use of these color combination was never discussed or explained.  The teacher was a lovely talented lady and I enjoyed talking with her but did not enjoy the scattered and unorganized class.

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In this small watercolor, we were to work on the direction the flow of the water, by bringing the edge over the top and puddling it at the bottom.  That was the extent of what I learned in class.  The next day we went to a local park to paint moving water, but there was no moving water.  There was a rather stagnant pond. I did a small watercolor of it but did not like the result, so put it in the “not to be shared” file, otherwise known as the trash can or round file. gaz.jpg

Later in the day, I did the little gazebo by the water, but there was nothing new it this either.

I will continue to admire Julie Gilbert Pollard’s work, but what she does versus what she teaches are two different things.  I would have loved to have learned how to use the new colors that I bought for the class.  I will never take a class that attempts to teach both watercolor and oil painting as the approaches are the complete opposite.  In oil painting, you generally start with the darks and in watercolor painting, you add them last.  2.jpg

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The other thing in signing up for a class, find out the experience of the other class members overall.  If there are a lot of beginners in the class they are “time hogs’.  They don’t mean to be, but they just want to learn so much more.

I have taken classes taught by the same teacher at different locations and discovered when most of the class is beginning, you don’t walk away with nearly as much new information.  The other “light goes off”, was that every artist thinks that their way is the best and sometimes the only way to do art.  Keep in mind there are a lot of different ways to come to a beautiful painting.

Take the right class