Another Weekend of Art Class

This last weekend I took another three-day class at The Winslow Art Center on Bainbridge Island.  Martha Jordan brings in wonderful artists from all over the country to teach workshops.  This last weekend, Stanley Bielen came in from the East Coast to teach beautifully simplified small paintings to a group of fifteen from all over the country.

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We all had individual vignettes set up around the room.  It was so fun to see what people selected and then what they painted.  I learned a lot from the teacher and from watching the approach of other artists in the class.  I started to say “students”, but for the most part, the class was full of very accomplished artists.

I stopped to talk to a friend downstairs and by the time I returned after the morning demo, the only spot left was the one where Stanley had painted the demo, so I decided I would give it a try.

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These are small paintings at about 6″ x 8″, so this is even a little larger than the actual painting.  Being pleased with this I moved on the next day to a set-up of my own.

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This is not quite as loose as what Stanley was sharing, but it was fun and I felt good about it, which is not always the case.

In the afternoon, I looked at the choices available and found this beautiful little teapot, and thought it would be fun.  Laughing a little, I placed a quince bough in the spout and had fun painting this. Stanley made a couple of painting strokes, that really made a difference in the painting.

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Keep in mind that I am not a “flower” painter.  Ever since I was in Art School in the ’70s, and the teacher in one of my first-semester art classes said, after I produced a three foot by three foot abstract, that he was surprised, as he always thought I would just be a flower painter, I have kind of steered clear of flowers.  If you look back in your life, I think most of us would be amazed by the power that a small quick comment may have had on our lives. Teachers have more power than we often think.

Feeling good about my little teapot (short and stout) I returned to the “table of treasures”, as I called it with lots and lots of flowers, some fruit, and vegetables and tried to figure out how I could avoid painting flowers.

Ah, the Bok Choy.  One other artist painted it laying on its side, but I thought: “Let the Bok Choy stand tall”. Not sure it came out as tall, but at least it does look like a Bok Choy.

 

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That was the end of the second day and I have to admit I was a little tired. My sweet husband suggested we just go out to dinner.  I thought that was a great idea and had a few glasses of champagne with dinner, came home and had a couple glasses of wine.  I awoke with a not so happy headache but took some ibuprofen and was off to class.  Arriving at class, I realized I was tired and not really “on”.  I discovered that day that how you feel makes a difference to your creativity.  I did two more small paintings, but walked away, not liking either one of them.

One of the women in the class brought in a vase of amazing Camillias, so I thought: ” Humm, they are big, maybe I can paint one.”

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Stanley liked it, but it does not “sing” to me.  I might try more flowers just to see if I can do it more successfully.  The last painting of class should be your best effort, but I find I am usually more tired at the end of the class, so don’t think it is my best.

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I realized as I finished this, that the flower was way to close to the upper left corner.  The nice thing about working on panels is that you can cut them.  So I cropped it in Photoshop and will have my husband cut it down.

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So I will have him chop off the bottom, and I will repaint the bottom and then I think I may actually like it.

It was a very wonderful workshop and I feel lucky I was able to take it with old friends and now some new ones.

 

Another Weekend of Art Class

Taking Art Classes

After a little hiatus from painting impressionistic work, I am back taking some classes and really enjoying the art of the little painting.  A couple of months ago I took a class at the Winslow Art Center by David Marty for six weeks and really enjoyed learning new ideas and techniques.  The class is and was fun (new section now) as we paint one photograph in class (can finish at home) and do another one for “homework”.  It has gotten me back doing one of the things in life I love the most (cooking being the second).Painting Class 1.jpg

This was the first painting I did in class and really enjoyed the process and continued to use some of what I learned in painting number two which was our homework assignment.

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Back in class, we critiqued what we had done at home and worked on a new photo.  Everyone seemed to like my homework and it is still the favorite of my husband.

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Back in class we worked more on reflection and tree shapes and were sent home with homework of painting the garden.  I did not love the “garden”, so reversed it and added a little girl in the garden.  It looks a little “old world” to me and is not one of my favorites.

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From there we went to working on a road scene, which I thought was fun and liked the result.  It is fun to see your style change and grow in a rather short amount of time.

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Painting homework for that week, seemed a bit overwhelming to me when I started working on it, as it seemed to be mostly “just trees”, and to try to make that look interesting was somewhat challenging.

 

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I think it turned out better than I would have predicted and it did not take a lot of time, or I should say I did not spend a lot of time on it.

One of the other things I was doing while taking the class was working on a three foot by five-foot commission for a design client, so it was interesting going from working on an 8″ x 10″ or 9″ x 12″ to working on the larger scale.

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Back in class, we worked on painting rocks on this cliffside painting with rocks and trees.  For once I did not finish in class and worked on the rocks when I got home.  I have started collecting art books, which are always good for getting ideas of how to do something differently.

 

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Homework came as another road scene with a barn off to the side.  I really enjoyed working on this one and liked the result, although I did tweak it a bit after the class.

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Coming back to class we had the opportunity to work on a Night Scene, and this is what I came up with for the project.

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This one came out more abstracted than any of the others I had done. The teacher of the class seemed to like it.  And homework was of a barn, as requested by someone in the class.  I have painted a lot of barns, but usually 18″ x 24″ or bigger, so this was fun.

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Working on skies with lots of clouds came next.  Have you ever noticed that the lowest clouds are always parallel to the horizon?  The more I paint the more I notice these things. We painted this in class and difference in how people see the same thing is amazing to me.

We were sent home with more homework after our first six classes, as everyone in the class asked if the same teacher could come back to teach another four-week session.

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We came back to class and the first day we painted waves.  Now, this may look easy, but to make them look real (and interesting) I found quite challenging.

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Following the beach scene we were sent home the following assignment, which I did twice, as I did not like the first one very much.

Number 1

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Number 2:

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Tell me if you can see the differences.  I liked the second one much better.  This is becoming a trend now with me and seems the second one is always better.

Since we were all snowed in for more than a week, the perfect exercise for the class must have been working on snow paintings.  We did a series of two and I painted them both twice.

Number 1:

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Number 2:

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There is quite a difference between these two.  I painted the second one in class.

On to the second snow scene, which both are homework. I didn’t love the first one, so I painted it again.

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Number 2:

 

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I do not know what adventure we will paint tomorrow, but I know it will be fun.

Port Gamble Diana.jpg‘So we all worked on a photo taken at Port Gamble in the mist.  Here is my rendition.  This week we have two homework assignments (Oh my) and to bring in a piece we are working on.  I don’t have anything in process, so will start a new Airstream and take it to class.

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So here is what I took to class.  We did two more homework assignments. I made a couple of changes to both and here they are.  It was a great class and I think everyone learned a lot.  It is always good to see something from someone else’s perspective.

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The photo of these Madronas are probably not something I would have ever chosen to paint, but it makes for a rather eerie effect.

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The photo of the stream literally had no color, so I enhanced it in Photoshop and even though it is a bit “green”, I rather like the result. Can’t wait till the next time I take a class.  Oh wait, it is not that long I take one this weekend.

Taking Art Classes

Studio Update

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Every art studio could use a cozy corner for reading art books.  This last week my husband built these two-inch shelves with a lip for setting finished small pieces and works in progress. Now I need to get busy and paint some more small works.

Next weekend he is going to add more shelves for bigger pieces.  It is wonderful, as they are all straight on the bottom for once.

Every challenge yourself to something and feel either great about accomplishing it or bad that you failed (the first time).  This year I challenged myself to read 75 books on the Goodreads challenge and can very proudly say I accomplished that goal. The year before I attempted to bake every bread in Paul Hollywood’s Bread Book.  I made it about 2/3’s of the way and gained a couple of pounds, but did not finish the book. I still love to bake and may just try to finish it. I take my baked goods to my local fire department, so they are enjoyed and not wasted.  My wonderful local fire department surprised me with a gift certificate the last two years.  That made me cry the first year, as I was amazed they recognized the gift. This year I felt a little guilty as I felt I did not take as much, but will up the ante as the year goes on.

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Now with 2019 coming up, I decided I would follow the example of Kevin McPhearson, the author and artist of “Reflections on a Pond”, and paint the view of the water in front of my house every day of the year. If I don’t have time to paint on a particular day, I will take a photo and paint it later. I find it an interesting thought and am hoping it will improve my painting skills.

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Studio Update

Is Cadmium Paint Toxic?

My artist friends are often talking about this, so when I found this article on Artists on Art, I thought I should post it.

Is cadmium paint toxic? Cadmium-based colors have been around for many years but tend to be among the most often in question. Artist and instructor Dan Schultz has researched this; here, he shares what he found regarding the toxicity of cadmium in artist paints.

Is cadmium paint toxic? ArtistsOnArt.com

Is Cadmium Paint Toxic?

By Dan Schultz

Cadmium is found naturally in the earth’s crust but is a relatively rare metal. (Which may explain the high price tag on cadmium paint colors!) Cadmium often couples with other elements in a variety of compounds. Some of these are are extremely toxic and dissolve easily in water, making them dangerous to humans. It is also dangerous if inhaled in its dust or powder form. Some of the earliest cases of cadmium poisoning were reported in Belgium in 1858. Workers had inhaled cadmium dust as a result of polishing silver with cadmium carbonate. This kind of exposure can cause severe respiratory distress, emphysema, and even death.

Oil painting tips for artists - ArtistsOnArt.com

Pigment manufacturing became big business in the nineteenth century, not only for artists but also for industrial and printing applications. When the powerful, intense cadmium colors were developed, ranging from yellows to oranges to reds, artists eagerly added them to their palettes.*

Since then, artists have become increasingly aware of the importance of studio safety. Paint manufacturers recommended that you don’t eat, drink or smoke while painting in order to avoid ingesting potentially harmful substances from paints, solvents, etc. But what about skin exposure? Given what we now know, should we wear gloves and masks while we paint with cadmium colors?

When I visited the M. Graham & Co. factory in 2015, I asked specifically about the toxicity of cadmium colors. They told me that by law, paint manufacturers are allowed to make cadmium colors only a few specified days each year because of the dangers associated with cadmium dust. Proper respiratory equipment is required during production to avoid inhalation of the powdered cadmium pigment.

However, during the paint-making process the pigment is fused with sulfides and coated in the particular medium’s binder (oil, acrylic, gouache or watercolor). This process renders the cadmium insoluble in water, and therefore the human body. We can’t absorb it. So no gloves are necessary. And cadmium paints don’t give off any dust or fumes, so no worries about inhalation either.** I’ve just recently spoken again with a paint manufacturer who said that the paint-making process makes cadmium colors safe in oil, acrylic, gouache and watercolor.

With that said, you DO need to use extra caution if you’re sanding dry cadmium paint or spray-applying. If that’s you, make sure you wear a NIOSH dust respirator to eliminate the chance of inhaling cadmium particles. (Or any other harmful particles / dust.) The same advice applies if you work at all with dry cadmium or other pigments. (For example, if you like to make your own paint.)

Also, please avoid pouring your dirty brush-cleaning water or solvent down the drain or onto the ground. This can introduce heavy metals like cadmium into the watershed, possibly creating problems downstream. It’s recommended that you soak up your dirty water / dirty solvent with paper towels then throw them away in your studio trash.

Is Cadmium Paint Toxic?

When I am not cooking, I might be painting. It is all art.

 

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I am taking a painting class at the Winslow Art Center on Bainbridge Island on Tuesday and enjoy the camaraderie of other artists and learning to paint small. We paint from small photographs on to 8 x 10 inch or 9 x 12-inch canvases.  This was my painting from the first day of class.

The teacher David Marty asked us to do a homework assignment, and I just finished mine.

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This another 8 x 10-inch painting.  I find it interesting as I usually do paint in a much larger format, but am finding this satisfying for some reason.

Normally I paint abstracts in larger formats.  The one below is 36″ x 24″ and as you can see, it is very different from my smaller ones. Painting one.jpg

This one is 30 x 48 inches with black, gray, and gold leaf interspersed in other colors. I was looking at in the studio and think it is the perfect Halloween painting.  Look at the “evil” eye of the predator on the right side of the painting.  This guy is watching you, and it was totally an accident.

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Just thought I would share something other than food art and interior design. I am doing a 3 x 5-foot commission right now and love the big scale of it.

When I am not cooking, I might be painting. It is all art.

Back to the Studio

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It was a summer that I did not venture into my art studio, and yesterday I realized painting is what makes my heart sing.  That and some great Rhythm and Blues music in the background make for a wonderful day.

Two days ago I picked up a piece from a wonderful Interior Design Studio in Edmonds that sells quite a bit of my work.  The owner took me to house she is redoing and asked if I could do something for the living room to put above the fireplace. The colors were rich grays, taupes, bronze and a little bit of yellow green.  This piece is 30″ x 60″ and painted over a previous piece I had done a long time ago. Purple Abstract 30x48

It was done in a time when everything I did had some purple in it.  In the last couple of years I have finally grown tired of purple. I find painting over a previously painted abstract gives depth and life to a new painting.

In this case, since it was already framed, I just used green guerrilla painters tape to cover the frame, so did not have to remove it and could get right to painting.

Whenever I do a bigger piece, I make it so you can hang it vertically or horizontally. It is one thing I do to make it easier to use in what ever environment you hang the art.  In my own home, I may hang it one way for a while, then change 90 degrees in another place.  That way I don’t grow tired of the piece as quickly.

At the end of the day yesterday I felt this piece was complete and had a great start on a second piece.  I plan to spend a lot more time in my studio in the days to come.  It makes me happy!

Back to the Studio

30 Design Mistakes You Should Never Make from Houzz

This article came on my newsfeed this morning and I thought it was very interesting.  While I agree with most, I do not agree with all. There are as many opinions about design as there are people with opinions. 

Drop the paint can, step away from the brick and read this remodeling advice from people who’ve been there

April 21, 2016
There are a million and one things to consider when taking on a remodeling project. Some of those decisions have the potential to significantly impact your home — and in turn your emotional well-being — for years to come. It doesn’t matter how functional your new kitchen is, for example, if you hate the flooring material you chose. It’s going to eat away at you every single day.

In hopes of preventing these situations, we asked readers for design advice on things you should never, ever do during a remodel. Their suggestions are quite revealing, and worth considering. But remember, the thing about advice is that you don’t have to take it. After all, the main takeaway message here should be that no matter what, it’s your home. And you should do whatever you want. Just don’t say we didn’t warn you.

30 Design Mistakes You Should Never Make from Houzz

West Sound Home & Garden Magazine

Home on Cover

Normally I post about food or art, but today I am sharing an article about my own home featured in a local magazine.  I bought the land about thirteen years ago and designed and built a home for me to live in as a single woman, as all my children had gotten on with their lives.  I was not sure at the time, if I wanted to live here or move back to California, where I am a sixth generation family member.  I moved there for a year, but could not get close to the beach, hated the traffic, realized most of my past friends had moved on and totally hated living in a townhouse, with a gate and for the most part not so friendly neighbors.  The problem started, when I trusted a builder to follow my construction plans, and he did not.  He cheated out on absolutely everything, changed my floor plan without my permission and totally changed the feel of the house.  When I moved back to Washington, I lost money on my townhouse in Carlsbad and did not have a job.  I did not have a job for over a year, so making changes was not in the budget.

When I married about six years ago, after being single for over twenty years, it was an adjustment using a home designed for one person for the two people now living in it.  After about five years, we decided to make the changes you see featured in this article. This is the second home I’ve had featured in a magazine.  My 1998 home on Wing Point, Bainbridge Island was featured as home of the year in Seattle Home & Lifestyle Magazine.  They are very different homes, as that was designed for myself and my three teenage sons.

https://wshg.net

Art in Residence

In the hands of Mike and Diana Kingsley, home is a canvas.

Art in ResidenceWhen it comes to interior design, Diana Bennett Wirtz Kingsley wrote the book. Really. An artist and holder of a master’s degree in interior design, Kingsley authored “Hand Drafting for Interior Design” during her years of teaching at the Art Institute of Seattle. The book is a popular text in a hundred colleges across the country and abroad.

When not authoring textbooks, she is a whirlwind of creative energy. The artist-author fills her semi-retirement with painting, sewing, cooking and photography, as well as her beautifully visual cooking and commentary blog.

Art in Residence - Diana and Mike Kingsley
Diana and Mike Kingsley

Considering this surplus of interests, Kingsley was just the woman for job when the time came to plan a new residence. As the last of her three sons graduated from Bainbridge High School, the designer started the search for a home site on the Kitsap Peninsula. In 2005, she found just what she was looking for in Kingston.

Art in Residence“I had no idea where I wanted to live until I saw this property,” she says. “There was the beach and this fabulous view. I just wanted to walk on the sand.”

Set on the shore of Apple Tree Cove, the lot looks across broad tide flats to the Kingston Cove Marina and the comings and goings of the Kingston-Edmonds ferry. Flocks of sea birds ride the waves and ospreys float in the sky. Changing weather alternately mists distant docks and glints sunbeams off passing boats. Kingsley was enchanted. She knew she’d found the one.

Kingsley also knew who would design her home. She would. First of all, the house would take advantage of the view over two stories. Deep porches on both levels would be roomy enough for dining and reclining. Finally, the master suite would occupy the entire upper floor.

Art in ResidenceFor Kingsley, the design was the easy part. The tough part was acting as her own contractor. The foundation was barely dry before she made a temporary move to California. By the time she returned for a visit, the work was nearly wrapped up. Except some of it wasn’t per agreement, including the kitchen appliances.

Disappointed but undeterred, Kingsley moved in and moved on with life. The next few years brought good things, chief among them her future husband, Mike. As the newlyweds settled into the Kingston house, Diana and Mike Kingsley found creative compatibility.

Art in Residence“I design things and my husband makes them happen,” she says. “He’s very handy.”

“So far I have a 2-to-1 ratio of projects desired to projects completed,” Mike Kingsley replies, smiling at his indefatigable wife.

Considering the couple’s combined talents, what happened next was inevitable. They gutted the house and began a complete remodel.

“We ripped everything out and loaded it in dumpsters,” Diana Kingsley recalls.

Art in ResidenceAfter 12 years in residence, she knew what she wanted to rise from the metaphoric ashes of the original house. She wanted a look that was beachy, low-key and comfortable. Kingsley wanted muted colors to reflect what the eye sees outside Puget Sound windows for more than 300 cloudy days a year. She wanted an understated carbon-gray exterior with orange accents. Mostly, she wanted people to stay out of her kitchen.

Kingsley makes no apologies for being the queen of her kitchen. She loves to cook. She also loves to entertain. An invitation to dinner with the Kingsleys is a recipe for a most appetizing evening. Kingsley needed a kitchen worthy of her talents.

Art in ResidenceThen the designer had an inspiration. What if her real-life project became a lesson for her students at the art institute? Kingsley invited 30 students to her home to plan 30 individual redesigns. One of the plans was an eye-opener.

“A student suggested getting rid of the kitchen island and making the kitchen u-shaped,” she says.

Kingsley realized this new configuration was just what she wanted. It would keep guests from wandering underfoot while she cooked but allow them to keep her company on stools on the far side of the counter.

Art in ResidenceWith this as the basis of her new kitchen, Kingsley added view windows and new cabinets, upgraded the appliances and chose new flooring. Her husband saw to it that her dream pot rack became reality. A new color scheme paired soft-gray walls with crisp-white cabinetry. Granite installed by Grandy Marble and Tile of Kingston added visual movement to the otherwise peaceful presentation. The result is a casually elegant cooking center that reads like a sigh of relief at the end of a hectic day.

Art in ResidenceJust off the kitchen, the couple added two small rooms tucked behind roller-mounted barn doors: the bead-boarded utility room and a pantry. The red-and-white pantry highlights Kingsley’s evolved sense of order with rows of spices and teas neatly labeled with her husband’s label maker, a device that she adores.

Art in ResidenceOf course, for a designer, the furnishings are as important as the layout. Kingsley loves the clean, classic lines of the 1970s. Examples of these in the Kingsleys’ home are the retro upholstered metal stools that Mike Kingsley had cut down to fit the kitchen counter. The home also boasts a Platner table and see-through Lucite “ghost” chairs. In contrast to these streamlined pieces is Mike’s handsome, 1907 Estey grand piano that holds sway in the living room with the good-natured solidity of Winston Churchill at an artist’s colony.

Finding the perfect wall art was no problem for Kingsley, a skilled artist whose paintings and drawings are shown and sold at Interiors of Edmonds. Whatever the theme or size needed for her own rooms, she retired to her backyard studio and created it herself. Recently, her works lean toward big, bold abstracts.

Art in ResidenceAs handy with a sewing machine as a paintbrush, Diana changed out all of the living room fabrics. In the bedrooms, Mike cut the wooden headboard forms and she upholstered them in heavy silk tapestry and made pillows to match.

Both of the Kingsleys are happy in their home at the beach. He enjoys the short walk to the Kingston ferry. She is learning to live retired by the shore of what she describes as a 12-hour-a-day waterfront, meaning there’s always something to see, from raccoons and herons to paddle-boarders and that kid who had to leave his boots behind in the calf-deep mud of the tide flat.

As Mike Kingsley points out, their home is a work in progress. Yet, in the hands of a woman who admits she’s “too hyper to be a good retiree,” there’s no doubt it will all come together.

“People ask me, ‘How do you get it all done?’” Diana Kingsley says with a shrug. “How do I not?”

To read Diana Bennett Wirtz Kingsley’s cooking and commentary blog, go to www.kingstoncovestudio.wordpress.com.

There are still a few more things we hope to add to the home.  Last week we finished a deck by the beach and are awaiting Orange Polywood Adirondack chairs to complete the look.  We will be adding privacy panels on one end of the deck and an outdoor fireplace on the other.
Next summer we plan to just enjoy it all!
West Sound Home & Garden Magazine