So I’m going to be featured artist in a local gallery

It was a last minute happening, so I have to take pieces that are already framed, as other than two inch canvases everything needs to be framed and ready for hanging. Fifteen pieces are now ready to go. In other galleries where I’ve shown my work and had my own show, you took your work in, hung it yourself and each one was labeled on the wall with information: Price, size, material & etc. At this one, there is a list to be made, someone else hangs your show and each piece has a rather complicated tag. It took all day to pull this together, and I still do not have a list of cards yet. Those need to each have a description, even though I put the name of the piece on every one.

It is about this point if you wonder if it is worth the work? Since I am new to the area, it will be interesting to see if anything sells?

This the largest piece I am showing at 36″ x 36″. It has been in my family room for the last year and I do like the piece, but needed a “Show-Stopper”. Hope it catches the attention of people coming into the gallery. It was painted after the fires in Vacaville and is called: “The Air is Clearing”. It is available for $2500.

Lagoon Valley was painted from a photo I took while walking around this lake. It is 24 x 18″ and is for sale for $750.00.

“And the Ducks Liked the Boat” was a derelict boat in a small canal that I photographed, while we were out looking for Christmas Trees last year. We did not get a tree, but this photo of the boat was lovely. It is 14″ x 11″ and available for $550.00
“Down By the Sea” is a Plein Air from Monterey. It was such a beautiful spot! Hope I captured the essence of the scene! It is 12″ x 9″ and can be yours for $450.
Mardi Gras is a smaller 7″ x 5″ watercolor that is framed and for sale at the gallery for $250.

A River Runs Through is 12″ x 9″ and available for $450 at the gallery.

There are several other pieces.

Come visit the Fairfield Suisun City Visual Arts Association

1350 Travis Blvd, Fairfield, CA 94533

So I’m going to be featured artist in a local gallery

How to change an art piece or what medium looks better?

Yesterday in our watercolor class we had the option of painting something with green. I had taken a photo while driving along the coast and thought this might be fun to paint. I am still struggling with watercolor, but had a little fun with this.

This was the piece as I left class, but I thought it was a little boring.
So I added, pen and ink and like it a little better.

This is the original photo.

Just for fun I redid the same photo in oil and thought it would be fun to add here and see what you think?

This is just a quick blog post to show three different styles of the same thing.

How to change an art piece or what medium looks better?

Trees in Watercolor

Back to the watercolor class today with mixed emotions. I wonder if watercolor is even my medium? Do you ever wonder why you are trying something new. I was told the piece was very “painterly”, which was nice, but I really did not like the piece. I came home and added some pen and ink to the watercolor as it looked to bland to me. I am having a hard time figuring out how to have more dark darks in watercolor. It is so very different than painting in oils.

How do you control the movement of the water with the paint as you apply it, so you do not get splotches? How do you get the vibrant color that you get with oils? I won’t give up! I won’t give up!

It is a class of beginners, so hard to learn from anyone else in the class. I am using the class as a reason to force myself to try something new once a week. Not sure if it is working, as would I ever be able to sell anything in this medium. Maybe that is not a good reason to be taking a class.

Trees in Watercolor

Back to Watercolor Class

When is a class not a class. I love taking art classes, (and cooking classes) but need to learn something new from the person teaching the class. This is a watercolor painting from a class I took on Tuesday. I am trying to decide if I should pay the money for the camaraderie, and know I am not really going to learn anything new. The teacher is delightful and tells other people how to mix colors, I already know how to mix.

What do you get from a class, where you are just given something to draw or bring your own photo? And there is no real instruction or suggestions for change, is that instruction. The teacher is very nice and seems to do fairly nice (standard) work, but there is not much inspiration for me here. To continue or not?
Back to Watercolor Class

Port Gamble Post Office

Port Gamble Post OfficeBWPort Gamble Post Office

Back in time to Port Gamble with its Post Office. Port Gamble represents one of the few remaining examples of company towns, thousands of which were built in the nineteenth century by industrialists to house employees. Founders Josiah Keller, William Talbot, and Andrew Pope planned the town to reflect the character of their hometown, East Machias, Maine, where many of the early employees originated. For 142 years, the community existed to support sawmills that produced lumber for the world market. The mill closed in 1995, but as a National Historic Site, the townsite has been preserved to reflect an authentic company mill town.

The first known residents of Port Gamble were members of the Nooksclime, Clallam, or S’Kallam tribe who fished and gathered food along Hood Canal. The S’Klallams belonged to the linguistic group, South Coast Salish, which populated Puget Sound. Tribes traded and intermarried and generally experienced little conflict except for raids from outside the region. In 1841, a U.S. Navy expedition led by Lieutenant Charles Wilkes (1798-1877) named the two-mile-long bay at the mouth of Hood Canal after Navy Lieutenant Robert Gamble, who was wounded in the War of 1812.

In the summer of 1853, San Francisco lumber merchant and sea captain William Talbot (1816-1881) spotted the sand spit at the mouth of the bay as a likely place for a lumber mill. Talbot was a partner of Josiah Keller (d. 1862), Andrew Pope (1820-1878), and Charles Foster in the Puget Mill Company. They planned to cut the abundant trees of Oregon Territory into lumber for sale in California and across the Pacific. The sand spit sheltered ships and was close to stands of timber.

S’Klallams already lived on the spit and on the bluff above. Keller induced the natives to move across the bay to Point Julia in exchange for free lumber, firewood, and Christmas gifts. The S’Kallams called the site Teekalet, “brightness of the noonday sun,” for the way the water and sand reflected light on sunny days. Talbot borrowed that name for the mill.

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Here is the oldest photo of the building I could find.

http://www.dianakingsley.net

Port Gamble Post Office

Port Gamble

Port Gamble Church in Color Port Gamble Church Port Gamble Water Towers - colorPort Gamble Water Towers

Out and about buying fabric to make Easter Dresses for my three Granddaughters, with camera in hand, Port Gamble is such a lovely piece of our local history.  Originally built as a sawmill town, there are rows of houses built for employees and managers of the Port. the Walker Ames House, which I drew last week was the owners original home.

In the next week or so, I will be drawing the General Store, owned by friends of mine with some of the best food in the area.  The fabric store Quilted Strait is often one of my favorite stops, as they have a lovely and varied selection of cotton, more designed for quilts, but work great for “Granddaughter” dresses.

http://www.dianakingsley.net

Port Gamble

Walker Ames Historical House in Port Gamble, Washington


Walker Ames House BW
 Walker Ames ColorThis beautiful Victorian home in Port Gamble, Washington is stately and beautifully designed.  It has not been used as a residence in many years.  In 2008 a group interested in paranormal activity came and definitely felt the presence of “ghosts” in the house.  Built in 1888 it was the home for William Walker, master mechanic,and his wife Emma, daughter Maude, and son-in-law Edwin Ames. The house was close to the mill so Walker was nearby in case of emergencies. Ames was the resident manager from 1883-194 and then general manager until 1931.

This is the rear of the house. It faced the waterfront to welcome ships and captains.

When I was teaching Interior Design at The Art Institute of Seattle, I had the good fortune to teach a class called Adaptive Reuse.  My students had the choice of redesigning this or another structure.  It was wonderful to see this elegant home come to life as a Wine Bar, a Bed & Breakfast, a Wedding site and several creative venues.  It is too bad that zoning makes most of that impossible and for the most part the building sits empty and sad.

1888

Here is a photo of the house in it’s 1888 glory time.  There are no color photos from that time for obvious reasons.  I love to draw historical houses and places and you will see more of these in the future.

My drawings are available for purchase at Liberty Bay Gallery in Poulsbo, or from me.

http://www.dianakingsley.net

Walker Ames Historical House in Port Gamble, Washington