Take the right class

One of the other classes this summer was given by an artist that paints in oil, but more successfully in watercolor. When I arrived at the class I realized everyone else taking the class was painting watercolors.  I do Urban Sketching and luckily had my kit in the car, so I could do watercolor. It was NOT why I was taking the class.  It was an expensive class and I had to drive an hour each way to attend.  I only attended two of the four days.  I think I learned everything I could the first day.

The class was about painting moving water, so we were drawing from printed the examples on the first day.  I quickly learned it was a very beginning class and many of the students had very little drawing experience, let alone watercolor experience.  They had a lot of drawing equipment, but not educated skill.

The teacher had, as many do, sent out an extensive list of supplies with several new (to me) oil paint colors.  So I had to find the colors quickly and $$$$ before the class.  I did not use even one of the colors required and more than that the use of these color combination was never discussed or explained.  The teacher was a lovely talented lady and I enjoyed talking with her but did not enjoy the scattered and unorganized class.

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In this small watercolor, we were to work on the direction the flow of the water, by bringing the edge over the top and puddling it at the bottom.  That was the extent of what I learned in class.  The next day we went to a local park to paint moving water, but there was no moving water.  There was a rather stagnant pond. I did a small watercolor of it but did not like the result, so put it in the “not to be shared” file, otherwise known as the trash can or round file. gaz.jpg

Later in the day, I did the little gazebo by the water, but there was nothing new it this either.

I will continue to admire Julie Gilbert Pollard’s work, but what she does versus what she teaches are two different things.  I would have loved to have learned how to use the new colors that I bought for the class.  I will never take a class that attempts to teach both watercolor and oil painting as the approaches are the complete opposite.  In oil painting, you generally start with the darks and in watercolor painting, you add them last.  2.jpg

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The other thing in signing up for a class, find out the experience of the other class members overall.  If there are a lot of beginners in the class they are “time hogs’.  They don’t mean to be, but they just want to learn so much more.

I have taken classes taught by the same teacher at different locations and discovered when most of the class is beginning, you don’t walk away with nearly as much new information.  The other “light goes off”, was that every artist thinks that their way is the best and sometimes the only way to do art.  Keep in mind there are a lot of different ways to come to a beautiful painting.

Take the right class

Studio Update

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Every art studio could use a cozy corner for reading art books.  This last week my husband built these two-inch shelves with a lip for setting finished small pieces and works in progress. Now I need to get busy and paint some more small works.

Next weekend he is going to add more shelves for bigger pieces.  It is wonderful, as they are all straight on the bottom for once.

Every challenge yourself to something and feel either great about accomplishing it or bad that you failed (the first time).  This year I challenged myself to read 75 books on the Goodreads challenge and can very proudly say I accomplished that goal. The year before I attempted to bake every bread in Paul Hollywood’s Bread Book.  I made it about 2/3’s of the way and gained a couple of pounds, but did not finish the book. I still love to bake and may just try to finish it. I take my baked goods to my local fire department, so they are enjoyed and not wasted.  My wonderful local fire department surprised me with a gift certificate the last two years.  That made me cry the first year, as I was amazed they recognized the gift. This year I felt a little guilty as I felt I did not take as much, but will up the ante as the year goes on.

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Now with 2019 coming up, I decided I would follow the example of Kevin McPhearson, the author and artist of “Reflections on a Pond”, and paint the view of the water in front of my house every day of the year. If I don’t have time to paint on a particular day, I will take a photo and paint it later. I find it an interesting thought and am hoping it will improve my painting skills.

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Studio Update

Housewarming Gift

Staci's House

Happy Housewarming to a good friend of mine and former interior design student.  Snuck by a couple days ago to take photos of this adorable house in downtown Poulsbo. For every house I list or sell I will do a drawing for the owners, as a memory for selling and a fun drawing for buying (with cards to share with family & friend).  Hopefully you will be seeing a lot more of them here.  I did not sell or list this house, but thought this might make a nice housewarming gift for a very special person.

Happy to do one of your house if you would like.

Housewarming Gift

Port Gamble Post Office

Port Gamble Post OfficeBWPort Gamble Post Office

Back in time to Port Gamble with its Post Office. Port Gamble represents one of the few remaining examples of company towns, thousands of which were built in the nineteenth century by industrialists to house employees. Founders Josiah Keller, William Talbot, and Andrew Pope planned the town to reflect the character of their hometown, East Machias, Maine, where many of the early employees originated. For 142 years, the community existed to support sawmills that produced lumber for the world market. The mill closed in 1995, but as a National Historic Site, the townsite has been preserved to reflect an authentic company mill town.

The first known residents of Port Gamble were members of the Nooksclime, Clallam, or S’Kallam tribe who fished and gathered food along Hood Canal. The S’Klallams belonged to the linguistic group, South Coast Salish, which populated Puget Sound. Tribes traded and intermarried and generally experienced little conflict except for raids from outside the region. In 1841, a U.S. Navy expedition led by Lieutenant Charles Wilkes (1798-1877) named the two-mile-long bay at the mouth of Hood Canal after Navy Lieutenant Robert Gamble, who was wounded in the War of 1812.

In the summer of 1853, San Francisco lumber merchant and sea captain William Talbot (1816-1881) spotted the sand spit at the mouth of the bay as a likely place for a lumber mill. Talbot was a partner of Josiah Keller (d. 1862), Andrew Pope (1820-1878), and Charles Foster in the Puget Mill Company. They planned to cut the abundant trees of Oregon Territory into lumber for sale in California and across the Pacific. The sand spit sheltered ships and was close to stands of timber.

S’Klallams already lived on the spit and on the bluff above. Keller induced the natives to move across the bay to Point Julia in exchange for free lumber, firewood, and Christmas gifts. The S’Kallams called the site Teekalet, “brightness of the noonday sun,” for the way the water and sand reflected light on sunny days. Talbot borrowed that name for the mill.

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Here is the oldest photo of the building I could find.

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Port Gamble Post Office

And for our local Tourists….

Bainbridge Ferry

Poulsbo Clock in color

Living in the Pacific Northwest we are surrounded with not only beauty, like taking a ferry ride at sunrise or sunset, but we have the fun of a wide variety of cultures.  In Kitsap County we have Poulsbo, our local Norwegian Village with lots of fun shops and now lots of great restaurants.  My last post featured the “famous” Poulsbo Telephone booth and today I added one of the Washington ferries and the clock from downtown Poulsbo.  Tell me your favorite tourist spot in the PNW and I would be happy to draw it for you.

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And for our local Tourists….