This beautiful Victorian home in Port Gamble, Washington is stately and beautifully designed. It has not been used as a residence in many years. In 2008 a group interested in paranormal activity came and definitely felt the presence of “ghosts” in the house. Built in 1888 it was the home for William Walker, master mechanic,and his wife Emma, daughter Maude, and son-in-law Edwin Ames. The house was close to the mill so Walker was nearby in case of emergencies. Ames was the resident manager from 1883-194 and then general manager until 1931.
This is the rear of the house. It faced the waterfront to welcome ships and captains.
When I was teaching Interior Design at The Art Institute of Seattle, I had the good fortune to teach a class called Adaptive Reuse. My students had the choice of redesigning this or another structure. It was wonderful to see this elegant home come to life as a Wine Bar, a Bed & Breakfast, a Wedding site and several creative venues. It is too bad that zoning makes most of that impossible and for the most part the building sits empty and sad.
Here is a photo of the house in it’s 1888 glory time. There are no color photos from that time for obvious reasons. I love to draw historical houses and places and you will see more of these in the future.
My drawings are available for purchase at Liberty Bay Gallery in Poulsbo, or from me.
Poulsbo, Washington is such a lovely little city with lots of wonderful restaurants and shops. I often take guests there to shop a little, eat a little and wine a little. One of the fun places is our local “Hare & Hounds Public House, where you can get great food and in the summer sit out on lawn and enjoy Poulsbo like a tourist. In the next few weeks, I will be adding more Poulsbo attractions to my blog. I live it Kingston and love it there too, and will be SO glad when Kingston has as much to offer as Poulsbo or Bainbridge Island. Stay tuned for more drawings.
Sometimes it is fun to show the photograph that prompted the drawing. In this case there needed to be a bit of editing to make it a little more interesting or hopefully so at least. Maybe a person actually using the booth (if it is operational) would have been more fun. When I was teaching at The Art Institute of Seattle, I often asked my students how many of them had ever used a “Telephone Booth” and unless the student was over 50, they really did not have the concept of what they were or how to use them.
When I was working my way through college in sales, I had to use telephone booths (often in not so wonderful neighborhoods) and a map, not a map book, but a map to try to find the homes of my clients. This part, the gps/cell phone part of life I believe is much improved. The not talk to the person standing next to you and texting them, not so much.
The second edition on my book by Bloomsbury Publishers is about to go to print. It is due out in March and will have lots of drawing ideas.
Changed this a little to make some areas a little darker and a couple a little lighter. Hope it comes across a little stronger.
So why not use them as an example of how to add detail and then add gray scale. Not so sure the gray scale is working as well as it could. May have to do over, but my printer decided not to work today. So maybe tomorrow.
The same style of drawing used for hand drafting can be used in journal sketching. When I travel I like to sit and draw, and often use the same style I used for drafting in my drawings. Here are four examples.
Here is another drawing showing how to use proper line weight in a drawing.
The darker lines show walls closer to you, and the lines should be lighter as they move away from the front.
One of my good friends asked me to do a section on line weight in hand drafting for the second edition of my book.
When I taught hand drafting to my beginning students, I had a little handout made up in business card size with what I consider to be the best pencil hardness for each part of a drawing.
I share this with you here. You can order my book on Amazon. “Hand Drafting for Interior Design”
Every little detail in a drawing makes a difference. Getting the right curve so that draperies softly drape in your drawing and look realistic is one detail that can help your drawings.