Commissioned Art – Yes or NO!

So a friend of an acquaintance of mine, whom I met briefly once, called and wanted me to do a portrait of her granddaughter. I told her that I did commissions, but that I was not a “Portrait Artist” per se. She looked at my work and insisted I do it for her. When I told her my prices, there was a long pregnant pause. I told her it would be $50 less if she framed it, knowing all too well it would cost her considerably more if she were to have it framed at a frame shop. She sent me the photo, and asked that I take out the toy in the hand and add a beach with palm trees in the background. I personally thought it was overkill, and let her know in a subtle manner. I did as she asked, and spent about four days on the painting. I was charging $400 unframed and $450 unframed.

I am finally learning at this point in life, not to be as trusting as I have been all my life. I did not ask for a deposit. Shame on me! I trusted she would like the finished product.

Well, it did not turn out that way. She did not like it; never came to see it in person and was pretty rude in her interactions with me.

This is the photo that she emailed to me. She said she loved the hat, and wanted palm trees in the background on the beach. She wanted the green toy removed.
This what I sent her, then I redid the lips, but did not send. I did not hear from here the first week, the second week she said she was ill, and this went on for about a month and a half. I sent a note and said she did not have to buy it if she did not like it. Well, she certainly did not!
But rather than even stopping by to see it in person, she sent a “text” saying that: ” She did not like it all, and it looked nothing like her granddaughter, and her son did not think it looked her either. She NEVER saw the portrait itself.

I think I am a little upset, as I spent longer on it than I normally do on a painting, and basically wasted three days of my life. But did I really waste my time, or was this a message I needed.

I texted her back saying this was not a photograph, but was represented an image of her granddaughter. She stated she would pay me nothing, and that part is rude, but not unexpected. I added that I learned a good lesson: Don’t do commissions for someone you do not know, and get part of the money upfront. I wasted time and nice linen canvas. The thing I really cannot believe is that she could not bother to even stop by and take a look. I think she just decided she did not want to spend the money.

A family member in the interim asked me to do a portrait of her daughter, and she loved it. She did not ask for a background, which is usually nominal in a child’s portrait, but gave a photo that showed the whole head, without a huge hat.

I still do not call myself a portrait artist, and will not step out and take a chance with a total stranger. The woman who did not accept the portrait of her granddaughter did not say thank you for your time or even offer to pay for the canvas or my time.

It is one thing to accept negative comments, but something entirely different to be treated so rudely. How do I know, maybe she is just not a happy person or I did not make her grandbaby a beauty contest winner??

You can be the judge of that! I think I will just draw a mustache on the painting and deliver it to it’s proper home: The trash!

Commissioned Art – Yes or NO!

Drawing Class

Second Drawing in classFinal drawing of ModelDrawing Class

Every artist should take a drawing class to hone their skills. Drawing. Drawing. Drawing. Every art teacher tell you that you have to draw before you can paint or watercolor. You have to get the drawing right.

This weekend I took a wonderful class on portraiture with Dan Riley and Joe MacKenchie, both respected Seattle artists.

Two teachers and five dedicated artists! It was great fun, exhausting and the perfect way to spend a rainy weekend.

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Michael Maczuga Day Three – Portrait Painting with a Master

Michael Maczuga Day Three - Portrait Painting with a Master

Emily our beautiful model has very dramatic features and was a joy to paint. Michael stepped into my painting and showed me how do some exquisite brush work.

It was an amazing experience to be in a room where everyone is talented and wanting to learn more.

Here is my rendition of our model.  We worked all afternoon on this.

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