Magic in Gualala, CA

California Art Club put together a “Paint Out” in Gualala, California this last month. I participated and really enjoyed it. There were about thirty-eight artists from all over California. For an artist, it is always fun to be around other artists. Two or three artists can be painting the same scene and they will all look entirely different.

The only downside was that I stayed in an old-world waterfront hotel. The room had a wonderful view, but It took at least ten minutes to get water warm enough to shower. The breakfast was either a stale wrapped Biscotti or a muffin of the same nature. I passed on both. There was no room service, so no clean towels, and I was there for six nights.

The beaches were clean and beautiful. The first day I painted at the park, with an expansive view.

I loved the view for viewing, but not particularly for painting. I’m not sure if that makes sense. I attempted to capture the beauty; but I felt something was missing for a painting. My opinion has not changed. Maybe it’s just too much information?

The next day, I visited a beautiful estate named “Barking Rocks.” It was named for all the seals that live on the rocks. There were about twenty of us painting around the waterfront property. I chose to paint a small and quick painting of the rocks.

I was happy with this 8 x 10 and entered it the last day to be critiqued. No one found fault with it, so that was quite nice.

The third day I drove to Cooks Beach, where several of the group were painting. I joined on the cliff above the beach. Several others took the trail down to the beach and were painting on the beach.

I painted this on a 9 x 12 panel. I liked it when working on it.

The next day was too foggy to paint. I reworked the rocks in my hotel room. Gualala is a beautiful place, but does have fog that rolls in and you can not even see the beach. I drove south to Sea Ranch first and the further I drove, the thicker the fog. I chose not to stop at places where you had to hike quite a ways to the beach. I was by myself and did not want to run into “critters”.

I turned around and drove north toward the Pt. Arena lighthouse. When I got the road that takes you to the lighthouse the fog was fairly thick. I drove out to the lighthouse, but the fog was so thick I hardly saw it. I did not paint the foggy wonder, but it is one of the tallest lighthouses on the West Coast.

The effort to find a place to paint did not work well. I painted in my hotel room that day. The final day of the Paint Out, one piece of our work was critiqued by two well-known artists. It was fun to see what other people had painted. I would have loved to have seen the other pieces they had painted, not just the one. After the critique, it was time to head home.

I met many fun people and hope to do more with the California Art Club in the future. Here is the photo from our lovely cocktail party at Barking Rocks on Thursday night in their gallery. It was my second paint out. There were no awards, so it felt more casual than others.

Magic in Gualala, CA

Art Studio Safety Tips: Lessons from a Painful Fall

I never thought of working in my studio to be dangerous. I am beginning to think twice about that now. Last week while working on a new painting, I was concentrating on the painting. I wasn’t concentrating on where I was. I wasn’t focused on what I was sitting on. As a result, I “missed” my stool when sitting down. I work in a remodeled small garage in a 1915 Craftsman home. The floor in my studio is concrete, which is normally just fine. I have a thin carpet over it, with no padding. (Mistake # 2). Mistake # 1 was using the rolling stool.

As I slightly missed the stool, I lost my balance and bounced to the floor landing on my derriere. That was okay. Still, I kept on going down. I bounced off the concrete on the back of my head. My glasses went flying and I was not only feeling a little stupid, but my head hurt like hell. So now, I’m laying on the floor, my Apple watch is screaming: “Have you fallen? Do you need to call 911?” I can’t see well enough without my glasses to find the button. I can’t turn off the emergency call to 911. I am thinking an ambulance is soon to be on its way. I am really going to be embarrassed. After a few moments, I managed to put on my glasses. I turned off the emergency call on my Apple Watch and tried to get my act together. I know nothing is broken, but my humility. Luckily no one but my husband is anywhere nearby, so the embarrassment factor was limited . Entering the house, more like stumbling into the house, I found an ice pack and sat down. This is how to have an instant headache and ruin a lovely day of painting in my studio.

This all happened on a Friday afternoon. I did not do much the rest of the day. The next day we went to Saturday Market. I had at least a #5 headache and a very stiff neck. Additionally, I admit my backside was indeed sore. But it was not enough to keep me from going to Farmer’s Market and chatting with friends. I took Advil and headed out.

Sunday we went on a Mural Tour and out to lunch with a friend, but my headache persisted. I took Advil again (Mistake #3) and enjoyed the tour as much as one can with a lovely headache. I do highly recommend the Fleet Street Mural Tours in downtown Sacramento. There is a variety of amazing talent expressed in the over 600 murals. We only saw about twenty, but I enjoyed each and every one of them.

Monday (boy this is getting long), I went to my exercise class. I felt a little weak. I “still” had the headache. After talking to my oldest son and receiving a slight lecture, I called the Nurse Line at Kaiser. They wanted me to make an appointment to come in to have a CT Scan.

The nurse laughingly told me something interesting when I talked to her on the line. Her husband said she should get rid of the rolling stool in her craft room. He was afraid she would fall off and hurt herself. He bought her a stool that did not roll. We laughed as I told her, now she had the opportunity to share a real life example.

I waited for the callback and waited for the callback and finally decided to go to ER.

No way to spend the afternoon you can have been in the studio. We were treated well, even though the waiting room was packed. One of my acquaintances from my Friday painting group arrived in a wheelchair. She had been out “boarding” with friends, and tripped on a rock. She was having her leg checked to make sure it was just a sprain. She said the boarding at Lake Berryessa was worth the pain. She was still waiting when we left. It always amazes me where you run into people you know. Last year, while I was waiting to get a prescription at Kaiser, I ran into the mother of a friend. I had not seen her in at least fifteen years.

Back to the ER. Three hours later, I found out I had an acute concussion and a mild whiplash. Luckily I did not have “Brain Damage”. I was told not to take Advil, as it can cause more bleeding. Tylenol has since become my good friend. On the way home from ER, we stopped and bought an non-rolling chair. I put the rolling stool by the trash in the alley. It was not there this morning, and I don’t think that I will miss it.

I went to the gym this morning, as the doctor said it was fine. I did use lighter weights than usual, and am trying to laugh about the situation. Fortunately I did not long term damage to my head. It did make me stop and think about the dangers of painting.

I enjoy Plein Air painting; but I have had a Black Widow spider crawling up my back. Luckily someone noticed it and knocked it off. I have had a skunk walk by in close-proximity, but was not sprayed. I have gotten more than one terrific sunburn. I have dropped at least one painting in the dirt. My umbrella has blown away and my allergies have asked what I was doing in the middle of a field. Friends of mine have had bears come visit, but I don’t go that rural.

I considered my studio a very safe environment, until it was not.

This was the painting I was working on, and I will always think of it as “Falling Off”. It is not done, and will not be for a while.

Painting is not for sissies. I think about the lack of ventilation when varnishing my work. I consider reaching and hanging paintings above my head. These are among the many perils of doing art.

Enjoy art you see. Enjoy art you produce. Remember to try to be careful working in your studio and out painting Plein Air!

And it’s finished. (For now)

I was not happy with the colors when I looked at the painting online. Colors always look different online or in a photograph than how they look in the studio or in natural light. I could see that the tree was not quite the focal point and that is what I had hoped to achieve. In working on the painting a little more, I softened the mountains in the back, brought more lights to the tree, simplified the foreground and think it works better now.

On another note, my headache from my concussion is finally gone and I feel great. I have a new chair in my studio with no wheels and will be painting like crazy as I feel great again!

Art Studio Safety Tips: Lessons from a Painful Fall

John Deere Tractor, our Johnny Popper

I first learned to drive on a Johnny Popper, as my grandfather used to call ours. When I was small I would sit on my father’s lap and he would let me pretend to drive. I have wonderful memories of being out in the orchard among the walnut trees building “checks” to get ready for irrigation. Years later, he taught me how to shift gears. My brother learned the same way I did, but either he was more adventuresome, or more careless. One day, my father turned around and my brother was about to attempt to climb a tree while seated and driving our John Deere tractor. I watched as my father sprinted to the tractor, jumped and somehow got the tractor out of the tree. A few minutes more and my brother might have flipped the tractor and be crushed under it. My father did not use cuss words often, but I learned a few that day. My brother was not allowed to drive the tractor for quite a while.

I’ve always been fascinated by John Deere Tractors, but never really looked into their history. I have painted a few old ones over the years. I one above is not in use anymore, but beautifies a farm not too far from Winters. California. I was in a Plein Air paintout and when I saw these, I knew I wanted to paint it. It was the second full day of the event, so I was a little tired and had completed a landscape scene earlier in the day. A couple other artists were painting the tractor, so I decided to join in. It was a warm day and I got a good start, but did not finish in time to turn it in. Actually I finished it in my studio today.

At the event, both the Artist’s Choice and the People’s Choice were paintings of this tractor! I think people like tractors. I decided to do a little research on the history of the John Deere Tractor:

The history of the company began in 1837 when John Deere, a blacksmith, invented a steel plow that was successful in the sticky soil of the American Midwest. In 1843, he formed a partnership with Leonard Andrus, to produce more plows to meet the increasing demand for them. The company eventually expanded to include tractors, harvesting equipment and other farming tools. Deere & Company incorporated in 1868.

In the 1910’s the company expanded, entering the tractor and harvesting equipment business and acquired other companies to build a “full line” of farm equipment. In 1912 Deere preferred stock debut on the New York Stock Exchange. In the 1950’s to 1960’s Deere & Company became a global sales leader in agriculture and industrial equipment, focusing on innovation and expansion. They continued to grow, focusing on larger-scale farming equipment and expanding into construction, forestry and turf care. To this they remain a global leader in agricultural and construction equipment, while continuing to innovate and expand product offerings.

John Deere’s mission statement, “We Run So Life Can Leap Forward”, focuses on creating intelligent, connected machines and applications that help revolutionize agriculture and construction, enabling life to leap forward. This mission is supported by eheir core values of Integrity, Quality, Commitment, and Innovation. They strive to sustain lives and livelihoods everywhere, deliver purpose-driven technology, and run with nature, while prioritizing sustainability and ethical business practices.

I love their tagline: “Nothing Runs Like a Deere”.

John Deere’s first tractor was the WaterLoo Boy, introduced in 1918. This tractor, initially designed for large farms, was a result of Deere & Company’s acquisition of the Waterloo Gasoline Engine Company. The first tractor to bear the “John Deere” name and be built, marketed, and named by John Deere was the Model D, introduced in 1923. 

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John Deere has come a long ways since this first tractor.

John Deere Tractors | 6 Series Utility Tractors | John Deere

Our John Deere Tractor on the farm in Colusa, California was more like the one pictured below. I don’t know whatever happened to our farm Johnny, but assume it was sold when my father died at age 53. My mother sold the farm, and bought her first ever new car, and cute little house in a new housing development not far from town. I left that year to go to college and only go back for an occasion class picnic and now as I have grown older go back for more “Celebrations of Life”, (funerals) than anything else.

1950 John Deere A Tractor For Sale | 100 Mile House, BC, Canada | 10384210  | MyLittleSalesman.com

Not that it has much to do with this post, but the next car I learned to drive was our 1956 Willy Jeep in bright yellow. It had no cover, so when not being used on the farm I would drive it to High School. Lots of great memories.

Share your John Deere memories!

John Deere Tractor, our Johnny Popper

Berryessa Gap Vineyards

Today I finished this 40 inch by 30 inch painting from a photo of the Berryessa Gap Vineyards. There is a wine stroll coming up in Winters on May 3rd and I was asked to have a booth. I will participating in the Plein Air get-together from May 1st to May 3rd. The third day I will be painting from my booth, probably from a photo I will have taken earlier.

When I was working on this, as it came to being close to being finished I felt it lacked the spark it needed. I decided to look online for ideas and was sadly disappointed. I could find no painting that really sang out to me. There were several YouTubes, but none of the finished work was inspiring. With that I realized that anyone can post a YouTube and it does not have to be that good to retain a pertinent number of followers.

Are there that many people that need help like that? I did not gain anything new from the ones I quickly viewed. Maybe I need to be more “gutsy” and do my own videos. I have looked online for recipes for several years and am amazed the long detailed “how to’s” that accompany most of the recipes. I skip to the recipe, read the ingredients and from that determine if it is worth cooking.

The problem with most videos, YouTubes and demos is that each shows one style or technique and in most cases it is no where near what you want to accomplish. It was pretty disappointing. I find the same with so many of the art how-to art books. I think why would you buy a book if you don’t like the art of the artist.

I’ve written a book on hand drafting that is still used in many schools throughout the world. Maybe it is time to do the same with an art book!

Berryessa Gap Vineyards