Honey Garlic Baked Pork Chops

 

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Honey Garlic Baked Pork Chops One of my favorite pork chop recipes! Incredibly tender & super juicy pork chops coated in a sticky honey garlic sauce and baked to a delicious perfection.

Prep Time 5 minutes

Cook Time 25 minutes

Total Time 30 minutes Servings 4 serves

HONEY GARLIC PORK CHOPS

2 tablespoons honey

4 – 6 cloves garlic minced

2 tablespoons  soy sauce

1 tablespoon ketchup

1/2 tablespoon sweet chili sauce

1/2 teaspoon dried oregano

4 (4 ounces each) bone-in pork chops, fat trimmed

2 tablespoons olive oil

1 tablespoon butter

chopped fresh parsley, for garnish

1. Preheat oven to 400F.

2. In a small mixing bowl combine honey, garlic, soy sauce, ketchup, chili sauce, and oregano; mix until thoroughly combined.

3. Place pork chops in a large bowl, pour the sauce over the pork chops and mix.  (I did this in the morning, then completed the pork for dinner)

4. Heat olive oil in an oven safe 12-inch skillet over medium-high heat.

5. Add the pork chops and sauce to the skillet; sear chops on both sides until just browned, about 2 minutes per side.

6. Remove the pork chops from heat, add the butter to the remaining sauce, and place pork chops in the preheated oven.

7. Cook for an additional 15 to 18 minutes, or until cooked through. Pork chops are cooked through when internal temperature reaches 160F.

8. Remove from oven and transfer the pork chops to a serving plate.

9. Spoon the sauce over the chops, garnish with parsley, and serve.

Honey Garlic Baked Pork Chops

Another Weekend of Art Class

This last weekend I took another three-day class at The Winslow Art Center on Bainbridge Island.  Martha Jordan brings in wonderful artists from all over the country to teach workshops.  This last weekend, Stanley Bielen came in from the East Coast to teach beautifully simplified small paintings to a group of fifteen from all over the country.

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We all had individual vignettes set up around the room.  It was so fun to see what people selected and then what they painted.  I learned a lot from the teacher and from watching the approach of other artists in the class.  I started to say “students”, but for the most part, the class was full of very accomplished artists.

I stopped to talk to a friend downstairs and by the time I returned after the morning demo, the only spot left was the one where Stanley had painted the demo, so I decided I would give it a try.

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These are small paintings at about 6″ x 8″, so this is even a little larger than the actual painting.  Being pleased with this I moved on the next day to a set-up of my own.

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This is not quite as loose as what Stanley was sharing, but it was fun and I felt good about it, which is not always the case.

In the afternoon, I looked at the choices available and found this beautiful little teapot, and thought it would be fun.  Laughing a little, I placed a quince bough in the spout and had fun painting this. Stanley made a couple of painting strokes, that really made a difference in the painting.

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Keep in mind that I am not a “flower” painter.  Ever since I was in Art School in the ’70s, and the teacher in one of my first-semester art classes said, after I produced a three foot by three foot abstract, that he was surprised, as he always thought I would just be a flower painter, I have kind of steered clear of flowers.  If you look back in your life, I think most of us would be amazed by the power that a small quick comment may have had on our lives. Teachers have more power than we often think.

Feeling good about my little teapot (short and stout) I returned to the “table of treasures”, as I called it with lots and lots of flowers, some fruit, and vegetables and tried to figure out how I could avoid painting flowers.

Ah, the Bok Choy.  One other artist painted it laying on its side, but I thought: “Let the Bok Choy stand tall”. Not sure it came out as tall, but at least it does look like a Bok Choy.

 

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That was the end of the second day and I have to admit I was a little tired. My sweet husband suggested we just go out to dinner.  I thought that was a great idea and had a few glasses of champagne with dinner, came home and had a couple glasses of wine.  I awoke with a not so happy headache but took some ibuprofen and was off to class.  Arriving at class, I realized I was tired and not really “on”.  I discovered that day that how you feel makes a difference to your creativity.  I did two more small paintings, but walked away, not liking either one of them.

One of the women in the class brought in a vase of amazing Camillias, so I thought: ” Humm, they are big, maybe I can paint one.”

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Stanley liked it, but it does not “sing” to me.  I might try more flowers just to see if I can do it more successfully.  The last painting of class should be your best effort, but I find I am usually more tired at the end of the class, so don’t think it is my best.

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I realized as I finished this, that the flower was way to close to the upper left corner.  The nice thing about working on panels is that you can cut them.  So I cropped it in Photoshop and will have my husband cut it down.

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So I will have him chop off the bottom, and I will repaint the bottom and then I think I may actually like it.

It was a very wonderful workshop and I feel lucky I was able to take it with old friends and now some new ones.

 

Another Weekend of Art Class

Chocolate Toffee Butter Cookies

cookie.jpgChocolate Toffee Butter Cookies – Makes 5 dozen

2 1/3 cups flour

½ tsp baking powder

½ tsp salt ( I use French Gray)

1 cup unsalted butter (softened, but cool)

1 cup packed light brown sugar (not dark brown)

1 egg

1 tsp vanilla

1 cup toffee bits without chocolate ( I just used English Toffee bars with chocolate)

1 ½ cup semisweet chocolate chips ( I used milk chocolate)

1 tbl vegetable oil (I used butter) 2/3 cup pecans toasted and finely chopped

  1. In a bowl, combine the flour, baking powder, and salt; whisk them to blend.
  2. In an electric mixer, beat the butter and brown sugar on medium speed for 3 minutes or until fluffy. Beat in the egg and vanilla.
  3. On low speed, add the flour mixture in 2 additions, and mix until blended.
  4. Remove the bowl from the mixer stand. Stir in the toffee bits.
  5. Divide the dough in half. Roll 2 logs about 9 inches long and 1 1/2 inches wide. Flatten the logs into 2 1/2-inch-wide rectangles. Wrap rectangles in plastic wrap and refrigerate for 1 1/2 hours or until firm.
  6. Set the oven at 350 degrees. Line 2 baking sheets with parchment paper.
  7. With a long knife, cut the dough 1/4-inch thick. Transfer to baking sheets, leaving 1 inch between them. Bake for 10 to 12 minutes or until lightly browned around edges. Cool cookies completely on the sheets. Bake remaining cookies.
  8. Transfer the baked cookies to a wire rack set over a rimmed baking sheet. In a heatproof bowl set over a pan of barely simmering water, heat the chocolate chips, stirring occasionally, until they melt. Stir in the oil and mix until smooth.
  9. Holding one side of the cookies, dip a part of each one into the chocolate or drizzle the chocolate over the cookies with a spoon. Sprinkle pecans on top. Let the chocolate set about 1 hour.

 

Chocolate Toffee Butter Cookies

Learning from Bad Cookies

Interesting article on how to bake a better cookie.  I have certainly learned over the years.  This is good basic information
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1. Amount of Flour

Getting the flour ratio right is crucial to a nicely textured cookie. Too much and your cookie will be dry, crumbly, and chalky. Too little and your cookies will burn easily, spread a TON, and will feel greasy to the touch. Not good!

2. The Mixing Method

It is tempting to dump all your ingredients into a bowl and stir them together all at once. Surprisingly the results aren’t terrible, but the cookies were inconsistent in flavor. On the other hand, our over-creamed batch resulted in overly tough, puck-like cookies. Finding a happy medium between doing the most and doing the least is important for both the texture and flavor of your cookies.

Buckwheat Chocolate Chip Cookies - Delish.com

3. Baking Powder

There’s a reason baking powder is never called for in cookies: Adding it results in cookies that have a Play-Doh texture and a vaguely chemical taste.

4. Eggs

You gotta have ‘em! Leaving them out will result in overly sweet balls of dough. Crunchy on the outside, doughy in the middle, and completely unsatisfying.

Soft & Fudgy Chocolate Chip Cookies - Delish.com

5. Sugar

Not enough and your cookies will taste more like shortbread, too much and they’ll be crunchy, burnt, and obviously way too sweet.

6. Bake Time

We’ve all burnt a batch of cookies, so you likely know the deal with over-baked cookies. They’re dry, crumbly, and come with a slightly bitter burnt flavor. Still edible, though! Under-baked cookies are doughy, soft, and slightly greasy. Luckily, if that’s your issue, you can pop ‘em back in the oven and give them a little more time.

Learning from Bad Cookies

Pasta Mistakes to Stop Making

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Pasta is one of those things you’ve never going to stop making, so you should probably know how to do it well.  From the right size of pot to cooking time to storing leftovers, here are some pasta mistakes I suggest you stop making immediately.

Note: this guide is exclusive to standard, Italian-style wheat pasta. Many other types of noodles, like soba, glass, mixian, and rice vermicelli, as well as gluten-free pasta, sometimes cook differently, so for those, it’s best to consult the package for best practices.

 

1. Using a pot that’s too small

Sure, it’s a pain to wash a big stockpot, but you know what’s just plain dumb? Slowly shoving a pound of fettuccine into a one-quart saucepan until it snaps in half. When making pasta, especially longer noodles like spaghetti, linguine, and bucatini, it’s best to use a big pot (one with a diameter that is at least the same length as your noodle) with plenty of water. If you don’t have a stockpot, you can actually boil pasta in a skillet.

2. Not adding enough salt to the water

It may seem bonkers to toss a fistful of salt into pasta water, but keep in mind that you’re not actually ingesting all that water. To actually have a fighting chance at seasoning the pasta while it boils, you need a lot (like several tablespoons) of salt. There really isn’t an exact measurement to use here, but I would say a good rule is three tablespoons of Kosher salt per pound of pasta. If you don’t have Kosher salt, go buy some. Don’t use your fancy Himalayan pink or flakey sea salts (they’re expensive and most of this salt is going down the drain), nor iodized table salt (it sucks).

3. The water isn’t really boiling

In her brilliant book Salt, Fat, Acid, Heat, Samin Nosrat says to evenly prepare noodles made with wheat, they must be cooked at a vigorous boil, as “the pandemonium keeps the noodles moving, preventing them from sticking to one another as they release starch.” This isn’t a mere suggestion, folks. Bring your water to a rolling boil, dump in the pasta, give it a stir, and ensure that the pot continues to boil.

4. Adding oil to pasta water

Some people think that to keep pasta from sticking itself in the pot they must add olive oil to the pot. False. If your pot is large enough, at a rolling boil, and you’ve stirred the noodles around after dumping them in, there’s no reason pasta should stick to itself or to the pot while cooking.

5. Overcooking pasta

If you’re cooking pasta according to the package directions, odds are you’re going to overcook it. Especially if you’re planning to mix the pasta into heated sauce, pasta will taste perfectly cooked (that is, soft with a slight bite, also known as al dente) when it’s pulled out of the pot about three minutes earlier than the package says.

6. Tossing the pasta water

Most people simply dump their cooked pasta into a colander, letting all cooking liquid run down the drain. Don’t be one of those people. Instead, use a slotted spoon, spider, or tongs to pull out your pasta and drop it into your sauce or put it in a colander, leaving the pot of warm water on the stove. Starchy pasta water is the secret ingredient your sauces have been missing. Whether you’re making cacio e pepe or linguine with clams, a hefty splash of pasta water will thicken your sauce and encourage it to coat each noodle completely.

7. Rinsing the pasta after cooking

Shocking pasta with cold water after it comes out of the pot will indeed stop the pasta from cooking more, but it will also rinse away all the delightful starch that helps sauce cling to noodles. To avoid the overcooking factor, see rule #5. If you’re rinsing to ensure the noodles don’t stick together, you should simply be ready to add the pasta into your sauce as soon as it comes out of the pot.

8. Storing leftovers improperly

You can get very sick from poorly stored pasta, so if you pay attention to any of these tips, make it this one. After your pasta dish is cooked and divided among plates, any leftovers should be cooled, transferred to an airtight container, and refrigerated. When cooked food is held at a temperature between 40ºF and 140ºF, it’s known as the “danger zone” by the USDA. Bacteria love moist foods like pasta, so any leftovers should be stored in the fridge and fully reheated before you eat them again (and it’s best not to wait more than a day). You may feel bad about throwing away food, but we all know reheated mushy pasta isn’t very good anyway.

Pasta Mistakes to Stop Making

Old in Art School

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When I saw the title of this book, I was immediately attracted to it. This is the year I turn seventy. At sixty-two I completed my Ph. D. in Business Marketing, not in art, although I did finish my BA in Art in 1971 and my MA in Art (although with an emphasis in interior design) in 1985. I understand going back to school when a little older is all about attitude. I laughed at the beginning of the book, as the author described the other students, the attire, the classrooms and the fear of failure, but as I listened on to the audio-book I liked it less and less.  One of the reviews of the book described how I innately felt perfectly:

“I was excited to dive into this book, hopeful for little nuggets of wisdom for my similar journey and perhaps a laugh or two in self-reflection. Instead, the reader encounters a self-indulgent, needy author who repetitively presents an inventory of her resume ad nauseam. She used this book to disparage other students all while trying to impress the reader by spewing supercilious comments and including very little about the process or art school. This book had so much potential but was so disappointing.” 

It is interesting to think that no matter how successful you were in what you did before, no one in your art classes knows that or cares about that. I had a little of that this weekend when I took a tonal painting class of street scenes.  I love the work of the man that taught the class and I learned quite a bit in the class. Mostly I learned I don’t like doing a tonal painting.  I love painting with color! Color kept creeping into my paintings in the class and I kept getting in “trouble” for adding too much color.    Sometimes in life, it is just as important to know what we don’t like, as much as what we love.

When I sat down to write my blog, I thought I would look at the artwork of the author of the book before I wrote a lot about it. Viewing her artwork, the first thought that crossed my mind was that she wrote this book, not about her real art school experience, but to promote herself and her art. Her background is in writing and history, so she knows how to write about history, but in this book, she makes being older a roadblock, not an advantage. She has gotten quite a bit of attention over the book, and thus her art. What is totally missing in this book, are all the other wonderful artists that started their art life later in life. She is certainly not alone!

Maybe I should write about starting and stopping art in your life. You start as a child and my case went on to study it in college. Then you start a career, get married, have children (oops no time for art), and in my case was widowed at a young age and raised my sons on my own and don’t have much time for art till your children are grown and have lives of their own.

When she started talking about how you have to dress to be a successful artist, I started losing interest.  Moving forward to discuss the philosophical side of the history or artists (in her opinion) I began wondering if I wanted to bother to listen to the rest of the book.

The book made me think about my own tonal experience. You can enjoy viewing art that you do not enjoy attempting. You can be award-winning in other fields and not art, and still enjoy painting. I have had many art shows, but never entered a contest with my art.

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The class was a learning experience. We worked on these small the first afternoon after watching a demo in the morning. The one on the top right was the first one with the second below and the third in ochre tones.

We moved forward painting in a slightly larger format the second day after another morning demo. My green trees are too green for tonal painting, but as I said I like “color”.

Street scene from Terry Miura Class.jpg The last and/or third day we had options of what we could paint.  I chose to paint a facade of a building, as I used to do a lot of rendering in interior design school, and as an interior design college professor.  I am still working on the facade and realized when I stood back and looked at it, I had added a shadow to the awning, and now I had shadows coming from two directions.  I will try to make the correction and add it to the post. The building and the cafe next door need names too!

I heard once, and again in this class: “If the painting is not selling, add a dog.” I think this painting may need a dog-walker with several dogs. I think it is better to laugh at oneself, that try to be pompous about what you cannot do.

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As always, I walked away having learned something new, met new people that love art and enjoyed the camaraderie of painting with new and old friends.

I will continue to listen to the rest of the book and hope it gets better, but reading several reviews I don’t think that will be the case. It makes me want to write a funnier book on a similar topic. One of the other reviewers wrote: “More of a self-congratulate memoir of past achievements than a book of more recent achievements. Disappointing … could have been much more.” 

It could have been written in a much more positive manner and encourage those of us over twenty to try different things.

Old in Art School

Making Kahlua is Easy

Did you always wonder what went into Kahlua? I love the taste when added to coffee but never knew what was in it.  When I was researching how to make your own Vanilla, the same website had a recipe for making Kahlua.

Homemade Kahlua Recipe

Homemade Kahlua

One of my favorite gifts to bring to holiday parties is handmade liquors; infused vodkas, coconut rum and my personal favorite, Kahlua. Homemade Kahlua is very easy to make. A few simple ingredients are all it takes and you’ll have a Kahlua that will rival any store brand.

Once your creation is completed, place the delicious Kahlua in a decorative glass bottle, tie with a pretty ribbon and tag telling the recipient it was made especially for them. Remember to put one aside for yourself to celebrate your thoughtfulness and your creation.

Homemade Kahlua Recipe

Ingredients:

  • 4 cups of water
  • 1 1/2 cups instant coffee crystals
  • 4 1/2 cups 100 proof vodka
  • 8 cups of sugar
  • 2 vanilla beans

Directions:

Mix water, sugar and coffee crystals. Heat and stir until dissolved. Cool to room temperature. Add vodka. Stir to combine. Pour mixture into 6, 12.5 oz. bottles. Cut each vanilla bean into thirds and drop the bean into each bottle. Cap. After 2-3 weeks strain, remove beans and rebottle.

Makes the perfect gift!

Making Kahlua is Easy

Quick Rustic Pear Tart

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Ingredients:

Crust:

1/2 cup pastry flour

1/2 cup all-purpose flour

2 teaspoons granulated sugar

1/8 teaspoon salt

4 tablespoons cold, unsalted butter, cut into small pieces

2 tablespoons buttermilk

3 tablespoons of ice water

Filling:

3 medium pears

1 tablespoon lemon juice

1 tablespoon plus 1 teaspoon cornstarch

3 tablespoons light brown sugar

1/8 teaspoon ground cinnamon

2 Tablespoons butter cut up in 1/4″ cubes

I egg beaten

Directions:

  1. To make the crust, in a medium bowl whisk together the pastry flour, all-purpose flour, granulated sugar, and salt. Add the butter and using two knives or a pastry cutter, cut the butter into the flour mixture until you get a pebbly, coarse texture.
  2. In a small bowl combine the buttermilk and ice water.
  3. Using a fork or your fingers, gradually mix the buttermilk mixture into the flour mixture.
  4. Pat the dough into a 4-inch round and wrap in plastic wrap. Refrigerate for 30 minutes.
  5. In the meantime, preheat the oven to 425 degrees F, and prepare the filling.
  6. Peel the pears, core them and cut into 1/4-inch slices. In a large bowl toss the pear slices with the lemon juice. Sprinkle in the cornstarch, brown sugar and cinnamon and toss until the pears are evenly coated. Set aside.
  7. On a lightly floured surface, roll the chilled dough into a large circle about nine inches. I like rolling it out on floured parchment, then you can pick up the whole thing and put on a baking sheet. Or line a baking sheet with parchment paper, and drape the dough over the rolling pin, transfer to the prepared baking sheet. If the dough tears, patch it up with your fingers. Arrange the pears in a mound in the center of the dough, leaving a 2-inch border. Fold the border over the filling. It will only cover the pears partially and does not need to be even.
  8. Bake the tart for 15 minutes, and then reduce the oven temperature to 350 degrees F, keeping the tart in the oven all the while, and bake for another 40 minutes, until the pears are tender and the crust is golden brown.
  9. Brush the crust with the beaten egg and just plop the 2 tablespoons of butter on top of the pears.
  10. Transfer to a plate to cool slightly. Cut into wedges and serve warm or at room temperature.

This would be yummy served with whipped cream or vanilla ice cream.

Quick Rustic Pear Tart

Make Your Own Vanilla

Vanilla is expensive and Imitation Vanilla is just that, and if you taste both they do NOT taste the same.  I never thought about making my own Vanilla till a group of cooks on Facebook of all places were talking about what kind of vanilla to use.

A good number of professional cooks and home cooks make their own.  It is just something I never thought of doing, but love the idea.  I am going to be making Vanilla this week.  I might make enough to give as gifts.  What a great idea!

Many people are often familiar with clear or imitation vanilla extract. The difference between pure vanilla and imitation vanilla is simple; the pure vanilla extract is made from whole vanilla beans extracted using 35%+ alcohol – that’s it! Don’t be fooled by extracts that claim to be pure. Imitation and clear vanilla utilize artificial flavors and harmful chemicals. Pure vanilla extract should be dark brown; the color of Vanilla Beans used in the extraction process.

Here is how simple it is to make your own Vanilla:

How to Make Vanilla Extract

Ingredients:

  • 8 oz. Glass Bottle or Jar
  • 7 Vanilla Beans
  • 1 cup Vodka 70 Proof/35% Alcohol (or you can also use Bourbon, Rum or Brandy; any brand/quality)

Directions:

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Step 1: SLICE

Slice each bean once long-ways and place in a bottle. (If it helps to cut them into smaller, tootsie roll-sized pieces so they fit in the bottle more easily, go for it).

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Step 2: POUR

Pour one cup of vodka, rum or alcohol of your choice. Make sure vanilla beans are completely submerged.

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Step 3: SHAKE

Shake once or twice a week.

Step 4: WAIT

Wait about 8 weeks
Presto, your alcohol has turned into delicious vanilla! Store it at room temp and out of direct sunlight, and you can enjoy this puppy til’ the last drop!

homemade-vanilla-extract-recipe

What makes homemade vanilla extract so much better than “store bought”? First, you have control over the quality and type of vanilla used in the extract. Using premium grade vanilla beans will provide significantly better flavor and aroma than commercially produced extracts. Did you know that you can make vanilla extract from different types of vanilla beans? Each different vanilla variety will create a unique flavor!

Do you prefer bold and smokey? If so, try Ugandan vanilla beans. Traditional, rich and creamy? Use Madagascar Vanilla Beans! Floral aroma with a unique cherry-chocolate flavor? Venture to the Tahitian vanilla beans. You can even blend various varieties together! The floral, fruity, cherry-like notes of the Tahitian variety blend wonderfully with the nutty-chocolate character of the Bourbon varieties.

After 8 weeks the vast majority of the extraction process is complete. At this point, the vanilla is ready to use and the vanilla beans can be removed. If the vanilla beans are left in the bottle, the flavor will continue to evolve just like a fine wine (just be sure the beans are always submerged in alcohol).

Whether you are a seasoned baker, procrastinating about making vanilla extract, or looking for the perfect holiday gift this year it is easy and will save you a lot of $$$$.

Making vanilla extract is a fun, easy way to bring a favorite recipe to the next level.

Make Your Own Vanilla

Tips from Culinary School

Found this article online by “my recipes” and thought the information was quite valuable.  I am always looking for ways to make things taste better in simple ways.

Good Stock Changes the Game:

This is probably something you’ve heard before, homemade stock is always going to be superior to the stuff you can buy in boxes, cans, or cubes at the grocery store. We use stock in almost everything. In classic French cuisine, so of course, There are all kinds of distinct schools that go about culinary training differently, but in French cooking, the sauces are everything. And the sauces are all built with great stock. Restaurants, of course, have the advantage of having many, many carcasses and scraps of mirepoix to put into huge vats of stock. It’s hard to get stock like that at home, without the industrial quantities that restaurants work with. But even just making quick stock in your Instant Pot will make your sauces and soups taste much, much better.

Watch the Bits at the Bottom of the Pan

When you’re searing meat or chicken on a pan, you’re, of course, watching the piece of meat so that it browns nicely and doesn’t burn. But it’s equally important to watch the browned bits at the bottom of the pan as they’re a good indicator of whether your pan is running too hot. Plus, those browned bits,  are incredibly dense in flavor. When you have them, you should always try to use them by degreasing and then deglazing the pan after you’re done cooking your meat. That just means pouring out any excess fat and then pouring wine, stock, or another liquid to help scrape up all the delicious bits. That’s an easy way to make a pan sauce, a great addition to your meal.

The Pan Cooks the Food, the Flame Doesn’t

You want to pay attention to how hot the surface of the pan is and how high your burner is turned up. Pans hold heat to varying degrees, and it’s important to keep that in mind when figuring out which one to use for what application. For very delicate things like fish, you often want to turn off the flame when the dish gets to a certain point of cooking, and the heat from the pan will continue to cook it. Pay more attention not just to how big the flame was under the pan, but how hot the pan was getting.

Weighing versus Measuring Cups

In applications where absolute precision isn’t necessary, eyeball amounts, and when precision was necessary, use kitchen scales. Bakers swear by using scales, and digital kitchen scales are a pretty cheap addition to the kitchen, and much better measuring by weight is than relying on measuring spoons and cups. Different flours and sugars weigh different amounts.

Reduce for Flavor, Thicken Later

When you’re making soup or stew, one of the steps is always to reduce a component. You reduce wine to syrup or cream to double cream, and on and on. Part of the point of reducing the liquid is to thicken it. But thickening really shouldn’t be a top priority when you’re reducing down a liquid. You can always use a roux or a quick beurre manie to thicken a liquid later. The point of reducing is to build flavor. You reduce it to the point where you like the flavor, season it, and then thicken it.

Rest Your Meat, Then Reheat

Resting meat is important. When you don’t let it rest after you cook it, whether its steak or roast chicken, the juices spill out over your cutting board and the meat gets dry. But It’s better to let the piece of meat rest even to the point of getting colder than you’d like, and then just put it in a very hot oven for a minute or two to reheat. That lets the juices reincorporate into the meat, then reheats it without cooking it further.

Reheating and Cooling Things Properly Is Crucial

Lots of things in restaurants are made beforehand and reheated because making things a la minute for hundreds of people is a good way to become very overwhelmed. You can bring up most things to the temperature they were when you were cooking them without cooking them further. That means that you cooked, say, a piece of chicken until its internal temperature is 165 degrees. As long as you cool that chicken properly, you can reheat it up to that internal temperature again without it getting overcooked. You don’t want to do that too many times, because the meat will dry out, but you won’t ever overcook your meat by reheating it if you keep that in mind. Similarly, with cooling things down, the danger zone for bacteria is when meat is in between piping hot and refrigerator cold. To get things cold quickly, it’s way more effective to put them in a bowl over a bowl of ice water than throwing them right into the fridge.

Depend on your Senses, Not the Directions

The throughline between very famous chefs of haute cuisine and my grandmother is that they don’t rely on recipes by the letter, they rely on their senses. Pay more attention to how the meat looks and smells and feels to tell when its done (and yeah, a thermometer too!) than what a recipe estimates. After all, recipes are great guidelines, but everyone’s kitchen equipment and conditions are totally different. You cook things until they’re done, and determine that doneness by visual and other cues.

Size Matters

This sort of cheeky mantra but it’s true so choose the right pot, pan, or bowl for the job and it makes all the difference. Too big of a pan means your meat won’t cook properly. Too small of a bowl, and whisking will be a huge chore. It matters not just because of convenience, but because your results will be different if you don’t pay attention.

Hot Plates for Hot Food

The quickest way you can give your at-home meals a restaurant touch is remembering to heat your plates before putting food on them that are meant to be eaten hot. All it takes is sticking them in the oven for a couple minutes before plating your meal. It means the food won’t cool down as fast, and you can enjoy it longer. Try it!

You Can Use Almost Every Scrap

Whether it’s egg whites or garlic skins, restaurant kitchens are geniuses at repurposing what would be food waste in most home kitchens. For them, it’s an economic concern as much as an environmental one, but it’s a practice that’s useful to adapt at home. You can use many of the things that you might otherwise scrap to make your food even better.

Tips from Culinary School