“We are what we repeatedly do.

Excellence, therefore, is not an act but a habit.” ~Aristotle

I love this quote by Aristotle. It reminds me of what Malcolm Gladwell wrote in his book: “Outliars”. Ten thousand hours of deliberate practice are needed to achieve expert-level mastery in any field. While the 10,000-hour rule has become widely known, some argue it’s an oversimplification. They emphasize the importance of the quality of practice over just the quantity of hours. Regardless, the rule highlights the significant time investment required for true expertise.

As an artist I am often asked how long a certain piece takes to paint. Each individual piece may take a day or two or more depending on the actual size and complexity of the painting. It is not the time that an artist takes to make the one painting. It is the years and years of practice. time spent in classes, time spent reading articles about composition and color that need to added to the time spent. It is the time spent finding something interesting to paint. The time deciding the best composition and color combination add to the time over the years.

I personally collect books by artists I love and read them often. I collect art magazines and scour them for paintings I enjoy and respect. I keep files with examples of ideas I want to incorporate into my artwork. I always have a folder on my computer of things I want to paint next.

When I lived in Washington State, I had a much larger art studio. I did big abstracts, which I sold via an interior design and decor store. I don’t have that connection where I now live. When you move to a new area I think it is hard to reinvent yourself for the area.

The painting at the top of the page is 10″ x 20″ which I completed in two days. I think painting vineyards is a challenge. Trying to make rows of growing grapes interesting and colorful is not easy. I must have repainted the rows several times before I was content with the result. When I looked back, I realized the tree was fading into the background. It did not stand out the way I wanted. At that point in time, I lightened the rows, so the tree would stand more as a focal point.

I have a T-Shirt that says: ” Art is intelligence gone creative”. It is a compelling statement that highlights the connection between intellect and artistic expression. 

Here’s how intelligence and creativity intertwine to create art:

  •  Intelligence is the ability to learn and understand, providing artists with the knowledge and skills necessary to create. This includes understanding artistic principles, techniques, and historical context.
  • Creativity is the ability to generate original and unusual ideas. It allows artists to transcend mere technical proficiency.
  • Artistic talent emerges from a synthesis of creativity and intelligence. Imagination is combined with an understanding of various factors. These factors include culture, emotion, and technical aspects.
  • Art serves as a channel for artists to communicate ideas, evoke emotions, and tell stories. This requires a level of intelligence to effectively convey meaning through chosen mediums.
  • AI tools can help in artistic creation. However, they presently lack the emotional and conscious elements. These elements drive true human creativity. AI can analyze and mimic patterns, but human artists infuse their work with personal experiences, intuition, and unique perspectives. 

In essence, art is more than just raw creativity or intelligence alone. It is the intelligent application of creative thought and skill. This application produces something meaningful and impactful. 

Every artist I know wants to create something beautiful or thought-provoking. They make you look at things in a different manner. This all takes time, merged with intellect and creativity.

Next time you want to ask an artist how long a piece took to paint, stop to consider asking a different question. Maybe ask how long they have been studying art. Ask how long they have actually been applying paint to canvas.

 

“We are what we repeatedly do.

“You are never too old to set another goal or dream a new dream.”

Quote by C.S. Lewis

As I grow older in life I think about this more often. In my younger life I designed and built three homes at different locations, learning something from each design. At this point in my life, I live in a home I did not design. It is a wonderful little California Bungalow on a main street in a fairly large city. My other homes had been on waterfront or the beach. Planning and building another one at this point in my life is not viable.

Setting goals is important at any age. We all need to dream a new dream to have something to look forward to doing. I’ve had an art studio for years. They have been all different sizes and shapes and locations. I dreamed of being able to spend more time painting in my studio. Now that I am retired, I am living that dream. I need to find more places to actually sell the art I am creating. I guess that is a goal!

Today I finished this 10 x 20 inch painting of a nearby vineyard. I find painting grapevines more challenging than many other things that I paint. While there are always rows and rows of grapevines, how do you make them beautiful and interesting?

With so many rows, mostly the same, where is the “Focal Point”? That brings up a good point in the design of painting. I was taught that you always have to have a focal point in any painting. I see many famous paintings without one. It makes me question: “Do you have to have a focal point in your life”? When I was younger, it was my family and work and art sneaking in occasionally. Now that my sons are grown and all successful, I don’t have to worry about them as my focal point. I’m not working anymore. Although I would love to find a part-time job, I no longer have work as a focal point.

My art is my main focal point. It is hard to focus on something you love if you can’t find places to sell your art. Do you have to find something else to dream about? Do you have to find another goal to set?

I dream about going to Ireland, Scotland, Wales and England. I want to go before I am not capable of travel and really enjoying it. This is why I set a goal to work out four times a week. Additionally, I try to walk 10,000 steps a day. Here’s a funny fact. I am the oldest member of Kaia Fit in the city where I live. I keep up with everyone in the class. (Maybe my weights are a little lighter than those in their thirties. )

Here are some questions for you:

  1. How many goals do you need at any given time in your life?
  2. Do you put them in order of importance? Do you have a list?
  3. What is your dream? Do you share it with other people?

“You are never too old to set another goal or dream a new dream.”

Painting the Disconnect: Art Inspired by Cell Phone Culture

“Cell in the Sea” was painted with my fascination of when and where you find people on their cell phones. I took this photo which I painted in beautiful Puerto Vallarta earlier this spring. The original photo was pretty simple, so I tried to keep that simplicity in the painting. I did leave out the latte cup, but found it humorous that this is how some people might spend their vacation. Maybe they are sharing a story, or maybe she is being a bit nosey and trying to see what is so important to him. If it were my husband, he would be checking a football, baseball, basketball, soccer and or etc. score, depending on the season. I have learned over time that it is more important to know that score than to have a possible conversation.

We all use our cell phones for different purposes. I use mine to talk to family and friends, to take photos (like this one) that I might paint in the future. I don’t play Suduko, Wordle or Angry Birds as I just find it a waste of time and loss of brain-power. I don’t discover anything new by spending a lot of time on my phone. I do use it to text family and confirm appointments, as it now seems that is the only way available to do it anymore. I attempted to make the woman without a cell phone look sad, which is not happening in the photo.

Another painting I did a while ago was from a photo taken at Domaine Caneros, which is a lovely winery with a gorgeous view. The couple I painted has no interest in the the view or each other. Why bother going?

When we were traveling in Europe I chanced upon people often together and not together: Barcelona Bench below was one of those moments that I captured, and feel sorry for the family. Our language is becoming a series of txt’s, our conversations seem somewhat limited.

What do you think? I think it is time for me to go back to painting landscapes, flowers and fun stuff. This cell phone addiction is too depressing to me.

Painting the Disconnect: Art Inspired by Cell Phone Culture

Why Artists Should Think Twice Before Donating Art

How do you feel about donating your artwork to non-profit auctions and events. Donating art to charity should be a meaningful way for artists to give back to society, support causes they believe in, and gain exposure for their work. It can be a rewarding experience for both the artist and the benefiting organization, offering a unique way to contribute to the greater good.

I found this article online about the advantages of donating artwork:

Why Donate Art?

There are numerous benefits to donating art to charity:

  1. Supporting Causes: 
    • Artists can directly contribute to organizations working on issues they care about, whether it’s environmental conservation, animal welfare, children’s health, or community development.
  2. Raising Awareness: 
    • Art donations can help charities raise awareness for their cause by attracting attention to their fundraising events and campaigns.
  3. Community Engagement: 
    • Donating art fosters a positive relationship with the local community and demonstrates an artist’s commitment to social responsibility.
  4. Potential Tax Benefits: 
    • In some cases, artists may be eligible for a tax deduction for the fair market value of their donated artwork. It’s crucial to consult with a qualified accountant to understand the specific tax implications.
  5. Exposure and Networking: 
    • Charity events and auctions can provide artists with valuable exposure to potential buyers, collectors, and gallery owners.

The question comes to my mind: Is it really worth it to donate art?

  1. Often artists feel used. All fundraisers ask you to donate your art for free. There is no profit going to the artist. There is only the promise of becoming recognized or a little more well-known in the area. In my life experience the name recognitions or promise of exposure has not been worthwhile. I have had few , if any contacts that buy more artwork from me in the future.
  2. There is no real tax-donation for the artist. It’s said that your donations are tax-deductible, they are, but not for the artist. If you bought a piece of art for $500. and you donate it to a charity, you can write $500 off as your tax deduction. If the artist donates his artwork, he or she can deduct only the cost of art supplies used to manufacture the piece. The deduction sum doesn’t include the artist’s labor, level of expertise, tuition loans, years spent learning, etc. Therefore, when the artist donates, he or she gives it away for real, which looks unfair to the artist at times, because the institution seems to “make money” using the artist. Few organizations that sold my art sent a “thank you” note to me. None of them shared the information on price the price it sold for, or who bought the piece or pieces.
  3. Many artists feel that a donation of your art devalues your work, as it can be sold for any price and you have no control over it. Many artists may feel that it makes you look weak as an artist, because you are donating art, not selling your art.
  4. The only reason to donate art is because it makes you feel good that you might be helping others.
  5. One article I read suggested that you set the base auction bid and require half of that base price as a payment to you if your art sells. How many organizations do you think are willing to do that?
  6. If you are a professional artist, you are likely already deducting your supplies expenses for your business. The IRS never allows “double-dipping.” This means that you already deducted that supplies expense, and you can’t deduct it again when you donate that work to charity.
  7. If you deduct your supplies expenses as an artist (and I hope you do!), then you don’t get any deduction for your donated artwork. None ever!

How should you proceed with deducting those art donations?

Here’s what is recommend, to help you be generous without feeling exploited:

  1. Create a donation budget. 
    • Decide what is a reasonable amount of artwork for you to donate each year. It might be zero. You get to decide. When you’ve donated your full budget for the year, say to the next organization that asks you to donate, “I’ve already met my donation budget for this year, but you can ask me next year.” This keeps you in control and helps you avoid feeling exploited.
  2. Talk to the organization that’s asking you to donate.
    • Tell them that artists do not get a deduction for donating artwork. The organization should be aware of this, and they should never solicit artwork donations with the promise, or even suggestion, of a tax deduction. I would like it if they stopped sending out letters to artists listing the retail value of the work—it is very misleading.
  3. Ask the organization if there are other benefits they can provide to donating artists. 
    • Publicity? Use of materials or facilities? Introductions to collectors? Even better, a share of the proceeds when your work is sold.

I have donated artwork for many years, and I always wondered why I never received a “Thank You” note even once in all that time. I have never been informed of the actual sales price of the piece I donated. Often I have attended the event and received an oral thank you from the buyer of my artwork. I have noticed that unless it used as a live auction item, it never sells for anywhere near what I would sell it for normally.

This year I offered a nice piece to a local non-profit as I am on the Board, and I was not contacted, so I assume they did not desire to have my art as a live auction item. I won’t offer any art to this group in the future. It would have been mannerly to at least tell me they were not interested in my free donation of a substantial piece of art. I’m starting to think I love painting and will “donate” my art to family, friends and local businesses that I enjoy!

Artists paint for many different reasons. I love to paint, so maybe someone will enjoy seeing something that could be mundane in a beautiful way. I like to express my feelings through my art. I dreamed about making a living by my art, but gave up on that a long time ago. I like what I do, and the satisfaction that maybe others will enjoy it!

Happy painting! Paint for your own pleasure. not because you think you have to please or appease anyone else.

Why Artists Should Think Twice Before Donating Art

Finding Art Anywhere & Everywhere

One day about a week or two ago, I was getting out of the car and it was raining. The area between the street and the sidewalk was a muddy mess, and that is where I had to cross. I looked at it and thought about the fact that we had a variety of blocks and steps just hanging out by the side of the garage. I decided a walkway might not be a bad idea. When I started I did not think about how long it might take to make this three feet or so little sidewalk. Four hours later all the blocks of different depths are in place and now (not in this photo) there are drought resistant plants planted around the area.

It was a fun little project using what I had in a fun and artful way to make a short walk. I am sure it is going to progress from here to more planting and hopefully beauty in the near future. My point in this is that you can find beauty and art anywhere. It will be fun to see the red creeping thyme that I planted after this picture was taken start growing and adding to the beauty of this little project. It is fun to enjoy our artistic creativity in a variety of different ways!

Finding Art Anywhere & Everywhere

Butterflies

One of my friends is an amazing photographer of birds and insects. She has been asking me to do a Monarch Butterfly for a while. This is only 8 x 8 inches and was fun to do. I am working on a second one, so this one is not alone.

I have artist friends that only paint landscapes, and some only paint seascapes. I am always looking for something to paint and love suggestions from friends. I think I have a rather bright / free style of painting. I can usually tell my mood, by the colors I select for my paintings. I do love the look of dark and moody paintings, but it is just not my personality.

It would be wonderful to find exactly what my style is, and stick to one look. There are so many different ways and things to paint, how do you settle on just one look? Maybe I would be more successful selling my work, if I stuck to one style. Oh well, not today!

Butterflies

Finding Time for Art

Trying to find the time to spend quality time in my studio has always been a slight challenge for me. I wonder if other artists have the same dilemma? Five years ago, I moved to a new city, in a new state, leaving behind my art followers. I did not think of the ramifications of the move at the time. I showed my work in an Interior Design Studio in the city, and sold a couple large abstracts each month from that location. I had a large studio, so plenty of space to work on large canvases. I have a smaller space now and am enjoying making smaller art. The one below is just 8″ x 10″. With the smaller venue I can finish a piece in a couple of days, and I don’t seem to use as much paint. Finding the days is the problem. Cooking dinner, doing laundry and keeping up the house seem to get in the way. I often wonder if other artists experience the same challenge?

When I get back from the gym in the morning, I think I am going directly to my studio. Then I stop and have to consider what I can pull together for dinner. I would eat the same thing several nights in a row, especially if I really liked it. Unfortunately that does not go over well in my household. I ordered “Hello Fresh” for a while. They seemed to have too much repetition in the recipes, and they used a lot of ground meat.

When I try to have a schedule of which days I’m in the studio, something often comes up. When I was younger, I was more of a morning person, so would get up early to paint. When I was single, I would paint late into the night. Middle of the day seems the only time that works for me.

Finding places to sell art is more challenging where I live, as the clients that used to buy my work live a couple of states away. I post on Facebook and Instagram, but that does not seem to sell art. I did a few Art Fairs. For the amount of money spent on equipment and the time it takes to set up and take down, I was not making enough money to make it worthwhile. It was fun talking to people, but where I live people would rather spend $25 on a crafty item, than on fine art.

I have done a few commissions, and often donate my art which I have always done. It’s fun, but not particularly satisfying. The Rooster was painted as a Christmas gift for my best friend. It is only 8″ x 10″. I next painted the children of my Personal Trainer for another Christmas gift, and then a portrait of my best friend’s son, Ethan for another Christmas gift. They are all 8″ x 10″

A family member lost their beloved dog, Ziggy, right before Christmas, so they asked if I would do a portrait. It is only 12″ x 16″, but I understand it was much loved and appreciated. That is always a good feeling!

I put this together from several photos they gave me. I called it “Looking Back at Life”. Ziggy, as a puppy is looking at Ziggy with Yellowstone in the background.

I would love to know where you share your artwork and what are your best selling techniques.

Finding Time for Art

Converse

Are Converse Tennis shoes once again back in style? I have always love low-topped Converse. I personally own about twenty pair. I used to own more, but my shoe size changed and I had to start over. I miss my Christmas Plaid Converse, that I have not been able to replace. I wear my Converse all the time. I work out two days a week with a trainer and they are perfect for that! I decided since I love them I should paint them. Shouldn’t we always paint things that we love?

I started with the red pair since I wear my red ones a lot. Next I did a yellow pair:

These are all small at about 6″ x 6″. They don’t take long to paint, except trying to get the laces to look like they are in the right place. One of high school friends saw that I was painting Converse, and since her husband always wore them to play basketball in the 1960’s she commissioned white ones for Father’s Day.

I painted them in an 8 x 8 inch format and luckily finished them in time and mailed them off to a very happy client and friend.

I liked the White Converse so much I did a second rendition of them just for fun.

I felt they turned out well! Then I got busy with requests from friends, and I did a few Art/Craft shows, which I decided in the area where I live was a total waste of time financially. I did meet some very interesting people and had fun, but not enough to do it again. Now I own nine panels and a new Easy Up Tent. Oh well.

Converse has an interesting history. Coverse was founded way back in 1908 in Malden, Massachusetts.The founder, Marquis Mills Converse, was a manager at a footwear company before starting the Converse Rubber Shoe CompanyIt wasn’t until the following year that the first Converse shoes were introduced, on April 30, 1909.

In 1941, the U.S. entered World War II, and Converse was the official shoe used by the U.S. military.The Converse star rapidly grew to become a patriotic symbol, with troops wearing white high tops while training. Nike had taken an interest in Converse for some time, and in July 2003, they snagged the company for themselves.Not that it came cheap, though – purchasing Converse cost Nike $309 million! One of Nike’s first moves after the acquisition was to bring back the popular 1970s-style Converse. That’s what Nike claimed in 2012 when they made $450 million in sales just from Chucks. Overall, more than a staggering one billion pairs of Converse have been sold since the company was founded in 1908.

Everyone remembers Sylvester Stallone in Rocky, famously running up outdoor stairs. I bet a few of you will have noticed him sporting a pair of Converse for these runs. They have no arch or ankle support. It turns out that in 1970, Converse was seen as a serious athletic shoe before typical thin canvas sneakers came about. On March 2, 1962, Philadelphia Warriors smashed the New York Nicks thanks to Chamberlain’s 100-point lead, all while wearing a pair of Chuck Taylors All-Stars – the most popular athletic shoe at the time. The actual design of the shoe hasn’t changed since 1949, and the design of the bottom of the shoe has remained the same, incredibly, since 1923!This indeed shows just how timeless Converse truly is.

Basketball legend Michael Jordan’s Olympic debut was in 1984, in which he bagged himself his first-ever Olympic Gold Medal.Through the Games, he wore a pair of Converse Fastbreak Mids, a shoe that is mostly worn by skaters today.Fast forward to 2017, and those very same Converse sold at auction for over an eye-watering $190,000.

Converse enlisted the Harlem Globetrotters, an American basketball team known for their acrobatics and tricks, to help design its new Chuck Taylor All-Star shoe. The team chopped off the sneakers’ tops, creating low-cut versions. The players then ran around in these prototypes and tested them out on the court before giving feedback to the designers on how to refine the shape of the low-top collar. This trial and error process led to the design of Converse’s Chuck Taylor All-Star ‘Ox’ – short for ‘Oxford Cut’ – in 1957.

And there you have it, folks! Converse has proven itself to be more than just a shoe – it’s a cultural phenomenon. From its pivotal role in history to its timeless design, Converse has left an indelible mark. So, next time you rock your Chucks, remember the rich heritage they carry. Stay stylish, stay timeless, and keep walking with Converse.

I was on a plane coming back from Cabo a couple months ago, and looked down and the other two people on the plane had on black Converse, just like mine! Wish I would have taken a photo.

Converse

A Comment on Our Culture

When my husband and I travel, I always have my camera ready. I love to take photos of beautiful places and fun people. I took a photo of this in Florence, in the main square. I had been shopping and was walking back to meet my husband when I spotted this family. Everywhere I travel I see this type of non-communication. This is the second painting I’ve done along this theme.

I took out the couple in the back to simply, and of course the dark shoulder on the right. I simplified the background, and had fun with the contrast of different colors.

It is 24 x 20 inches, so not too big and not too small.

A Comment on Our Culture

Artists Work SO Hard

One of my friends sent this to me the other day. It seems so true for so many things! We work so hard on our own to be successful doing what we love, and so little of the work is seen and even less is acknowledged. Moving to a new area only adds more to the bottom of the triangle. In my case I moved to a different state, where I knew very few people and literally no artists. So, not only are my connections to “my art community” changed, my collectors live in another state, the design store where I sold my big abstracts is too away to easily or practically deliver and/or to keep track of what has sold. On top of that, Social Media is constantly changing and evolving.

Have you noticed that most of the email that you receive is “junk mail”, trying to sell you something. Few people email anymore. Text is the way of the day. I don’t even begin to know or want to know all the slang that is acceptable for text. They had a quiz of the new slang words at a local Rotary Meeting, and only the members that had teenage children had any idea what most of the new slang meant. Not only do you have to move from email to text, apparently you need to learn a new world of abbreviations.

Another new way of connecting is via “Link Tree”, which I learned about, but have no clue how to do. Reels should be used on Social Media; so here is another new application that one should learn to let people know what they are doing.

Was selling your art ever easy? Probably not, but you sold it via people you knew, their connections and perhaps a gallery or more with whom you associated. Living in a town with only one gallery, that is “out of the way” of most street traffic, and a town where art does not seem to play an important role certainly changes how and how much art you are able to sell.

I’ve been lucky to sell a few pieces to people I’m meeting, and by putting a sign on the sidewalk that says: “Artist at Work”, as you cannot have an “Open” sign if you have a home business where I live. In the Spring and Summer when I am working I open the garage door to my studio, and occasionally someone comes in from the street and talks, or buys cards and on a rare occasion buys a piece of art. It is a good way to relinquish some older pieces, as everyone is looking for a “deal”.

I’ve donated pieces to local events, but never hear much about it. I am always glad to support a good cause, but sometimes think I am a good cause too! Ha Ha

Being an artist, if I have not sold something in a while I might not feel like spending so much time in my studio making art. Then someone buys a small piece and the enthusiasm comes back. I wonder if most artists feel that way.

What I really wonder is why some works make it into shows and others don’t? Is it totally up to the juror and what they personally like, or is there more to it. I’ve been accepted into several shows, but never won a prize. Looking at winners I often wonder what makes the difference? Please let me know if you know.

Artists Work SO Hard