Magic in Gualala, CA

California Art Club put together a “Paint Out” in Gualala, California this last month. I participated and really enjoyed it. There were about thirty-eight artists from all over California. For an artist, it is always fun to be around other artists. Two or three artists can be painting the same scene and they will all look entirely different.

The only downside was that I stayed in an old-world waterfront hotel. The room had a wonderful view, but It took at least ten minutes to get water warm enough to shower. The breakfast was either a stale wrapped Biscotti or a muffin of the same nature. I passed on both. There was no room service, so no clean towels, and I was there for six nights.

The beaches were clean and beautiful. The first day I painted at the park, with an expansive view.

I loved the view for viewing, but not particularly for painting. I’m not sure if that makes sense. I attempted to capture the beauty; but I felt something was missing for a painting. My opinion has not changed. Maybe it’s just too much information?

The next day, I visited a beautiful estate named “Barking Rocks.” It was named for all the seals that live on the rocks. There were about twenty of us painting around the waterfront property. I chose to paint a small and quick painting of the rocks.

I was happy with this 8 x 10 and entered it the last day to be critiqued. No one found fault with it, so that was quite nice.

The third day I drove to Cooks Beach, where several of the group were painting. I joined on the cliff above the beach. Several others took the trail down to the beach and were painting on the beach.

I painted this on a 9 x 12 panel. I liked it when working on it.

The next day was too foggy to paint. I reworked the rocks in my hotel room. Gualala is a beautiful place, but does have fog that rolls in and you can not even see the beach. I drove south to Sea Ranch first and the further I drove, the thicker the fog. I chose not to stop at places where you had to hike quite a ways to the beach. I was by myself and did not want to run into “critters”.

I turned around and drove north toward the Pt. Arena lighthouse. When I got the road that takes you to the lighthouse the fog was fairly thick. I drove out to the lighthouse, but the fog was so thick I hardly saw it. I did not paint the foggy wonder, but it is one of the tallest lighthouses on the West Coast.

The effort to find a place to paint did not work well. I painted in my hotel room that day. The final day of the Paint Out, one piece of our work was critiqued by two well-known artists. It was fun to see what other people had painted. I would have loved to have seen the other pieces they had painted, not just the one. After the critique, it was time to head home.

I met many fun people and hope to do more with the California Art Club in the future. Here is the photo from our lovely cocktail party at Barking Rocks on Thursday night in their gallery. It was my second paint out. There were no awards, so it felt more casual than others.

Magic in Gualala, CA

How to Choose Your Next Painting Inspiration

If you are not out doing a Plein Air painting, how do you decide what to paint next? I keep file drawers with lots of ideas. I collect work from other artists for inspiration. I add anything that looks good to me from an ad or magazine at the moment. I look for great photos on Facebook and ask permission to use. When I travel I take lots of photos that “might” make good paintings.

Read my blog. You will see I just did a series of pen & ink drawings of Vacaville, California, where I currently live. I completed a few more drawings for the series I did for Winters, California. This was relaxation time in the evening, as I could watch a movie, draw and use watercolor in my home.

I did a series of animals for fundraiser for a local animal shelter named Funky Chicken. My pieces are selling very quickly as they are posted on “Shine A Light – on those that Inspire“. Each day a different artist’s work of animals from the shelter is put on Facebook for sale.

Right now I am working on a fun piece. It’s from a photo my daughter-in-law took. The photo features her two daughters and niece. They are at the beach in almost matching purple swimsuits. I wanted you to see them, not the water. Hope you like it.

So, now that this is done, what is next?

Many artists stay with one theme. They paint landscapes or portraits. They paint only still lives or fruit. I get “bored” with always painting the same theme, so like to try different things. Maybe I will paint flowers next?

If you are an artist, how do you decide what you want to paint?

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How to Choose Your Next Painting Inspiration

What Can You Learn in an Art Class

I have always felt if I learn one new thing from a painting class, then it was worth the money. I took one last weekend at Folsom college, which is about an hour away from where I currently live. Setting up my easel, I realized my tripod was broken. I leveled my pochade box and just set it up on the table. That being solved I looked around the classroom and learned my first new idea. The man setting up next to me had put masking tape where his canvas sat. I thought this was so clever. I often put my finished painting in a frame. I set it on the easel to see what the finished project looked like.

Within the first five minutes I had at least one “ah ha”, and will do that going forward. Once the class began as I watched the demo, I was happy to see that the artist used many of the things I have been taught in other classes. What I loved was that he broke many of the “rules” from classes and teachers in the past.

He blocked out the design of the painting using Alizarin Crimson. He then used a roller or a large brush to indicate simple areas. It was a much faster way to begin a painting. He went on to share that every painting needs a story. He often writes a poem about his painting. I love that Idea! It is something I have started adding to all my work.

The story/poem for this first painting:

Being on a bus ~ not my favorite.
Being on a tour bus going to a wine tasting ~ getting better.
Being on the same bus ~ passing beautiful hay fields.
Now, this is good! Hey! Let’s have a glass of wine.

My first painting was from a photograph I took out of a bus ride in Hungary to go to a wine tasting at a well-know winery in the area. It was a beautiful day, and we kept passing hay fields with rolled bales. Having grown up on a farm, where we raised wheat and barley I love being out in the country. We were asked to bring our own photographs. The first day was to be a landscape. He had photographs, but if we used his photographs we could not sell our piece. I painted from a photo on my phone. It was a small photograph to work from. I promised myself I would learn how to move my photos to my Amazon Fire when I had time.

I started the painting by placing the trees and the bales. It was a fairly quick study, which I completed in a couple of hours.

Our teacher made only two suggestions. One was to darken the base of the trees. The other was to add a little green to the sky. I did both and was pleased with the result. One thing I have learned about photographing your work, is that it always views better in person and in a frame.

The next day he was going to be doing a demo on an ocean scene. I had several photos from Puerto Vallarta. I selected one off my phone because I forgot to bring photos to use as a reference. When I got home I printed a couple of photographs to take the next day. You can enlarge the photos to see a certain part. However, having a larger photo as a reference is easier.

My husband and I travel to Puerto Vallarta every year. I always enjoy the beach as it is shallow and you walk out a ways. It is also quite beautiful. I selected this photo as my second to paint.

Bringing the painting to life and wanting to draw you into the scene, I changed the colors a little. I wanted the focus to be more in the middle, where the waves are crashing. I wanted you to know the mountains are there, but not the place your eyes goes first. There were a couple of areas that drew attention to the wrong place. The instructor helped me decide what to simplify.

As I worked on this our instructor said: “When you think it’s done it’s already over-worked.” He came and said: “Leave it where it is, so you don’t lose the spontaneity of it.”

Poem/Story:
Does being at the sea bring you joy? Does it bring peace?Does it make you calm? What does? Does anything?

For my last painting of the class, I had about two hours remaining. I zeroed in on part of this photo. This allowed me to do a simple and fast painting. I finished the following painting in about twenty minutes. One of my good artist friends once pointed out: “When someone asks you how long it took to paint this piece, respond with how many years you have been studying. This indicates the effort you’ve put in to reach this point.” I have been painting about thirty years (off and on), so it really took more than twenty minutes to complete the painting.

This class was very successful for me, as I learned several new ideas. I will add them to the way I paint.

Poem/Story:

Let’s walk to the beach. I just walked down to the beach. The Light danced on the water. The surf sang songs of joy. And I knew the day was mine.

Enjoy your next class. Don’t expect to totally change the way you paint or think. Concentrate on learning something new and add it to what you already know and use. One new idea is better than none! I learned many other things in this class that I did not share, but totally enjoyed.

What Can You Learn in an Art Class

Urban Sketching

Urban sketching means so many different things to different people. I love to sketch when I travel or when I waiting for something, and when I was working on my Ph.D I would sketch whatever was on the table. I thought no one was watching, but I found out later that was not quite correct. My classmates were always curious as to what caught my eye.

Sitting on the beach in Cabo San Lucas I used pen and ink and gouache to have fun painting the locals.

On this one in Puerto Vallarta I used watercolor and gouache and pen to capture the surf. I find it very relaxing.

The men at the Taco Stand was fun to sketch using pen & ink, and watercolor. You can tell I often use a small 6″ architects ruler to get straight lines.

On a cruise we took this last year, while the boat was at sea, I would often just find a spot and sketch people or furniture.

There are so many things to choose from and so many different art supplies you can choose from. When doing quick sketches I tend to stick to just pen & ink, so I don’t have to carry around a lot of “stuff”.

If I have an afternoon free, then I carry more equipment and spend more time on the drawing/sketch. This was done sitting in the shade by the swimming pool, having a Margarita using pen & ink and gouache. I like gouache as it gives you more depth than water color, and you can paint over mistakes. I find it fun to mix with watercolor for a softened effect.

I don’t take my sketches serious, but I do try to get the drawing right, or enough off that it is just fun.

This is the fountain overlooking the water at Lindo Mar in Puerto Vallarta.

i’ve sold a few sketches, but mostly give them away after I photograph them, so do not have a book of sketches per se.

Urban Sketching

How do you decide what to paint?

I’ve been painting for about forty years. I first got a degree in art, doing acrylic abstracts. I was working in oil till a sorority sister sat on my palette right before one of our big dances, and I had to give her my dress, as hers was ruined, and mine was her replacement. Luckily we were the same size.

As I’ve had more time to spend painting and have tried many different types of art, it is interesting to watch reponses on social media of what people like and what they think I should do. If you follow my blog, then you know I did a few drawings of roosters when I was on a cruise. I gave them to one of the men that worked on the ship, as he had a farm at home with chickens. One of my friends thought that I should focus on only chickens. I like chickens, and had some of my own for a time. I do not want to draw them all the time. If you read one of my last blogs, you will see what happened to the chickens. It was really pretty wonderful.

Another friend of mine likes my mini-abstracts and tells me I should only do those! I did them as a prelude to a series of the same in a much larger format. That person told me that my larger pieces do not have the same impact as the smaller pieces? I actually like the larger ones better, and wonder how you can make that judgement from online photos?

Still another friend loves my impressionistic work, and thinks I should focus on that. So who do you listen to, or do you listen to anyone at all. Other friends have asked me to do portraits, and I have done many of those.

No one asks me what I enjoy the most. Maybe they should ask: “What sells the most?” I’ve had someone ask me “Why do I want to sell my art?” I wanted to say something not so nice, but just said that the art supplies were expensive. It was a complete lie! Artists want to be known for what they do and how they do it, and making a little money would not be bad either?

I guess the big question is: Why do people think they should tell you what to do? Or in other words, why do people want to control someone else’s life?

My conclusion is that you should draw or paint whatever you enjoy. If it sells, then great. But if it does not sell, then at least you have enjoyed doing it. I actually donate a lot of my art to local organizations.

How do you decide what to paint?

My First Plein Air Paint Out

Life is about the experiences we have, not about what we have or often what we do. I’ve been painting for several years and never really entered a larger competition. I took a class in Mendocino and my teacher suggested I should join the upcoming Mendocino Paint Out; so I signed up. As the weeks went by, I collected frames and made sure I have enough canvases. I made an hotel reservation, and thought I was set to go.

About a week before I was set to leave, I thought I should check with the hotel about my reservation. I am glad I did, as I accidentally booked a room with twin beds and a bathroom down the hall. I upped it to another room with twin beds, but my own bathroom. In the interim, my husband decided to join me for the weekend festivities, so when I arrived I asked if I could upgrade a little more, so I would have one bed, not two. I ended up having a living room, bedroom and bath, which was large, but very old and very sad. The draperies in the rooms, had blackout shades in shreds. At one time they must have been beautiful, but today they were old and looked tired. Everything looked tired. It could have been spectacular with a little love and maybe a little money.

When I got back to my room after dinner, and discovered the TV did not work, I was glad for my IPad and was set to watch a movie on it. But as I pulled back the sheets I noticed a fairly small drop of blood on both the top sheet and the bottom sheet. That did not make me smile, but I was tired from the long windy drive in pouring down rain. I just crawled in, poured myself a glass of wine and watched my “Chick Flick”.

And then it began: The first day, we all (or those who started that day) lined up to have the back of our canvases stamped. We could enjoy viewing the one piece painted before the paint out, that everyone was to bring and hang. It was a wide of assortment of talent and style. The three main artists (the judges) had their work on display. The work was interesting and varied, consisting of two oil painters and a watercolorist. Although their work was artistic, it was not particularly to my personal liking. I would learn a lesson from this later in the week.

So we all took off to find out place to paint the first day. I headed to Little River Inn, where I has stayed before, and enjoyed the distant view. I finished my first painting in a couple of hours, and headed back to town to get a bite of lunch. Waiting in line, a nice young man informed me there was a spider on my backside, before he knocked it off. I had been sitting on a quite old and damp bench painting. As it turns out, I was lucky he saw it and ended its life, as it was a Black Widow. So that was how my week began?

View from River’s End Inn

My first painting was 20″ x 10″, and I painted it in an already framed canvas. I forgot to have this one stamped, so had to call to get permission for it to be allowed. They were very nice, and let me use this the first day. I had time after lunch and it was a beautiful day.

I had discovered when I set up my palette to paint, that my plein air paints had all dried out, so I decided to drive to Fort Bragg to a local and wonderful art store to refresh all my oil paints to the tune of $260. Fresh and new, but an expensive lesson. Since I was already in Fort Bragg, I ventured to MacKercher Park, hoping to paint the lagoon. As I was setting up, a creature crawled out of the lagoon with a direct line toward me. I did not know what it was, but it did not look “friendly”! I had never seen, what I found out a few moments later, was a Crawdad, alive. Luckily a young woman in the parking lot knew what it was, as her father was a commercial fisherman. But I decided I would go to the other side and paint the beach!

When I got to the beach, the fog was setting in and I could not decide what view to paint. It was busy with lots of people. I generally like to paint quietly in my studio or in a more deserted spot for Plein Air.
I did spend a lot of time on this one, and I am afraid it shows. By the time I finished my first day of painting I was pretty tired and wind-burned. Nevertheless, I took it back and hung it on my wall. The Art Center provided free pizza that night, and they even had gluten free. That and glass of wine was perfect!

The next day, I decided I would paint one of the beautiful houses downtown. I worked on it most of the day, and wiped it clean at the end of the day, not liking it. The next day I tackled it again and upon finishing it called it “a day”.

By this time, I am beginning to think that I do not work as well under pressure. The next day I went to Fort Bragg with a very nice woman I met to paint at the harbor. I decided to paint something a little more simple. I painted the trees on the hill above the harbor.
It was fun and relaxing and we painted in an area where there were not many people.

The last day was a quick draw contest. They give you a location and send you out. You have about a half hour to set up and two hours to paint. This year it was downtown Main Street. You could paint the beach or turn around and paint the town. There were 50-60 artists all painting downtown. I chose to go quite simple and painted the distant shore. I never knew so many small bugs could fly into a painting. Apparently they like the smell of the paint. I still need to finish the piece I did, as a gnat flew into it after I hung it up on the wall.

You can see the bug and the scratch marks, where someone tried to remove it.

That evening they had the rewards ceremony. My lesson with all this was: If you are not particularly fond of the work of the featured artists (judges), why would not be surprised that you would not have selected the same pieces to win the awards? Of all the talented artists in the contest, I did not agree with most of the winners. Many that were by far better, did not win any awards. Of the awards given, often another piece by the same artist was more beautifully executed. One of the awards went to the husband of one of the judges, and it was the one I really thought was color straight from the tube, poorly drawn and actually a little ugly.

I did not go expecting to win. I went for the experience and an experience it was! I met a lot of really nice people, and a few that were a little too overzealous about their art. I ate some great food, and some not so great food. I could not find a good latte anywhere in town, but the raw oysters in abundance made up for it, even if they were flown in from Washington State.

Many artists do ten to twelve of these a year. I found it exciting, exhausting and challenging. Would I do it again? Maybe for a shorter duration? I might try doing another medium, as no one was doing gouache, there were only a couple pastel artists and maybe one doing acrylic. That might up the odds of having a chance to win. Some paint outs provide a free place to stay, so that might make a huge difference expense wise. There are so many factors that go into deciding what to do with your art.

My First Plein Air Paint Out

Redoing a Painting

When we were staying in Newport and having dinner, this fishing boat passed by the window. I liked the composition, but not the colors. I thought about it for a while and decided I would try to add a sunset behind the bridge. I painted this about a year ago, and still thought it looked a little dull.

This is the original attempt and it seems lack-lustre.
So I gave it a little more life today, and now I think it is dancing almost too much and I really am not wild about the colors. The fishing boat is too centered in the painting and I think it is “dump worthy”. this just goes to show that you are not always successful with your painting. But if you do not try new things, then you do not grow. As I look at the composition, it is not my best.

What shall I paint tomorrow?

Redoing a Painting

So I’m going to be featured artist in a local gallery

It was a last minute happening, so I have to take pieces that are already framed, as other than two inch canvases everything needs to be framed and ready for hanging. Fifteen pieces are now ready to go. In other galleries where I’ve shown my work and had my own show, you took your work in, hung it yourself and each one was labeled on the wall with information: Price, size, material & etc. At this one, there is a list to be made, someone else hangs your show and each piece has a rather complicated tag. It took all day to pull this together, and I still do not have a list of cards yet. Those need to each have a description, even though I put the name of the piece on every one.

It is about this point if you wonder if it is worth the work? Since I am new to the area, it will be interesting to see if anything sells?

This the largest piece I am showing at 36″ x 36″. It has been in my family room for the last year and I do like the piece, but needed a “Show-Stopper”. Hope it catches the attention of people coming into the gallery. It was painted after the fires in Vacaville and is called: “The Air is Clearing”. It is available for $2500.

Lagoon Valley was painted from a photo I took while walking around this lake. It is 24 x 18″ and is for sale for $750.00.

“And the Ducks Liked the Boat” was a derelict boat in a small canal that I photographed, while we were out looking for Christmas Trees last year. We did not get a tree, but this photo of the boat was lovely. It is 14″ x 11″ and available for $550.00
“Down By the Sea” is a Plein Air from Monterey. It was such a beautiful spot! Hope I captured the essence of the scene! It is 12″ x 9″ and can be yours for $450.
Mardi Gras is a smaller 7″ x 5″ watercolor that is framed and for sale at the gallery for $250.

A River Runs Through is 12″ x 9″ and available for $450 at the gallery.

There are several other pieces.

Come visit the Fairfield Suisun City Visual Arts Association

1350 Travis Blvd, Fairfield, CA 94533

So I’m going to be featured artist in a local gallery

Sometimes It’s Just the View

The view from our motel in Dillon Beach was just so beautiful. I took a photo of it and loved the photo, but I wanted to make it softer. It was early in the morning and the sun was soft on the water. Looking at it now, I see I need one straight line in the left side. And looking below, I think a little change can make a big difference. This came together in one day and is 20″ by 10″.

People often ask artists how long it took to paint a painting they might be interested in buying. What they don’t take in to account is how many years, how many lessons, how many paintings did it take to get to this point? One of my friends, an industrial designer once told me it took years of practice to get to the point where you could do something in a limited amount of time. I think that is so very true! When I first started painting I used larger canvases and most likely wasted a lot of good paint on them, but they helped me define what I now enjoy doing.

Sometimes It’s Just the View

The Quiet Teacher

David Marty is a local to our area artist that teaches two-day classes in Edmonds at The Cole Gallery and sometimes once a week for six weeks on Bainbridge Island at The Winslow Art Center.  I have taken four classes from his so far with two in Edmonds and two on Bainbridge.  It is always interesting to see the level of the painters at the two different environments.  In Edmonds, there are usually a couple artists that are quite accomplished blended with more with little or no experience. I always learn at least one tidbit that helps to improve my own paintings.  Bainbridge classes are often comprised of many of the same artists that I have taken other classes with, and most all have been painting for several years.

Dave’s work is not quite as loose as some other Plein Artists, but it is always beautifully done. Coming from an illustrators background, his drawing is always “right-on'”. I have improved my drawing skills taking his classes and doing Urban Sketching with a group on Bainbridge Island.

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In David’s classes the entire class paints from the same photograph.  It is so interesting to watch throughout as the artists turn the photographs into beautiful paintings.  If you were to look at the finished pieces you realize just how differently people see. I love watching the artistic process as many of the pieces transform as they are painted.

In the classes on Bainbridge, we were always given a homework assignment to work on at home and bring for critique the following week. Painting Class 1.jpg

This was the first piece we worked on in class.  David would do a demo in the morning, then we all painted the rest of the afternoon and put up our work for a critique at the end of the session.  This class was to work on water receding in the distance.  I walked away content with this piece.

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The second was a scene of a lake and the challenge was to show the lilies on the surface without making it look speckled.  The one above is mine.

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We next worked on the reflections and lighting in this lake scene.

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This was painted from a photo with a row of flowers.  I did not love the photo, so I reversed it in Photoshop and added a little girl picking the flowers in the front.  Once finished I thought and think it looks a bit trite.

Then we started painting a couple of roads, which I thought was great fun. Painting Class 5.jpg

I can always tell when I enjoy the topic we are painting, as I most likely will be happy with the result.

 

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How to make a wall of trees look interesting was a challenge and it was a homework assignment.  I did feel this was successful as it has variety and keeps your interest.   David never says anything negative about your work, but makes quiet thoughtful suggestions on what might improve it.

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Making rocks look like rocks is always a challenge and how to get the right color, so they look real but beautiful at the same time.  This was hard to capture, but I think it reads as rocks.

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Another road with the task of making the road appear beautiful and interesting while receding believably into the background.

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Painting the Night Scene of a city was fairly new to me.  I went with a little whimsy and fun and more abstract than real.  David liked how I did the lights in the background and thought he might change his to a little more like mine.  Boy, did that make me smile.

 

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We all painted “The Red Barn”.  Growing up on a farm, I have always been attracted to barns and have painted several over my life as an artist.  This is a small 8 x 10 inch with a bad glare in the photo, but it was fun doing.

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Homework assignment to paint clouds.  The tidbit I learned from this exercise is that clouds are always parallel to the earth at the bottom, so they are flat at the bottom.  Not my favorite painting, but it was a very simplistic photo.

 

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The homework assignment was to capture the clouds in a painting from a photo of the clouds.  Mine was a good as anyone else in the class, but nothing I would try to sell.

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Everyone in the class liked this, but I sanded it down and repainted the canvas.  The wave looked more like a ledge than waves to me.

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Beach walkers One.

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Beach walkers Two.  I did not like the first rendition, so I painted it a second time.  Not sure that I like either of them.

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From the sea, we moved to snow scenes.  I painted the one on the left in class, but it left me feeling unsuccessful, so I painted the one on the right.  It is a fun exercise to paint the same photo more than once and in slightly different styles.

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With the next homework assignment of snow, I painted the first horizontally and the same scene vertically.  Working on composition helps you see the same thing in a different manner.

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I brought in a photo I found online of Port Gamble, so we all had a take on this.  Port Gamble.jpg

In this case, I have the photo and thought it might be fun for you to see my translation of the photo.  I left out the tree in the foreground.  I do love the mist of the photo and feel at least I captured the essence of the mist.

 

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We were to paint this stream for homework.  Often when I look at a photo, I wonder what would be the best way to try to make this come to life.  When David showed his homework, it was mostly in browns, and I must admit that his rendition was more appealing than my greener version.

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One of the students brought in a photo of Madronas on her property, and while they are lovely, it was a test of sorts to make an interesting painting.

 

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Here is the photo. 2.jpg

First version

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Finished version adding more darks.  I often do not go dark enough, so this was a great lesson in contrast.

The next class I took from David was at Cole Gallery and the class was about learning to paint moving water and how to draw your eye to the water.

 

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I was pleased with the first painting but got my reflections off on the second.

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This was the final painting in that particular class.  I do see water and color in a different way than before, and everyone in the class liked this painting.  I am not so sure that painting just water is my favorite.

Every time I do take a class with Dave, I learn at least one thing.  I enjoy watching how he holds his paintbrush to achieve the look he desires.  Every stroke is thought out and it important.  There is not scrubbing!

The Quiet Teacher